Reviews and Events

 A24 Undertone

Director and Screenplay: Ian Tuason
Starring: Nina Kiri, Adam DiMarco, Michèle Duquet, Keana Lyn Bastidas, Jeff Yung, Sarah Beaudin, Brian Quintero
Run time: 1 hour 34 minutes
Country: Canada
Language: English

Evangeline "Evy" Babic is a young woman with a Catholic upbringing, living alone with her comatose mother, for whom she provides care. She and her friend Justin run The Undertone, a horror podcast where they report on supernatural occurrences, which Evy dismisses as hoaxes while Justin fully believes they are real. One day, Justin is sent an anonymous email containing a seemingly random string of letters and ten audio files, which they play on the podcast.

Distributor: A24 through VVS Films
Producers: Dan Slater, Cody Calahan
Cinematographer: Graham Beasley
Editor: Sonny Atkins
Music: Shanika Lewis-Waddell
Production Companies: Black Fawn Films, Slaterverse Pictures, Spooky Pictures, DimensionGate, KINO Studios, Feel Everything

LINKIN PARK: UNSHATTER in Theaters September 30th

A FILM BY JOE HAHN

UNSHATTER FILM SOUNDTRACK (LIVE IN SÃO PAULO)

RELEASES SEPTEMBER 25, 2026 – Available for Pre-Order NOW*

The hardest part of ending is starting again.

After a seven-year hiatus following the devastating loss of their beloved bandmate Chester Bennington, LINKIN PARK’S remaining members struggled to find their way forward. Their shared history and enduring friendship, combined with the fresh perspective of two new band members Emily Armstrong and Colin Brittain spark a renewed creative energy that leads them on a transformative journey of artistic reinvention.

Following the band from intimate 2022 studio sessions through their explosive FROM ZERO album release and concert in São Paulo, the film UNSHATTER weaves together rare vault footage, electrifying performances from sold-out shows, and candid interviews with band members and fans—capturing the raw, honest story of what it means to start over.

This accompanying Unshatter Film Soundtrack (Live in São Paulo) features transcendent performances of songs spanning their entire career, including exclusive recordings not experienced in the film.

DIRECTOR STATEMENT FROM JOE HAHN:

The title UNSHATTER came from the idea that something can be broken, rebuilt, and still carry its scars. To me, resilience isn't about pretending something never happened. It's about accepting what happened, honoring it, and finding a way to keep moving forward. That felt like the best way to describe both the film and our journey. This is really a story about loss, friendship, creativity, and reinvention.

UNSHATTER follows a very particular moment in Linkin Park’s history and documents a path through loss, uncertainty, friendship, and reinvention. Our friendship, our shared history, and the new creative energy that Emily Armstrong and Colin Brittain brought into the band helped us discover that beginning again didn't mean leaving the past behind. It meant carrying it with us.

This wasn't supposed to be a documentary. It started with an opportunity to film our 2024 show in São Paulo, just wanting to capture that moment. But the more we kept the cameras rolling, the more we realized there was a much bigger story unfolding. After seven years away, we honestly didn't know what the future of Linkin Park looked like. We were figuring it out as we went. None of us knew if the band would evolve the way it did, how fans would respond, or where any of it was leading. I didn't want to make a film that looked back on everything with perfect clarity. I wanted people to experience that uncertainty the same way we did in real time.

I've lived this story from the inside, so I had a perspective that only a bandmate and a friend could have. That also came with a responsibility to be honest. It would have been easy to tell the version people expected or the version built from headlines and interviews, but that was never the goal. I wanted to capture the conversations, the doubts, the creative moments, and everything in between that only the people living through it could really understand.

As a filmmaker, I had to approach this differently than anything I'd done before. My background is in music videos where you're always thinking about visuals and style. On this project, every creative decision had to support the story instead of getting in the way of it. The editing process was really about finding the spine of the film. We had hundreds of hours of footage and thousands of index cards covering every possible direction the story could take. Working with Igor Kovalik, who's edited Linkin Park videos for years, we kept asking ourselves the same question: are we telling the story as we actually lived it?

