THE NORTH: Review

Director and Writer: Bart Schrijver
Starring: Bart Harder, Carles Pulido, Olly Bassi, Gráinne Blumenthal, Theo Fraser, Luisa Hendry, David Honeyman, McQuiston John, Chris Lawlor, Pep Planas, Jacob Smyth, Matthijs van de Sande Bakhuyzen, Sharon Verdegem, Steve Walker
Genre: Adventure, Drama
Country: Scotland
Language: English, Spanish, Nordic

Can you recreate moments of the past or do you start anew?

Director and writer Bart Schrijver’s THE NORTH tells the story of the long and grueling hike of Chris (Bart Harder) and Lluis (Carles Pulido), two childhood friends who connect after a decade to recreate their 600 kilometers journey through the Scotland’s Highland Way and Cape Wrath Trail

With the beautiful backdrop of the West Highland Way and Cape Wrath Trail, Chris is focused on his wife, starting a family, and his job, while Lluis is trying to find his purpose.

THE NORTH reminds you of the beauty and the benefit of being in nature and the importance of friendship and family. It is a very good film.

Cinematographer Twan Peeters captures the true essence of their journey. It gives you a place on the trail, making you feel you are hiking along with them.

Bart Schrijver writing creates meaningful and heartfelt conversations between Chris and Lluis as well as others, as they connect after 10 years and try to relearn about each other.

Editor Gijs Walstra brings the film together so Chris and Lluis story flows effortless from scene to scene.

THE NORTH, filmed in the real place of Scotland’s Highland Way and Cape Wrath Trail is an idle location for a film of two old friends on a more than 300 miles hiking journey. The hills, the valley, waterfalls, lakes, and ocean are beautiful backdrop and provide a sense of peace.

When Chris and Lluis reconnected after a decade’s absence by going on the hike of a lifetime, while finding out who they are today and to each other. Are people able to recreate moments of the past or is it necessary for people to start anew?

Distributor: Incredible Film
Production Co: Tuesday Studio
Director and Writer: Bart Schrijver
Run time:  2 hours and 12 minutes
Starring: Bart Harder, Carles Pulido, Olly Bassi, Gráinne Blumenthal, Theo Fraser, Luisa Hendry, David Honeyman, McQuiston John, Chris Lawlor, Pep Planas, Jacob Smyth, Matthijs van de Sande Bakhuyzen, Sharon Verdegem, Steve Walker
Cinematography: Twan Peeters
Editor: Gijs Walstra
Composer: Michiel Nieuwenhuijs

 A24 Undertone

Director and Screenplay: Ian Tuason
Starring: Nina Kiri, Adam DiMarco, Michèle Duquet, Keana Lyn Bastidas, Jeff Yung, Sarah Beaudin, Brian Quintero
Run time: 1 hour 34 minutes
Country: Canada
Language: English

Evangeline "Evy" Babic is a young woman with a Catholic upbringing, living alone with her comatose mother, for whom she provides care. She and her friend Justin run The Undertone, a horror podcast where they report on supernatural occurrences, which Evy dismisses as hoaxes while Justin fully believes they are real. One day, Justin is sent an anonymous email containing a seemingly random string of letters and ten audio files, which they play on the podcast.

Distributor: A24 through VVS Films
Producers: Dan Slater, Cody Calahan
Cinematographer: Graham Beasley
Editor: Sonny Atkins
Music: Shanika Lewis-Waddell
Production Companies: Black Fawn Films, Slaterverse Pictures, Spooky Pictures, DimensionGate, KINO Studios, Feel Everything

LINKIN PARK: UNSHATTER in Theaters September 30th

A FILM BY JOE HAHN

UNSHATTER FILM SOUNDTRACK (LIVE IN SÃO PAULO)

RELEASES SEPTEMBER 25, 2026 – Available for Pre-Order NOW*

The hardest part of ending is starting again.

After a seven-year hiatus following the devastating loss of their beloved bandmate Chester Bennington, LINKIN PARK’S remaining members struggled to find their way forward. Their shared history and enduring friendship, combined with the fresh perspective of two new band members Emily Armstrong and Colin Brittain spark a renewed creative energy that leads them on a transformative journey of artistic reinvention.

Following the band from intimate 2022 studio sessions through their explosive FROM ZERO album release and concert in São Paulo, the film UNSHATTER weaves together rare vault footage, electrifying performances from sold-out shows, and candid interviews with band members and fans—capturing the raw, honest story of what it means to start over.

This accompanying Unshatter Film Soundtrack (Live in São Paulo) features transcendent performances of songs spanning their entire career, including exclusive recordings not experienced in the film.

