“Who Is Stan Smith?” Opens May 3rd in Los Angeles and New York and in over 50 Markets May 10th: View New Clip: View New Clip

Key Arta

Release date: May 3, 2024
Director:  Danny Lee
Run time: 1 hour 35 minutes
Genre: Documentary
Country: USA

“Who Is Stan Smith?” film tells the story of the groundbreaking athlete who went from being one of the world’s greatest tennis stars, to a leading civil rights and AIDS activist, blazing a trail along the way with his namesake Adidas sneakers – the iconic shoe that has become a fashion statement for hip hop musicians and celebrities for more than 50 years. The film features extensive interviews with Stan Smith, his family, and many of the world’s most famous athletes and celebrities including John McEnroe, Darryl “DMC” McDaniels, and Donald Dell.

Release date: May 3, 2024
Director:  Danny Lee
Run time: 1 hour 35 minutes
Genre: Documentary
Country: USA
Distributor: Monkey Wrench Films helmed by Tom Putnam  and Henry C. Lystad
Executive producers: LeBron James, Maverick Carter, Jamal Henderson, Alexandra Dell, and Donald Dell
Producers: UNINTERRUPTED within  The SpringHill Company (TSHC), and in association with CALICO

All Is Well Pictures in Association With Ford Foundation, and Scandobean Productions’ PHOTOGRAPHIC JUSTICE: The Corky Lee Story Premieres on PBS May 13th

POSTER-THEATRICAL-FINAL


Director: Jennifer Takaki
Run Time: 1 hour 27 minutes
Language: English
Rating: Not Rated
Genre: Documentary Feature
Country: USA

PHOTOGRAPHIC JUSTICE: The Corky Lee Story an OFFICIAL SELECTION: DOC NYC, CAAMFest, Los Angeles Asian Pacific Film Festival (LAAPFF), Asian American International Film Festival (AAIFF) and many more.

9.11 SIKH 2001 (Credit Corky Lee
9.11 SIKH 2001 (Credit Corky Lee

For 50 years, Chinese American photographer Corky Lee documented the celebrations, struggles, and daily lives of Asian American Pacific Islanders with epic focus. Determined to push mainstream media to include AAPI culture in the visual record of American history, Lee produced an astonishing archive of nearly a million compelling photographs. His work takes on new urgency with the alarming rise in anti-Asian attacks during the Covid pandemic. Jennifer Takaki’s intimate portrait reveals the triumphs and tragedies of the man behind the lens.

Corky Lee was born in 1947 in New York to Chinese immigrants who owned two laundries in Queens. He majored in history at Queens College and became a community organizer in Manhattan’s Chinatown in the 1970s. Over the next five decades he photographed countless protests and cultural events in the Asian American Pacific Islander community. Lee’s photographs documented the birth and growth of the Asian American movement for social justice and he became known as “The Undisputed, Unofficial, Asian American Photographer Laureate.”   His death in 2021 at the age of 73 due to Covid was mourned in the press worldwide

Filmmaker Jennifer Takaki  is a fourth generation Japanese American from Colorado. She began her career in journalism at a Denver TV station and later moved to Hong Kong to work with Encore International. In Hong Kong she produced English-based news programming broadcast in China, India, and the Middle East via Rupert Murdoch’s STAR-TV.  In New York, she produced and directed “Photographic Justice: The Corky Lee Story” which premiered at DOC NYC and was supported by the Ford Foundation and The Center for Asian American Media (CAAM). She was awarded the prestigious Better Angels Lavine Fellowship in 2023.

SOCIAL MEDIA/CONNECT:

Website: https://photographicjustice.com
Facebook: https://www.facebook.com/CorkyLeeStory
X/Twitter: @corkyleestory
Instagram: @corkyleestory

Director: Jennifer Takaki
Run Time: 1 hour 27 minutes
Language: English
Rating: Not Rated
Genre: Documentary Feature
Country: USA
Executive Producers:  George and Hillary Hirose, Lily M. Fan
Producers: Jennifer Takaki, Linda Lew Woo
Co-Producers: David Koh, Nicole DiMiceli
Editor: Linda Hattendorf

‘Oppenheimer’ Wins Seven Oscars, Including Best Picture and Director: Full 2024 Oscar Winners

Photo: Yevette Renee

The Oscars got off to a rocky start with the pro-Palestinian rally in the blocks from the Dolby Theatre in heart of Hollywood that caused the late start for the ceremony as A-listers rushed to get to their seats.