Coming back was a huge leap of faith. We decided that if we were going to do it, we wanted to go all in because we wanted it to feel meaningful for the fans who had stayed with us through everything. Making this film also reminded us how much our songs mean to people. They've always lived somewhere between darkness and hope, and seeing how they've continued to help people over the years became one of the biggest reasons to tell this story.

More than anything, this film is a thank you to the fans. It's our chance to share the whole story instead of having people piece it together through speculation or bits and pieces over the years. I hope longtime fans see parts of our journey they've never seen before, and I hope people who are just discovering the band come away with a better understanding of how we got here. But even beyond Linkin Park, I hope people connect with it as a story about relationships, resilience, and what it really takes to move forward when you don't have all the answers

BEST OF THE BEST on NETFLIX starring Maitreyi Ramakrishnan, Priyanka Kedia, Hasan Minhaj

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Two childhood best friends, Maya and Anjali, join UCLA's competitive Bollywood-fusion dance team, only to discover that the road to winning the U.S. Championship is far more raucous and cutthroat than they ever imagined.

DIRECTOR: Lena Khan

WRITERS: Hasan Minhaj and Prashanth Venkataramanujam

PRODUCERS: Jonathan Eirich for Rideback, Hasan Minhaj and Prashanth Venkataramanujam for 186K Films

EXECUTIVE PRODUCERS: Ellen H. Schwartz, Ryan Halprin

KEY CAST: Maitreyi Ramakrishnan, Priyanka Kedia, Ankur Rathee, Janina Gavankar, Chaneil Kular, Becky Alex, Shreya Navile, and Hasan Minhaj

ADDITIONAL CAST: Nihar Duvvuri, Nico Greetham, Amryn Khurana, Tanishq Joshi, Lilly Singh, Saara Chaudry, Sasha Bhasin, Kavi Ramachandran

CHOREOGRAPHY BY: Phillip Chbeeb, Makenzie Chbeeb

CO-CHOREOGRAPHER: Joya Kazi

View New Trailer: Fantastic Fest 2026- LITTERMATES – in theaters on November 6, 2026

FANTASTIC FEST 2026


LITTERMATES (Drafthouse Exclusives)
Feature Film (USA)
(2026, 88 mins)
(Absurdist Horror)

Written And Directed by: Scott Tinkham and Michael Woloson
Executive Producer: Haley Nicole Johnson, Joey Bader, Al Baker, Jake Kuhn and Noah Stratton-Twine
Producers: Oliver Woolf, Michael Woloson, Scott Tinkham, Kaylee McGregor.
Starring: Joey Bader, Oliver Woolf and Kaylee McGregor.

FANTASTIC FEST 2026 OFFICIAL SCREENING

Sunday, September 20
2:00PM
Location: Alamo Drafthouse Lamar (Theater 9)
Address: 1120 S Lamar Blvd, Austin, TX 78704

Press Screening:
Monday, September 21 at 8:00AM CT
Location: Alamo Drafthouse Lamar (Theater 9)
Address: 1120 S Lamar Blvd, Austin, TX 78704

Set against the backdrop of a mysterious war, LITTERMATES follows two disoriented survivors who take refuge at an isolated cottage in the English countryside. After Liam (Joey Bader) and Mel (Kaylee McGregor)  arrive bloodied, speechless, and unable to fully understand what has happened to them, they are taken in by Chester (Oliver Woolf), an enigmatic caretaker who bathes, feeds, and teaches them how to speak again.

As sirens, smoke, and distant threats press closer, Liam and Mel go about their days relearning the simplest tasks inside Chester’s carefully controlled world, while earning “nifties” for good behavior that can be traded for small comforts like karaoke, hot tub time, dance parties, and favorite meals. However, unlike Liam, Mel is far less willing to accept the boundaries of the cottage, growing increasingly drawn to the woods, the locked gate, and the larger world Chester insists is too dangerous to enter.

When Mel's curiosity pushes past Chester’s rules, the fragile order of the cottage is tested; exposing the fear, loyalty, and unanswered questions holding their makeshift family together.