DIRECTOR STATEMENT FROM JOE HAHN:

The title UNSHATTER came from the idea that something can be broken, rebuilt, and still carry its scars. To me, resilience isn't about pretending something never happened. It's about accepting what happened, honoring it, and finding a way to keep moving forward. That felt like the best way to describe both the film and our journey. This is really a story about loss, friendship, creativity, and reinvention.

UNSHATTER follows a very particular moment in Linkin Park’s history and documents a path through loss, uncertainty, friendship, and reinvention. Our friendship, our shared history, and the new creative energy that Emily Armstrong and Colin Brittain brought into the band helped us discover that beginning again didn't mean leaving the past behind. It meant carrying it with us.

This wasn't supposed to be a documentary. It started with an opportunity to film our 2024 show in São Paulo, just wanting to capture that moment. But the more we kept the cameras rolling, the more we realized there was a much bigger story unfolding. After seven years away, we honestly didn't know what the future of Linkin Park looked like. We were figuring it out as we went. None of us knew if the band would evolve the way it did, how fans would respond, or where any of it was leading. I didn't want to make a film that looked back on everything with perfect clarity. I wanted people to experience that uncertainty the same way we did in real time.

I've lived this story from the inside, so I had a perspective that only a bandmate and a friend could have. That also came with a responsibility to be honest. It would have been easy to tell the version people expected or the version built from headlines and interviews, but that was never the goal. I wanted to capture the conversations, the doubts, the creative moments, and everything in between that only the people living through it could really understand.

As a filmmaker, I had to approach this differently than anything I'd done before. My background is in music videos where you're always thinking about visuals and style. On this project, every creative decision had to support the story instead of getting in the way of it. The editing process was really about finding the spine of the film. We had hundreds of hours of footage and thousands of index cards covering every possible direction the story could take. Working with Igor Kovalik, who's edited Linkin Park videos for years, we kept asking ourselves the same question: are we telling the story as we actually lived it?

Coming back was a huge leap of faith. We decided that if we were going to do it, we wanted to go all in because we wanted it to feel meaningful for the fans who had stayed with us through everything. Making this film also reminded us how much our songs mean to people. They've always lived somewhere between darkness and hope, and seeing how they've continued to help people over the years became one of the biggest reasons to tell this story.

More than anything, this film is a thank you to the fans. It's our chance to share the whole story instead of having people piece it together through speculation or bits and pieces over the years. I hope longtime fans see parts of our journey they've never seen before, and I hope people who are just discovering the band come away with a better understanding of how we got here. But even beyond Linkin Park, I hope people connect with it as a story about relationships, resilience, and what it really takes to move forward when you don't have all the answers

View New Trailer:  PLUTO FILM’s SICK

September 14, 2026- PLUTO FILM announced today that it has picked up worldwide sales rights for Agata Trzebuchowska’s SICK ahead of the film’s World Premiere at Fantastic Fest 2026 in September, followed by the European Premiere at the prestigious Sitges Film Festival in October.

An atmospheric and unsettling film about the horrors of growing up, SICK is directed and written by Agata  Trzebuchowska (IDA) in her feature film debut, produced by Patryk Sielecki and Adrianna Rędzia and stars Konrad Kąkol, Katarzyna Łubik, Monika Niemczyk, Julian Świeżewski, and Eliza Rycembel.

During the summer holidays, sixteen-year-old Maks (Konrad Kąkol) and his older sister Emma (Katarzyna Łubik) are sent to the Polish countryside to care for their ailing grandmother.  Trapped together in the heavy, stifling isolation of the summer heat, the siblings’ bond begins to shift into something unsettling and difficult to define. As tensions rise and boundaries begin to blur, their grandmother’s frail presence takes on an increasingly disturbing quality, turning a once-idyllic summer into a haunting passage into adulthood.

AGATA TRZEBUCHOWSKA is a director and screenwriter. She first gained international recognition for her lead role in IDA, directed by Paweł Pawlikowski, which won the Academy Award for Best Foreign Language Film and earned her an EFA nomination. Her short film debut, HEAT, premiered at the Sundance Film Festival. Her subsequent short, VACANCY screened at top festivals across the world including Go Short and Flickers’  Rhode Island International Film Festival.  In addition to her feature-length debut SICK, she is currently in pre-production on THIS IS NO PLACE FOR YOU, a Polish-French co-production and URKE, a surreal mockumentary co-written with Mateusz Kłodecki.