And ended with a fantastic performance by Ryan Gosling’s “I’m Just Ken” that included appearances by Slash, Wolfgang Van Halen, and the Barbie’s other Kens Simu Liu, Kingsley Ben-Adir, and Ncuti Gatwa. His hot pick suit, gloves gave you all the “Barbie” vibes.

Once it did get started, it brought plenty of entertainment and great acceptance speeches and domination by ‘Oppenheimer.’

After seven nominations, Christopher Nolan about “Oppenheimer and his win as best director, “We made a film about the man who created the atomic bomb, and for better or for worse, we’re all living in Oppenheimer’s world.”

Da’vine Joy Randolph won best supporting actress for her role as a cafeteria manager dealing with the death of her son in “The Holdovers.” Da’Vine thanked voters for “seeing me,” adding, “for so long, I’ve always wanted to be different, and now, I realize, I just need to be myself.”

Jonathan Glazer, director of “The Zone of Interest,” a drama set in Auschwitz winner of the best international feature winner  “Our film shows where dehumanization leads at its worst,” Glazer said. “It shaped all of our past and present. Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people. Whether the victims of October 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization — how do we resist?”Here’s the complete list of winner

Host Jimmy Kimmel called “the teamsters, the truck drivers, gaffers, grips” to join him on stage, thankin them for refusing the cross the picket lines as actors and writers held out for a better contract.

He said, “Come on, guys, take a bow,” Kimmel said. “Take a bow. You deserve it. Thank you for standing with us.” Best Picture

A hilarious moment was Kimmel reading a review from Donald Trumps about his hosting of the Oscars.

“Has there EVER been a WORSE HOST than Jimmy Kimmel at The Oscars?,” Trump wrote on his social media site, Truth Social. “His opening was that of a less than average person trying too hard to be something which he is not, and can never be.”

Kimmel responded,  “Isn’t it past your jail time?”

The complete list of 2024 Oscar winners:

Best Picture

WINNER “Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers

“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers

“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers

“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers

“The Holdovers,” Mark Johnson, producer

“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers

“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers

“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers

“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers

“The Zone of Interest,” James Wilson, producer

Best Director

Winner Christopher Nolan — “Oppenheimer”

 Justine Triet — “Anatomy of a Fall”

Martin Scorsese — “Killers of the Flower Moon”

Yorgos Lanthimos — “Poor Things”

Jonathan Glazer — “The Zone of Interest”

Actor in a Leading Role

WINNER Cillian Murphy — “Oppenheimer”

Bradley Cooper — “Maestro”

Colman Domingo — “Rustin”

Paul Giamatti — “The Holdovers”

Jeffrey Wright — “American Fiction”

Actress in a Leading Role

WINNER  Emma Stone — “Poor Things”

 Annette Bening — “Nyad”

Lily Gladstone — “Killers of the Flower Moon”

Sandra Hüller — “Anatomy of a Fall”

Carey Mulligan — “Maestro”

Actor in a Supporting Role

WINNER Robert Downey Jr. — “Oppenheimer”

 Sterling K. Brown — “American Fiction”

Robert De Niro – “Killers of the Flower Moon”

Ryan Gosling — “Barbie”

Mark Ruffalo — “Poor Things”

Actress in a Supporting Role

WINNER   Da’Vine Joy Randolph —          “The Holdovers”

 Emily Blunt — “Oppenheimer”

Danielle Brooks — “The Color Purple”

America Ferrera – “Barbie”

Jodie Foster — “Nyad”