Scott Tinkham is a writer and director from Minnesota. His work lives at the intersection of dark comedy and emotional sincerity, often exploring characters who are spiraling and searching for meaning in the strangest of places. His short film 24 Hours After Reading Tuesdays with Morrie had its world premiere at SXSW in 2025. He recently wrapped production on his latest film, "Two Schizos Take a Walk," and is in development on his next feature, "Good Life," both under Haley Nicole Johnson’s Under The Shell banner.

Michael Woloson  is a writer, director, cinematographer, and producer from Las Vegas, based in Los Angeles. His work combines precise visual storytelling with intimate, character-driven narratives, often exploring the complexity of memory and time. A SXSW alum, he served as cinematographer and producer on Scott Tinkham’s "24 Hours After Reading Tuesdays with Morrie," which premiered at SXSW in 2025. His latest directorial work, "Broken Branches," was produced under Haley Nicole Johnson’s Under The Shell banner, and is set to begin its festival run in 2027. He will serve as a producer on Tinkham’s upcoming feature "Good Life," also under Under The Shell.

MISTRY GREEN: Review

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Release October 9, 2026

Director and Writer: Chris Rock
Starring: Rosalind Eleazar, Adam Driver, Daniel Kaluuya, Anna Kendrick, Topher Grace, Chris Rock
Genre: Comedy, Drama
Run time: 1 hour 43 minutes
Rating: R
Country: United States
Language: English

Fame and Family, Family and Fame

Chris Rock’s new film MISTY GREEN takes you on a journey with Misty Green (Rosalind Eleazar) determined to recreate the Hollywood success of her past. Zach (Adam Driver), a so-called friend of Misty. She seeks the help of Randy (Topher Grace), her former talent agent,

Jay Green (Daniel Kaluuya), Misty's brother, who knows a thing or two about the criminal justice system, Naomi (Anna Kendrick), what everyone needs in Hollywood, a friend, and Jordan (Chris Rock), a casting director that knows Misty from her glory days.

Misty is faced with many choices. She is pulled towards nurturing and the need of family with Jay’s challenges.

Is family those related by blood or love? The film evokes the question; would you do anything for fame or family?

MISTY GREEN remined me of Norma Desmond in the 1950 film SUNSET BLVD. And begs the question, when is it time to leave the stage and lights behind?

MISTY GREEN is a good film that tells the story.

What stands out to me is her love for her brother, Jay, and her bond with Naomi.

Chris Rock’s direction of the film helps to explain Misty’s story. And his script provides dialogue, plot, credible, unpredictable)

Cinematographer Kira Kelly captures the lows and highs of Misty.

 

 

Editor Adam Dicterow keeps the flows from scene to scene.

The costume design fits the time and style of the movie. A good reminder of 2026.

They could not have chosen a better location than Hollywood for the film. It gives the real effect of the days in the life of an actress. You have Hollywood Boulevard, Fox Studios backlot. Great reminders of Hollywood.location

The score from Marcus Miller works well with the scenes and provides the backdrop the comedy and drama of a life of an actress.

As with any actress, MISTY GREEN leaves you with the question, how far are you willing to go for fame and fortune?

Distributor: A24
Producers: Peter Rice, Chris Rock, David Worthen Brooks, Victoria Thomas
Production Companies: Macro Film Studios, Confluential Films
Run time: 1 hour 43 minutes
Starring: Rosalind Eleazar, Adam Driver, Daniel Kaluuya, Anna Kendrick, Topher Grace, Chris Rock
Director and Writer: Chris Rock
Cinematographer: Kira Kelly
Editor: Adam Dicterow
Music: Marcus Miller

SICK World Premiere at FANTASTIC FEST 2026

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Director and Writer: Agata Trzebuchowska
Starring: Konrad Kąkol, Katarzyna Łubik, Monika Niemczyk, Julian Świeżewski, And Eliza Rycembel
Producers: Patryk Sielecki, Adrianna Rędzia
Genre: Drama, Horror
Country: Poland
Language: Polish with English subtitles
Run time: 1 hour 30 minutes