“ We are very happy that SICK has found its home at Pluto Film. From our first conversations, we felt that they understood both the film’s provocative nature and the tenderness hidden beneath its genre elements. The world premiere at Fantastic Fest and the European premiere at Sitges are an exciting beginning for the film, bringing it to audiences open to bold and unconventional stories. At the same time, we believe SICK can resonate beyond the genre circuit, as it is ultimately a deeply emotional story about adolescence, desire and dependence, centered on a relationship that crosses every possible boundary. Together with Pluto Film, we hope to preserve the film’s uncompromising identity while helping it reach audiences around the world. We are excited to see where this journey takes us,” commented Producer  Patryk Sielecki on behalf of the Polish production company Lumisenta.

Daniela Cölle, Managing Director at Pluto Film continued:  “We are thrilled to welcome SICK to Pluto Film’s slate. Agata Trzebuchowska has created an atmospheric and unsettling horror film that transforms the oppressive calmness of a summer into a powerful psychological landscape. Rather than coming-of-age story, SICK is the horror of growing up, exploring the fear, confusion, and loss of certainty that accompany the passage into adulthood. Through the shifting relationship between Maks and his sister, Emma, the film examines isolation, family bonds, and blurred boundaries between childhood and adulthood. We were captivated by the film’s distinctive tone, emotional complexity, and ability to create unease through suggestion rather than explanation. We believe SICK is a bold debut with strong potential to connect with both international genre and crossover audiences who like edgy and original films.”

ABOUT PLUTO FILM

Pluto Film is an international sales, festival distribution, production and consultancy based in Berlin. We are committed to engaging global cinema and devoted to feature films, so they reach and engage audiences globally. Our focus is on arthouse and cross-over films, especially those by emerging talents, but our lineup also includes charming family films, elevated genre films, and documentaries.

Across all our activities, we work closely with the filmmakers to package and position their films effectively. In a collaborative practice, we develop fitting Audience Design strategies that maintain the soul of the film while maximizing its distribution potential. This creates a distribution network that spans from filmmakers and producers to distributors across all territories and plat- forms, facilitating collaboration throughout the film value chain.

Recent titles include I MATTER directed by Alina Serban which premiered at the 2026 Venice International Film Festival, CHICA CHECA directed by Šimon Holý, SUMMER WAR directed by Alicia Scherson, Animated feature EXTRAORDINARY directed by Marina Andree Škop and Vanda Raýmanová, ATLAS OF THE UNIVERSE directed by Paul Negoescu, THE PUPIL directed by Karin Junger and FUNERAL CASINO BLUES directed by Roderick Warich.

Willa’s TAKE ME HOME in New York City September 23rd and 24th and Los Angeles September 30th and October 1st

Take_Me_Home_May11

Director, Writer and Producer: Liz Sargent
Cast: Anna Sargent, Victor Slezak, Ali Ahn, Marceline Hugot, Shane Harper
Producers: Apoorva Guru Charan and Minos Papas
Executive Producers: Janet Yang, Ai-jen Poo, Give Not Take Media, Caring Across Generations, Cinereach, and River Road Entertainment
Run Time: 1 hour 31 minutes

TAKE ME HOME opens in New York at the IFC Center on September 23 and in Los Angeles at the Laemmle on October 2 and the American Cinematheque Los Feliz 3 on October 7, followed by select theaters nationwide.

TAKE ME HOME follows Anna, a 38-year-old Korean adoptee with a cognitive disability, who lives in a delicate balance in suburban Florida, serving as a caregiver for her aging parents while navigating her own need for support. When a severe heat wave shatters her family’s fragile routine and exposes her father’s hidden signs of dementia, Anna’s world is thrown into uncertainty. Forced to confront the systemic failures of the American healthcare infrastructure, she must fight to carve out her own path toward autonomy, independence, and chosen community.

View New Clip: Jimmy Buffett Documentary OCCUPATIONAL HAZARD: The First Coral Reefers

Greene Street Entertainment, in association with Confluence Productions

Present

Director: John H. Cunningham
Featuring:  Kenny Chesney, Mac McAnally, songwriter Keith Sykes, The Coral Reefer Band
Narrator: Jeff Bridges
Producers:  John H. Cunningham and Ted E. Haynes
Run time:1 hour 32 minutes
Country: USA
Language: English

OCCUPATIONAL HAZARD: THE FIRST CORAL REEFERS is a feature documentary that journeys back to the 1970s and early 1980s to tell the origin story of Jimmy Buffett’s original Coral Reefer Band. Set against the creative backdrop of Key West, the film explores the musicians, friendships, touring years, and studio sessions that helped shape Buffett’s legendary sound.

