MY NAME IS PEDRO Film Review

School children in Lillian LaSalle's MY NAME IS PEDRO 
(Photo Credit: Sweet 180)

Director: Lillian La Salle
Genre:  Documentary
Stars 4.5
Runtime: 1 hour 27 minutes
Language: English

The Value of Meeting Students Where They Are

Lillian LaSalle’s directorial debut, MY NAME IS PEDRO, a compelling story of a truly dedicated educator, Pedro Santana, who’s commitment to students helps them defies all odds as he turns them and their underperforming schools around.

As a young boy, Pedro was labeled a special-ed student. Eventually, he had a teacher who appreciated how hard he worked academically and saw his promise. She recognized the challenges he faced with the traditional learning style and met him where he was and encouraged him to use an out the box approach that gave him an opportunity to achieve academically. He went on to obtain a master’s degree from Teachers College at Columbia University.

(L-R) Students and Pedro Santana in Lillian LaSalle's MY NAME IS PEDRO 
(Photo Credit: Sweet 180)

Taking the lessons he learned as a special-ed student, he applied them in his work as a teacher with astonishing results and turned the school around and put on a positive track.  He met his students at the South Bronx School MS 391, where they are and taught them from that point.

Pedro saw himself in his student. After hearing his sisters talk about how difficult he was to live with as a child, it became evident when a black female student spoke on his behalf at a suburban School Board meeting, and spoke about how loud, unruly and out of control they were before he came to their school and how he was able to make positive changes in their life.

Eventually becoming a household name, he was recruited to become When you compare the students’ academic success to before and after the arrival of Pedro, as Assistant Superintendent,  the South Bronx school MS 391,that his approach to education and interacting with not just the students, but their family too, was a far superior way of reaching and educating inner city students.

 

(L-R) Pedro Santana in Lillian LaSalle's MY NAME IS PEDRO 
(Photo Credit: Sweet 180)

There are thousands of students who fall through the cracks because of educator, like those on the School Board, who opposed Pedro and seemed to want all student to be taught inside the box of standard of education and the one size fits all approach.

The dynamics between Pedro and his son Hudson, reached a point that seemed insurmountable, yet the love and commitment Pedro had for Hudson, allowed him to overlook the false allegations, meet him where he was and responded with love not hate.

Keeping Pedro Santana’s legacy and his unique take on educational instructions   alive and not writing kids off and make a commitment to uplifting them and their families is vitally important.

Runtime: 1 hour 27 minutes
Distributor: Sweet 180
Initial release: 2017
Executive Producer: Mike Fowler
Producers: Lillian LaSalle, Jonathan Clasberry
Co-producers: Monica Cohen, Marc Demolar
Production Co: Sweet 180
Cast: Pedro Santana
Director: Lillian LaSalle
Editors: Mary Manhardt, Mark Demolar
Composer: Nix Nought Nothing
Animator: Anthony Barkworth-Knight

MY NAME IS PEDRO Trailer

My Name is Pedro New Poster

The trailer for Lillian LaSalle's upcoming award-winning and timely documentary MY NAME IS PEDRO  is here.

LaSalle's film explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. MY NAME IS PEDRO is a profound story of how one person actualizes learning and positive change in children, adults, environments and communities through an 'impact' ripple effect strategy that he has effortlessly perfected. The film is also an essential and timely reminder of the importance of great educators that exist within the infrastructure of our country's public education system.

View Trailer Below!

MY NAME IS PEDRO opens in Virtual Cinemas in New York at The Maysles Cinema on September 17th and Los Angeles at the Laemmle on October 2nd with major cities to follow. 

OFFICIAL SELECTION AND AWARDS:

  • Winner: Best Documentary, Golden Door International Film Festival
  • Winner: Spotlight on Documentary Award, St. Louis International Film Festival
  • Winner: Audience Award, Chicago Latino International Film Festival
  • Winner: Audience Award, Brooklyn Film Festival
  • Winner: Award of Merit, Impact Docs
  • Winner: Honorable Mention, Woodstock Film Festival
  • Official Selection: Women’s Filmmaker Showcase, BAFF
  • Official Selection: San Diego Latino International Film Festival

MY NAME IS PEDRO- Connect on Social Media:

Instagram: https://www.instagram.com/mynameispedrodoc/
Facebook: https://www.facebook.com/MyNameisPedrodoc/
Twitter: https://twitter.com/PedroSantanaDoc

 

Sweet 180 Presents MY NAME IS PEDRO

Releasing in Virtual Theaters in New York (The Maysles Cinema) September 17 and Los Angeles (Laemmle) on October 2 with major cities to follow

(L-R) Pedro Santana and students  in Lillian LaSalle's MY NAME IS PEDRO 
(Photo Credit: New York Times/ Sweet 180)
(L-R) Pedro Santana and students in Lillian LaSalle's MY NAME IS PEDRO (Photo Credit: New York Times/ Sweet 180)

Directed by: Lillian La Salle
Documentary
Runtime: 2 hours 7
Language:  English

Lillian LaSalle's award-winning, powerful documentary MY NAME IS PEDRO explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. The film is also especially timely in this moment of national reckoning since the murder of George Floyd and subsequent protests.