 

FANTASTIC FEST 2026 OFFICIAL SCREENINGS

Friday, Sept 18 at 5:30PM (Theater 6)- WORLD PREMIERE

Saturday, Sept 19 at 8:00AM P&I Screening (Theater 8)

Thursday, Sept 24 at 5:45PM (Theater 6)

Thursday, Sept 24 at 5:45PM (Theater 7)

During the summer holidays, Maks (16) and his older sister Emma (19) are sent to the Polish countryside to care for their ailing grandmother. Trapped together in the heavy, stifling isolation of the summer heat, the siblings’ bond begins to shift into something unsettling and difficult to define. As tensions rise and boundaries begin to blur, their grandmother’s frail presence takes on an increasingly disturbing quality, turning a once-idyllic summer into a haunting passage into adulthood.

AGATA TRZEBUCHOWSKA is a director and screenwriter. She first gained international recognition for her lead role in IDA, directed by Paweł Pawlikowski, which won the Academy Award for Best Foreign Language Film and earned her an EFA nomination. Her short film debut, HEAT, premiered at the Sundance Film Festival. Her subsequent short, VACANCY screened at top festivals across the world including Go Short and Flickers’  Rhode Island International Film Festival.  In addition to her feature-length debut SICK, she is currently in pre-production on THIS IS NO PLACE FOR YOU, a Polish-French co-production and URKE, a surreal mockument

PEACOCK ORDERS SERIES ADAPTATION OF KENNEDY RYAN’S BESTSELLING NOVEL BEFORE I LET GO

Attica Locke and Tembi Locke Set as Showrunners; Malcolm D. Lee and Kennedy Ryan Co-Wrote the Pilot

 

Universal Global Television and Universal Television, divisions of Universal Studio Group, announced today that Peacock has ordered a series adaptation of Kennedy Ryan's bestselling novel BEFORE I LET GO.

Based on Ryan's beloved "Skyland" series, the drama follows Yasmen and Josiah Wade, whose marriage is shattered after enduring back-to-back devastating losses. As they navigate divorce, co-parenting and healing, lingering feelings force them to confront whether their love story is truly over — or if a second chance at forever is possible.

The series was created by Kennedy Ryan and Malcolm D. Lee, who co-wrote the pilot. Attica Locke and Tembi Locke will serve as showrunners, writers and executive producers.

NETFLIX’S 2026 EMMY

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View New Trailer:  PLUTO FILM’s SICK

September 14, 2026- PLUTO FILM announced today that it has picked up worldwide sales rights for Agata Trzebuchowska’s SICK ahead of the film’s World Premiere at Fantastic Fest 2026 in September, followed by the European Premiere at the prestigious Sitges Film Festival in October.

An atmospheric and unsettling film about the horrors of growing up, SICK is directed and written by Agata  Trzebuchowska (IDA) in her feature film debut, produced by Patryk Sielecki and Adrianna Rędzia and stars Konrad Kąkol, Katarzyna Łubik, Monika Niemczyk, Julian Świeżewski, and Eliza Rycembel.

During the summer holidays, sixteen-year-old Maks (Konrad Kąkol) and his older sister Emma (Katarzyna Łubik) are sent to the Polish countryside to care for their ailing grandmother.  Trapped together in the heavy, stifling isolation of the summer heat, the siblings’ bond begins to shift into something unsettling and difficult to define. As tensions rise and boundaries begin to blur, their grandmother’s frail presence takes on an increasingly disturbing quality, turning a once-idyllic summer into a haunting passage into adulthood.

AGATA TRZEBUCHOWSKA is a director and screenwriter. She first gained international recognition for her lead role in IDA, directed by Paweł Pawlikowski, which won the Academy Award for Best Foreign Language Film and earned her an EFA nomination. Her short film debut, HEAT, premiered at the Sundance Film Festival. Her subsequent short, VACANCY screened at top festivals across the world including Go Short and Flickers’  Rhode Island International Film Festival.  In addition to her feature-length debut SICK, she is currently in pre-production on THIS IS NO PLACE FOR YOU, a Polish-French co-production and URKE, a surreal mockumentary co-written with Mateusz Kłodecki.