Through rare, never-before-seen archival footage and deeply personal interviews with founding members, tour managers, producers and music legends, OCCUPATIONAL HAZARD captures the camaraderie, chaos, and magic of an era that thrived on freedom and lived without a rulebook.

Narrated by Academy-award winner Jeff Bridges, OCCUPATIONAL HAZARD offers fans a deeper look at the people behind the music and the era that helped define Jimmy Buffett’s lasting legacy. This film is a tribute to Buffett and the original Coral Reefers, the places and people that shaped them, the volatile beauty of a musical moment that couldn’t last but changed everything and their candid sentiment toward Buffett. It’s the origin story upon which the Parrot Head empire was built upon, by the people who helped lay the foundation.

Official Website:
www.occupationalhazardfilm.com

Instagram:
www.instagram.com/theoccupationalhazardfilm

Facebook:
https://www.facebook.com/people/Occupational-Hazard-Film/61585990122584/

YouTube:
https://www.youtube.com/@OccupationalHazardFilm

JOANNA NATASEGARA’S “THE DISCIPLE: A WU-TANG FABLE” ON NETFLIX OCTOBER 16th

The Disciple: A Wu-Tang Fable is a Netflix Documentary in association with Studio Gebbia, Film4, 36 Cinema, Sony Music Vision; an Aluna Entertainment and Violet Films production

The Disciple. (L to R) Tarik Azzougarh, The RZA and Jeremy Waterloo in The Disciple. Cr. Tarik Azzougarh

Director and Producer: Joanna Natasegara
Producers: Abigail Anketell-Jones, Lauren Dark and Vanessa Kirby.
Executive Producers: The RZA, Joe Gebbia, Jason Ropell, Abazar Khayami; David Kimbangi, Farhana Bhula and Ollie Madden for Film4; Trevor Burgess, Gary Hess and James Costa for Bird Street Productions.
Editors: Chloë Lambourne and Chris Dickens.

The true story of an outsider whose relentless determination catapults him into the Wu-Tang Clan's inner circle, where ambition and creativity converge to record an album destined to ignite global controversy.

Academy Award-winning producer Joanna Natasegara makes her feature directorial debut, tracing the decades-long journey of Dutch-Moroccan rapper and producer Cilvaringz, who transformed himself from the group's most devoted fan into the unlikeliest of disciples to his childhood heroes, including The RZA, whose mentorship shapes the odyssey that follows.

Director and Producer Joanna Natasegara: "For the last 5 years making this film has been a labour of love and discovery for me. Initially I was inspired by a teenhood love of Wu-Tang and a story about the secret album Once Upon a Time in Shaolin too intriguing to miss. In the making I discovered so much more about why Tarik, myself, and so many of us idolise them. They stand for so much that is so needed right now - community, talent, tenacity, innovation and love. I'm so thrilled audiences will get to spend time in this world I've loved so much."

That journey culminates in Once Upon a Time in Shaolin, a 31-track album packaged in an ornate, handcrafted silver box and auctioned to the highest bidder in 2015. Only one copy will ever legally exist. Its scarcity is a form of protest, and an argument that music still holds intrinsic worth as art in a digital age.

The result is one of the most controversial artifacts of our time that sparked ongoing conversations about technology, creation and ownership. It's also a story about how far one outsider went to belong.

DAYS OF THUNDER AT DAYTONA INTERNATIONAL SPEEDWAY!

DAYS OF THUNDER IS ONLY IN THEATRES, INCLUDING DOLBY CINEMA, 4DX, PREMIUM LARGE FORMATS, AND IMAX ON JUNE 2, 2028!

AND FOLLOW @TOMCRUISE FOR MORE EXCLUSIVE CONTENT!

#DAYSOFTHUNDERMOVIE

Director: Jonathan Levine
Screenwriter: Will Staples
Producer: Tommy Harper

Tom Cruise will return as NASCAR driver Cole Trickle and will be joined by Anne Hathaway who is set to play a team owner and engineer in the upcoming follow-up to the groundbreaking 1990 film that revolutionized cinema. Cruise will star and produce alongside Jerry Bruckheimer and Tommy Harper. Jonathan Levine is set to direct from a script by Will Staples.

ABOUT TOM CRUISE

Tom Cruise is a global cultural icon whose films have earned over $13 billion in worldwide box-office. A three-time Oscar nominee and producer of the Best Picture-nominated Top Gun: Maverick, he has for 46 years defined a career of iconic roles, from Risky Business and Jerry Maguire to the Mission: Impossible series. An accomplished aviator, stunt performer, and philanthropist, Cruise continues to push cinematic boundaries and champion the theatrical experience, with Digger from Alejandro G. Iñárritu up next.