Adapted Screenplay

WINNER “American Fiction,” written for the screen by Cord Jefferson

“Barbie,” written by Greta Gerwig and Noah Baumbach

“Oppenheimer,” written for the screen by Christopher Nolan

“Poor Things,” screenplay by Tony McNamara

“The Zone of Interest,” written by Jonathan Glazer

Original Screenplay

WINNER “Anatomy of a Fall,” screenplay by Justine Triet and Arthur Harari

“The Holdovers,” written by David Hemingson

“Maestro,” written by Bradley Cooper and Josh Singer

“May December,” screenplay by Samy Burch; story by Samy Burch and Alex Mechanik

“Past Lives,” written by Celine Song

Cinematography

WINNER “Oppenheimer” – Hoyte van Hoytema

 “El Conde” – Edward Lachman

"Killers of the Flower Moon” – Rodrigo Prieto

"Maestro” – Matthew Libatique

“Poor Things” – Robbie Ryan

Original Song

WINNER “What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

 “The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren

“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt

“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson

“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George

Costume Design

WINNER “Poor Things” – Holly Waddington

“Barbie” – Jacqueline Durran

“Killers of the Flower Moon” – Jacqueline West

“Napoleon” – Janty Yates and Dave Crossman

“Oppenheimer” – Ellen Mirojnick

Sound

Winner “The Zone of Interest,” Tarn Willers and Johnnie Burn

“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

Original Score

WINNER “Oppenheimer” – Ludwig Göransson

“American Fiction” – Laura Karpman

“Indiana Jones and the Dial of Destiny” John Williams

“Killers of the Flower Moon” – Robbie Robertson

“Poor Things” – Jerskin Fendrix

Live Action Short Film

WINNER “The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

“The After,” Misan Harriman and Nicky Bentham

“Invincible,” Vincent René-Lortie and Samuel Caron

“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk

“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane

Animated Short Film

WINNER “War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

“Letter to a Pig,” Tal Kantor and Amit R. Gicelter

“Ninety-Five Senses,” Jerusha Hess and Jared Hess

“Our Uniform,” Yegane Moghaddam

“Pachyderme,” Stéphanie Clément and Marc Rius

Documentary Feature Film

WINNER “20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek

“The Eternal Memory”

“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha

“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim

Documentary Short Film

WINNER “The Last Repair Shop,” Ben Proudfoot and Kris Bowers

“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic

“The Barber of Little Rock,” John Hoffman and Christine Turner

“Island in Between,” S. Leo Chiang and Jean Tsien

“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

International Feature Film

WINNER “The Zone of Interest” (United Kingdom)

“Io Capitano” (Italy)

“Perfect Days” (Japan)

“Society of the Snow” (Spain)

“The Teachers’ Lounge” (Germany)

Animated Feature Film

WINNER “The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki

“Elemental,” Peter Sohn and Denise Ream

“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Makeup and Hairstyling

WINNER “Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston

“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

“Oppenheimer,” Luisa Abel

“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Production Design

WINNER “Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer

“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis

“Napoleon,” production design: Arthur Max; set decoration: Elli Griff

“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman

Film Editing

WINNER “Oppenheimer” – Jennifer Lame

“Anatomy of a Fall” – Laurent Sénéchal

“The Holdovers” – Kevin Tent

“Killers of the Flower Moon” – Thelma Schoonmaker

“Poor Things” – Yorgos Mavropsaridis

Visual Effects

WINNER “Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Empowering Hearts: 19-Year-Old Refugee Girl Champions Mental Wellness for Refugee Youth Spotlighted in Documentary, Pan African Film Festival World Premiere

Los Angeles, Cali. (Feb. 5, 2024) –

As a child of Rwandan refugees, Divine Mugisha
has been living in the Dzaleka Refugee Camp since she was nine months old. Extreme poverty, hunger, and mental health challenges plague the camp. Despite facing these hardships herself, Divine advocates for education access and mental health services for her refugee community.

As a young advocate, she founded the Supportive Pillar Organization (SPO) to help youth stay in school. During the development of SPO, she discovered that mental health issues were a serious obstacle preventing people in the camp from continuing their education. Divine realizes that she must now leave her lifelong home, friends, and family to pursue her own education so that she can better address the tragic mental health issues at the camp.

The powerful documentary short "A Divine Journey" follows Divine through her
personal journey volunteering, teaching and serving others as she aspires for higher
education and awaits acceptance to university.

The world premiere of “A Divine Journey" will be at the Pan African Film Festival (PAFF) in Los Angeles on Feb. 10, 2024 at Cinemark Baldwin Hills Crenshaw.

The story examines how an underserved yet dedicated and determined young woman
can change the world for many. Audiences will witness a passionate young woman
who defies the odds and rises above her hardships as she starts a non-profit cause
and serves her community at Dzaleka refugee camp.

The Pan African Film Festival (PAFF) showcases a broad array of Black creative works from the world over, highlighting those that reinforce positive images and help to destroy negative stereotypes. The festival spotlights over 200 films elevated by black filmmakers with subject matter by African talent, telling stories about Africans and people with African descent.

“We work to produce documentaries that spotlight positive stories from Africa,” said
Ivanovitch Ingabire, Burundi based co-director of ”A Divine Journey.”