“ We are very happy that SICK has found its home at Pluto Film. From our first conversations, we felt that they understood both the film’s provocative nature and the tenderness hidden beneath its genre elements. The world premiere at Fantastic Fest and the European premiere at Sitges are an exciting beginning for the film, bringing it to audiences open to bold and unconventional stories. At the same time, we believe SICK can resonate beyond the genre circuit, as it is ultimately a deeply emotional story about adolescence, desire and dependence, centered on a relationship that crosses every possible boundary. Together with Pluto Film, we hope to preserve the film’s uncompromising identity while helping it reach audiences around the world. We are excited to see where this journey takes us,” commented Producer  Patryk Sielecki on behalf of the Polish production company Lumisenta.

Daniela Cölle, Managing Director at Pluto Film continued:  “We are thrilled to welcome SICK to Pluto Film’s slate. Agata Trzebuchowska has created an atmospheric and unsettling horror film that transforms the oppressive calmness of a summer into a powerful psychological landscape. Rather than coming-of-age story, SICK is the horror of growing up, exploring the fear, confusion, and loss of certainty that accompany the passage into adulthood. Through the shifting relationship between Maks and his sister, Emma, the film examines isolation, family bonds, and blurred boundaries between childhood and adulthood. We were captivated by the film’s distinctive tone, emotional complexity, and ability to create unease through suggestion rather than explanation. We believe SICK is a bold debut with strong potential to connect with both international genre and crossover audiences who like edgy and original films.”

ABOUT PLUTO FILM

Pluto Film is an international sales, festival distribution, production and consultancy based in Berlin. We are committed to engaging global cinema and devoted to feature films, so they reach and engage audiences globally. Our focus is on arthouse and cross-over films, especially those by emerging talents, but our lineup also includes charming family films, elevated genre films, and documentaries.

Across all our activities, we work closely with the filmmakers to package and position their films effectively. In a collaborative practice, we develop fitting Audience Design strategies that maintain the soul of the film while maximizing its distribution potential. This creates a distribution network that spans from filmmakers and producers to distributors across all territories and plat- forms, facilitating collaboration throughout the film value chain.

Recent titles include I MATTER directed by Alina Serban which premiered at the 2026 Venice International Film Festival, CHICA CHECA directed by Šimon Holý, SUMMER WAR directed by Alicia Scherson, Animated feature EXTRAORDINARY directed by Marina Andree Škop and Vanda Raýmanová, ATLAS OF THE UNIVERSE directed by Paul Negoescu, THE PUPIL directed by Karin Junger and FUNERAL CASINO BLUES directed by Roderick Warich.

Willa’s TAKE ME HOME in New York City September 23rd and 24th and Los Angeles September 30th and October 1st

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Director, Writer and Producer: Liz Sargent
Cast: Anna Sargent, Victor Slezak, Ali Ahn, Marceline Hugot, Shane Harper
Producers: Apoorva Guru Charan and Minos Papas
Executive Producers: Janet Yang, Ai-jen Poo, Give Not Take Media, Caring Across Generations, Cinereach, and River Road Entertainment
Run Time: 1 hour 31 minutes

TAKE ME HOME opens in New York at the IFC Center on September 23 and in Los Angeles at the Laemmle on October 2 and the American Cinematheque Los Feliz 3 on October 7, followed by select theaters nationwide.

TAKE ME HOME follows Anna, a 38-year-old Korean adoptee with a cognitive disability, who lives in a delicate balance in suburban Florida, serving as a caregiver for her aging parents while navigating her own need for support. When a severe heat wave shatters her family’s fragile routine and exposes her father’s hidden signs of dementia, Anna’s world is thrown into uncertainty. Forced to confront the systemic failures of the American healthcare infrastructure, she must fight to carve out her own path toward autonomy, independence, and chosen community.