ABOUT ANNE HATHAWAY

Anne Hathaway is an Academy Award-winning actor and producer best known for Les Misérables, The Devil Wears Prada, The Dark Knight Rises, Interstellar, and Ocean’s Eight. Most recently, she starred in Mother Mary, reprised her iconic role in The Devil Wears Prada 2, reunited with Christopher Nolan for The Odyssey, and performed in The End of Oak Street opposite Ewan McGregor. Next, she acts in the title role in Verity, based on Colleen Hoover’s bestselling novel.

View Official Trailer: NETFLIX BEST OF THE BEST starring Maitreyi Ramakrishnan, Priyanka Kedia, Hasan Minhaj, and more!

Releasing Globally on Netflix September 18

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Director: Lena Khan
Writers: Hasan Minhaj and Prashanth Venkataramanujam
Key Cast: Maitreyi Ramakrishnan, Priyanka Kedia, Ankur Rathee, Janina Gavankar, Chaneil Kular, Becky Alex, Shreya Navile, and Hasan Minhaj
Additional Cast: Nihar Duvvuri, Nico Greetham, Amryn Khurana, Tanishq Joshi, Lilly Singh, Saara Chaudry, Sasha Bhasin, Kavi Ramachandran

Two childhood best friends, Maya and Anjali, join UCLA's competitive Bollywood-fusion dance team, only to discover that the road to winning the U.S. Championship is far more raucous and cutthroat than they ever imagined.

Producers: Jonathan Eirich for Rideback, Hasan Minhaj and Prashanth Venkataramanujam for 186K Films
Executive Producers: Ellen H. Schwartz, Ryan Halprin
Choreography BY: Phillip Chbeeb, Makenzie Chbeeb
Co-Choreographer: Joya Kazi

THE ARROW AT REST AT EVERY INSTANT OF ITS FLIGHT – Premiering at Edinburgh Film Fest!

Required Viewing Logo
THE ARROW AT REST AT EVERY INSTANT OF ITS FLIGHT

Releases August 14, 2026

Official Selection - Edinburgh International Film Festival - Lynda Myles Celebrates

Director and Producer: Theodore Schaefer
Writers:  Patrick Lawler & Theodore Schaefer
Starring: Gus Birney, Jack Haven, Roberta Colindrez, Daniel Zolghadri, John Early, with Dylan Baker, Josh Mostel, Reed Birney, and Constance Shulman
Genre: Drama
Run time: 1 hour 21 minutes
Country: USA

Director and Producer Theodore Schaefer's new film THE ARROW AT REST AT EVERY INSTANT OF ITS FLIGHT is a satirical triptych that follows three young women, who all look identical. One girl stages a heist, another discovers her secret lover is also sleeping with her boyfriend, while the third sets out to save a woman from suicide.

Three seemingly disconnected stories unfold across New York City. Gus Birney stars as Violet, a jaded arcade worker, Sinopia, an upper-class professor bored with her marriage, and Jade, an endlessly cool young woman who decides to help a stranger out of her debt. Meanwhile, a woman with a suitcase (Constance Shulman) moves through the city in search of the doppelganger trying to take over her life. Surreal, comedic and reflexive, this film plays out like free jazz, with writer-director Schaefer deftly pulling us through this whirlwind black-and-white flight of fancy.

About Theodore Schaefer
A New York-based Director and Producer. His feature film debut, Giving Birth to a Butterfly, premiered at the Fantasia International Film Festival to critical acclaim. The New York Times praised the film’s “enthralling sense of atmosphere” and Film Threat called it “Donnie Darko meets Twin Peaks.” The film was released theatrically by Cinedigm and Fandor in 2023. Theodore’s recent commercial work includes the viral Blockbuster ad that won three Cannes Lions, including the Gold prize for Breakthrough on a Budget (2023). Through Dweck Productions, Theodore has produced a slate of successful features, including We're All Going To The World's Fair (Sundance 2021, Utopia and HBO MAX), The Adults (Berlin 2023, Universal), Tendaberry (Sundance 2024), Christmas Eve in Miller’s Point (Cannes Directors Fortnight 2024, IFC),  Vulcanizadora (Tribeca 2024, Oscilloscope), and Maddie’s Secret (TIFF 2025, Magnolia).

Producers: Daniel April, Hannah Dweck, Hannah Kettering, Sherwyn Santos
Executive Producer: Jane Schoenbrun