"I am honored and proud to bring Divine's inspiring journey to the Pan African Film
Festival," said Annette King, the producer and co-director of the documentary from
Splicer Films. “We see this as an opportunity to uplift an inspiring yet underrepresented story about a young African changemaker solving issues at a grassroots level. By telling Divine’s inspirational story, we aim to foster resilience,
compassion, and empowerment to bring about change in the world around us”

"A Divine Journey" will screen at the upcoming Pan African Film Festival, along with other films including narrative short film "Kingdom On The Coast" and the comedy special "We're Pregnant and Other Lies". All three films are directed by African filmmakers and talent that come from diverse backgrounds who aim to share diverse
stories of underrepresented groups from new perspectives.

Pan African Film Festival(PAFF) is the largest and most prestigious Black film festival in the United States. From 100 million dollar blockbuster premieres to newly emerging Hollywood talent, PAFF showcases a broad array of Black creative works from the world over, highlighting those that reinforce positive images and help to destroy negative stereotypes. PAFF is a unique opportunity to come together through film and
art to explore new worlds, meet new people and acquire new information and ideas.

For more information, visit: bit.ly/paff-2024

For more information on the the cause in the film, visit Supportive Pillar Organization
(SPO) website: https://www.supportivepillarorganisation.org/

About Splicer Films:
Splicer Films is a Palo Alto based production company focused on telling stories of purpose  and impact that inspire audiences to create a better world. https://www.splicerfilms.com/

Additional Films by Splicer Films:

Additional documentaries by Palo Alto based Impact Producer, Annette King are
"Finding Ubuntu" and “Fear Not”.

“Finding Ubuntu” follows the inspiring journey of Maick Mutej, a refugee who emerges as a human rights advocate for thousands of refugees.Maick's story exemplifies resilience, compassion, and the transformative impact of community based organizations.

“Fear Not” explores a passionate grassroots changemaker, Evelyne Keomian, in her
quest to break the cycle of poverty through education for her communities in Côte
d'Ivoire and Silicon Valley.

For more information about Splicer Films event  screenings, visit: bit.ly/SFFESTS

“Anecdotals” Screening at the Pan African Film and Arts Festival

. "Anecdotals" is a compassionate exploration of the nuanced vaccine debate, that focuses on questions—not answers, and people—not politics. This is not a divisive movie and should not be considered controversial at all, but unfortunately it is.

Everyone has been affected by the COVID vaccine debates and many of us have lost families and friends over differing POVs. We need to get better at respecting diverse opinions and disagreeing without fighting. Anecdotals is a big step in opening the conversation and creating awareness, and will bring people together.

“Gaining Ground: The Fight for Black Land” Screening at the Pan African Film and Arts Festival

NEW-July-28-2023-18x24-GG-poster-R2-

Gaining Ground: The Fight for Black Land is a stirring 2023 documentary produced by NBC personality Al Roker and written and directed by Emmy-nominated Director Eternal Polk. In addition to being selected for PAFF, Director Eternal Polk has also been nominated for a Jury Prize: Best Director – First Feature Documentary.

In the post-enslavement era, Black Americans acquired millions of acres of farmland, 90% of which is no longer in Black hands due to violence, eminent domain, and discrimination. But a lesser-known issue, “Heirs' Property,” has had a devastating effect on Black land ownership. This film spotlights the legacy of Black farming in America and how landowners are now reclaiming their agricultural rights and forging paths to generational wealth.

Screening Dates/Times/Location

    • February 8 - 9pm
    • February 13 - 3:45pm
    • Cinemark Baldwin Hills Crenshaw - 3650 Martin Luther King Jr, Blvd, Los Angeles CA 90008 

The film recently won the 2024 Jury Prize at Brand Storytelling in Park City, Utah, an officially sanctioned event of the Sundance Film Festival. In addition to this award, Gaining Ground has racked up 18 festival selection laurels and the following awards at prestigious film festivals:

    • Best Documentary - FILMTEENTH International Film Festival - 2023
    • Best Feature Documentary - Essence Film Festival - 2023
    • Best Documentary Feature - DC Black Film Festival - 2023
    • Audience Choice Award - DC Black Film Festival - 2023
    • Best Documentary - BronzeLens Film Festival - 2023
    • Best Feature Film - Detroit Black Film Festival - 2023
    • Best Documentary Marcom Award -  Association of Marketing and Communication Professionals (AMCP) 2023
    • Best Trailer - Carolina Film Festival - 2023

Documentary from John Deere and Al Roker Entertainment Puts the Spotlight on Land Ownership Challenges Facing Black Farmers

MOLINE, Illinois (June 13, 2023) – Deere & Company (NYSE: DE) and Al Roker Entertainment today announced a new documentary focused on the legacy of Black farming in America and the devastating impact of heirs’ property – property passed to family members by inheritance, usually without a will or proper estate planning. Without a clear title, Black farmers are unable to qualify for government assistance, equipment financing or agricultural programs designed to optimize their land. In 2020, John Deere created the LEAP Coalition in partnership with the National Black Growers Council and the Thurgood Marshall College Fund to provide resources for farmers and landowners to resolve heirs’ property issues.

“This film serves as an important platform for Black farmers to delve into their history while also discussing impactful ways to sustain agriculture and places to go for help with legislation and available grants,” said Al Roker, executive producer. “The organizations featured in the film are creating change and it’s one of the reasons our company was so interested in getting involved with this important work.”

Created in partnership with Emmy-nominated director Eternal Polk, the documentary, Gaining Ground: The Fight for Black Land, addresses how landowners are reclaiming their agricultural rights and their paths to generational wealth. The film will debut at the American Black Film Festival in Miami on June 15, 2023, and appear in screenings across the country this summer.

“Documentaries can offer a lens into history and shed light on a forgotten or untold story. It's more than just a form of storytelling, it's a way to offer new viewpoints on an issue, create lasting dialogue, and drive change,” said Gaining Ground director Eternal Polk. “With Deere’s support, we were honored to help bring this important story to life. This documentary provides resources to those who are dealing with heirs’ property and shows others how they can get involved to support this cause.”

Black land ownership peaked in 1910 at 16 to 19 million acres, which was about 14 percent of total arable land in the United States. A century later, 90 percent of Black-owned land has been lost, and heirs' property has been the leading cause for that decline. The documentary shines a spotlight on the challenges Black farmers and landowners’ must navigate to preserve their land for future generations. The film additionally showcases subject matter experts and practitioners who are actively working to address these issues.

"For farmers, land provides more than a livelihood, it provides a legacy. For far too long, Black farmers have had to deal with often coercive constraints, barriers and systems that result in involuntary loss of land, economic value and wealth. This documentary provides an opportunity for folks to tell their stories, highlight injustice and hopefully serve as a catalyst for concerted action to address this little known but important and pervasive issue” said Marc Howze, Senior Advisor, Office of the Chairman, Deere and Company. "The message of this documentary is clear: We need to do more to help Black farmers and landowners unlock the tremendous value in the land they already own to help us feed, clothe and shelter a growing population while pursuing opportunities to build wealth and provide a legacy for future generations.”

ABOUT THE LEAP COALITION 

John Deere created the LEAP Coalition in 2020 in partnership with the National Black Growers Council and the Thurgood Marshall College Fund. The LEAP Coalition provides legal, educational and other resources to help farmers and landowning families gain clear title of their land. It works to unlock economic value for farmers, while also eliminating systemic barriers to wealth building faced by Black farmers and other historically disadvantaged communities.

To learn more about the LEAP Coalition, to help Black farmers, and provide support to support LEAP coalition partners visit: https://www.deere.com/gainingground.

To learn more about the documentary, visit: https://gaininggroundthefilm.com/.

About John Deere

Deere & Company (www.JohnDeere.com) is a global leader in the delivery of agricultural, construction, and forestry equipment. We help our customers push the boundaries of what's possible in ways that are more productive and sustainable to help life leap forward. Our technology-enabled products including John Deere Autonomous 8R Tractor and tillage solution, See & Spray™, and E-Power Backhoe are just some of the ways we help meet the world's increasing need for food, shelter, and infrastructure. Deere & Company also provides financial services through John Deere Financial.

For more information on Deere & Company, visit us at www.deere.com/en/news/.

About Al Roker Entertainment

Formed in 1994, Al Roker Entertainment (ARE) is an industry-leading producer of original, award-winning TV programs and digital content. Led by 14-time Emmy winning TV personality and trusted media authority Al Roker, ARE partners with a creative consortium of producers, directors, writers, agencies, and talent to ideate, produce, activate, and amplify original content globally, using a variety of broadcast, cable, OTT, social, and streaming platforms. ARE works with brands, non-profits, ad agencies, and PR companies to generate and inspire audiences through social impact branded entertainment storytelling.

“Taking Back the Groove” Screening at the Pan African Film and Arts Festival

stills_taking-back-the-groove_1

Director and Producer: Celia Aniskovich
Producer(s): Roddy Lindsay
Executive Producers; : Raekwon, Russell Peters, and Bradley Credit
Cinematographer; Brett Banks, Editor; Atish Mehta, Composer

Taking Back the Groove reintroduces the world to Bronx-born ’80s disco superstar Richie Weeks. A writer, singer, and producer who was compared to Quincy Jones at his height, Richie created quintessential New York Disco and performed in the likes of Studio 54 and Paradise Garage, all while maintaining day jobs as a postal worker and bricklayer. His mega-hit Rock Your World made it to #1 on the dance charts in the ’80s, and has since become a landmark song in the field of disco and house music.

While his ingenious mixes appealed to a kaleidoscope of glitter and lamé-clad partiers, his songs were never truly his own. Like many Black artists throughout American recording history, his talent was strip mined to enrich white-owed record labels.

When disco cooled down, Richie Weeks and many other artists like him faded from view. But now, a new series of previously unheard recordings, from his private trove of 300 vintage tracks, is bringing him fresh recognition.

Taking Back the Groove tells the story of how Richie Weeks clawed back the right to his own music in the wake of the Black Lives Matter movement and his ongoing fight to restore his legacy and share his music.

Gravitas Ventures’ THE JOB OF SONGS on Digital Platforms, Today November 21, 2023 

Director and Writer: Lila Schmitz 
Featuring: Katie Theasby, Luka Bloom, The Fiddle Case, Christy McNamara, Christy Barry-Doolin Music House, Anne Rynne, Yvonne Casey, Tunes From Doolin 
Genre: Documentary 
Run time: 1 hour 14 minutes

THE JOB OF SONGS

Tourists flock to the west coast of Ireland to take in the breathtaking Cliffs of Moher, but the real treasure lies in the soulful, acoustic sounds wafting out of pubs and living rooms of Doolin, County Clare. The denizens of this unspoiled coastal village of tight-knit neighbors and unlocked doors revel in the passion and history of their traditional folk songs, using music as a thread through generations to create community, connection, and joy. 

The Cliffs of Moher meet the blue-grey water and the ominous clouds. 

Location: Cliffs of Moher, County Clare, Ireland 
Photo Credit: Anika Kan Grevstad
The Cliffs of Moher meet the blue-grey water and the ominous clouds. Location: Cliffs of Moher, County Clare, Ireland Photo Credit: Anika Kan Grevstad

THE JOB OF SONGS was made by a crew of three women, who are first time feature filmmakers: LILA SCHMITZ (director, producer, editor), ANIKA KAN GREVSTAD (director of photography, producer), and FENGYI XU (producer).  The film was made with the support of acclaimed documentarians double Oscar-winning writer-producer-director Bill Guttentag and Emmy and Grammy Award winning documentarian Doug Pray.   The film has screened at numerous prestigious International Film Festivals including DOC NYC, Galway Film Fleadh, Newport Beach Film Festival, Rocky Mountain Women’s Film Festival, Milwaukee Film Festival, and many others.  It won Best International Documentary at the Galway Film Fleadh.  

For more information, go to: https://thejobofsongs.com/ 

SOCIAL HANDLES:
FB: @irishmusicfilm
IG: @thejobofsongs 

A group of musicians sit in a warm pub playing music and laughing. 

Location: Fitz’s Pub in Doolin, County Clare, Ireland 

Left to right: Eoin O’Neill, Kieran O’Connell, Adam Shapiro Christy Mc Namara, Beth Tipton 

Photo credit: Anika Kan Grevstad
A group of musicians sit in a warm pub playing music and laughing. Location: Fitz’s Pub in Doolin, County Clare, Ireland Left to right: Eoin O’Neill, Kieran O’Connell, Adam Shapiro Christy Mc Namara, Beth Tipton Photo credit: Anika Kan Grevstad

On Digital Platforms Tuesday, November 21,2023
Director and Writer:
Lila Schmitz 
Featuring: Katie Theasby, Luka Bloom, The Fiddle Case, Christy McNamara, Christy Barry-Doolin Music House, Anne Rynne, Yvonne Casey, Tunes From Doolin 
Genre: Documentary 
Run time: 1 hour 14 minutes 
Cinematographer: Anika Kan Grevstad  
Producers: Fengyi Xu,  Anika Kan Grevstad and Lila Schmitz 
Executive Producer Bill Guttentag  
Consulting Producer: Doug Pray  
Editor: Lila Schmitz 
Distributor: Gravitas Ventures 

THE JOB OF SONGS: Review

220809_TJOS Poster_Fingers

Release date: Opening on Digital Platforms on November 21, 2023
Director and Writer: Lila Schmitz
Featuring: Katie Theasby, Luka Bloom, The Fiddle Case, Christy McNamara, Christy Barry-Doolin Music House, Anne Rynne, Yvonne Casey, Tunes From Doolin
Genre: Documentary
Rating: Not Rated
Run time: 1 hour 13 minutes
Language: English
Country: Ireland 

Music Connects Us to Our Past and to the Future

Writer, producer and director Lila Schmitz’s feature film debut, THE JOB OF SONGS tells the captivating story of Doolin, County Clare, Ireland’s vibrant history of songs, their musical instruments of choice, the fiddle and flute, going back a millennium, with the spectacular beauty of The Cliffs of Moher as its backdrop. Helping to share the wonderful music of Doolin are Katie Theasby, Luka Bloom, The Fiddle Case, Christy McNamara, Christy Barry-Doolin Music House, Anne Rynne, Yvonne Casey, and featuring Tunes from Doolin. 

Worth noting, in addition to Lili, THE JOB OF SONGS, was headed by two other women, Anika Kan Grestad, director of photography and producer) and FENGYI XU producer.  Also making  their feature film debut. 

The Cliffs of Moher meet the blue-grey water and the ominous clouds.
Location: Cliffs of Moher, County Clare, Ireland
Photo Credit: Anika Kan Grevstad
The Cliffs of Moher meet the blue-grey water and the ominous clouds. Location: Cliffs of Moher, County Clare, Ireland Photo Credit: Anika Kan Grevstad

Luca Bloom, “the job of song is sometimes to entertain, but it has this way of giving people who don’t have songs, permission to feel things that are really deeply ingrained in them that they don’t necessary intellectually understand.’ 

Anika Kan Grevstad  brings you right into the pubs, on the cliffs and into the homes of Doolin’s residents. The music score and performances are well incorporated into the film, helping to tell the story.

The natural settings of pubs, the Roadside Tavern in Lisdoonvarna, County Clare, Irelands and the Fitz’s Pub in Doolin, County Clare, Ireland, where Eoin O’Neill, Kieran O’Connell, Adam Shapiro Christy Mc Namara, Beth Tipton they gather; rhe Music house established by the parents of Christy Barry, and the homes of Doolin’s resident and the majestic Cliffs of Moher, adds to the captivating experience while watching THE JOB OF SONGS.  

A woman with bright red hair plays the flute next to a bright window.
Location: The Roadside Tavern in Lisdoonvarna, County Clare, Ireland
Subject: Katie Theasby
Photo Credit: Anika Kan Grevstad
A woman with bright red hair plays the flute next to a bright window. Location: The Roadside Tavern in Lisdoonvarna, County Clare, Ireland Subject: Katie Theasby Photo Credit: Anika Kan Grevstad

Christy Barry, “no one knows for certain the effect music has on people but without it, we have nothing.” That is so evident, as shown by the impact on the daily life of Doolin. 

As you learn about their 1000 years of songs and tradition still being handed down and the music they are creating today, keeps the the people of Doolin in close contact with their ancestors and future generations. THE JOB OF SONGS is a really good film that will both entertain and enlighten. leaving you with a greater understanding and appreciation of  the music and culture of Doolin, Ireland.  

Opening on Digital Platforms on November 21, 2023
Distributor: Gravitas Ventures
Director and Writer: Lila Schmitz
Featuring: Katie Theasby, Luka Bloom, The Fiddle Case, Christy McNamara, Christy Barry-Doolin Music House, Anne Rynne, Yvonne Casey, Tunes from Doolin
Genre: Documentary. Music
Run time: 1 hour 14 minutes
Cinematographer: Anika Kan Grevstad
Producers: Fengyi Xu, Anika Kan Grevstad and Lila Schmitz
Executive Producer Bill Guttentag
Consulting Producer: Doug Pray
Editor: Lila Schmitz
 

For more information, go to: https://thejobofsongs.com/ 

SOCIAL HANDLES:
FB: @irishmusicfilm
IG: @thejobofsongs