Infectious in his optimism, Santana becomes one of the most influential public-school teachers and then administrators in the New York public school system after turning his troubled Bronx middle school, MS 391, around. He is unapologetic in his commitment to create change for kids, no matter the odds. When a glowing front-page New York Times article catapults him into the spotlight, he is recruited and then accepts a promotion to use his famed 'out of the box' and transformative practices to save a corrupt and divided suburban school district. But the political challenges there may simply be too great, even for the infallible Santana.

In order to continue his life's mission that 'every kid can learn', (he himself was labeled 'special ed' as a child), he realizes that he must venture beyond not only the restrictive 'four walls' of the public education system, but also his own neighborhood, city and even his own country.

MY NAME IS PEDRO is a profound story of how one person actualizes learning and positive change in children, adults, environments and communities through an 'impact' ripple effect strategy that he has effortlessly perfected. The film is also an essential and timely reminder of the importance of great educators that exist within the infrastructure of our country's public education system.

Lillian LaSalle, Director

MY NAME IS PEDRO is a 7 year-long filmmaking journey, marking Lillian LaSalle’s directorial debut.

LaSalle is the recipient of the 2016 Peabody "Futures of Media” Award for Producing the web-series, Halal In The Family, starring Aasif Mandvi, which garnered wide-spread media attention for taking on Islamophobia through the use of comedy and parody.

LaSalle is the Producer of several feature films including, Loggerheads, which premiered in competition at The Sundance Film Festival and Sweet Land, which won the Independent Spirit Award for Best First Feature for writer/director, Ali Selim. LaSalle’s other notable feature Producing credits include: Today's Special, which premiered at the BFI London Film Festival and won the audience award at the Palm Springs Film Festival, Just Like the Son from director Morgan Freeman, Find Love, Heavy Petting, and Mentor, as well as Southern Belles and American Cannibal: The Road to Reality. 

LaSalle is currently Executive Producing the feature length animated feature, The Night Diary, based on the award-winning book, alongside animator/writer Gitanjali Rao (Bombay Rose, Tribeca Film Festival) and writer/director, Sabrina Dahwan, (Monsoon Wedding) with Hyde Park Entertainment. LaSalle will also produce the feature film, Our Lady Of The Snow , from award winning writer/director, Tom Gilroy (Spring Forward, The Cold Lands) .

SWEET 180

Sweet 180 is a New York based talent management and production company. In business for over 20 years, they represent award-winning talent across all platforms – film, television and theater.
Website: https://sweet180.com

 OFFICIAL SELECTION AND AWARDS:

Winner: Best Documentary, Golden Door International Film Festival
Winner: Spotlight on Documentary Award, St. Louis International Film Festival
Winner: Audience Award, Chicago Latino International Film Festival
Winner: Audience Award, Brooklyn Film Festival
Winner: Award of Merit, Impact Docs
Winner: Honorable Mention, Woodstock Film Festival

MY NAME IS PEDRO- Connect on Social Media:

Instagram: https://www.instagram.com/mynameispedrodoc/
Facebook: https://www.facebook.com/MyNameisPedrodoc/
Twitter: https://twitter.com/PedroSantanaDoc]

PR CONTACT:
Emma Griffiths (EG-PR)f
emma@eg-pr.com
www.eg-pr.com

 

NAIL IN THE COFFIN: The Fall and Rise of Vampiro

Screening in Limited Theaters
Friday, September 4, 2020

Available on VOD/Digital
Tuesday, September 8, 2020

Nail in the Coffin key art

Directed by: Michael Paszt
Featuring: Professional Wrestler Ian Hodgkinson (Vampiro) and Dasha Hodgkinson

Runtime: 1 hr 28 min
Rating:  Not Yet Rated
Genre: Documentary
Country: Canada

Semi-retired professional wrestler Ian Hodgkinson reveals the harsh realities behind the glamour of being in the world of wrestling as the infamous ‘Vampiro’. A Lucha Libre legend, Hodgkinson tells the astonishing story about his meteoric rise to fame in the 90's and how it almost killed him. Yet none of that was as back-breaking as his current life - working behind-the-scenes as the Director of Talent for Lucha Libre AAA in Mexico City and Lucha Underground in Los Angeles, while simultaneously raising his teenage daughter Dasha in remote Northern Canada as a single parent.

Unlike many professional wrestling documentaries before, director Michael Paszt has constructed a fascinating and heartfelt look at a wrestler who has overcome and continues to battle with physical injuries, sexual abuse, and drug addiction. Not to mention the wild stories of working for Milli Vanilli, and wrestling alongside the punk rock band The Misfits - Vampiro’s stories are multi-faceted and completely enthralling.

Told through an engrossing collection of home videos and personal interviews with his closest friends and family, NAIL IN THE COFFIN is an intimate and genuine look into a single father grappling with fame, the pressures of professional and personal responsibilities, and his own mortality.

NAIL IN THE COFFIN celebrated its world premiere at Fantastic Fest in 2019, coming out with raving reviews. The film will be releasing in limited theaters on Friday, September 4, 2020 and will be available on major VOD/Digital platforms beginning Tuesday, September 8, 2020.

“NAIL IN THE COFFIN: The Fall and Rise of Vampiro is an incredibly inspirational true story that shows us no matter how many times life tries to beat you down and break you apart, you need to rise up and conquer your demons in order to survive,” says Patrick Ewald, CEO of Epic Pictures (U.S. Distribution). “And now, as we are faced with incredible challenges all around us, I can’t think of a more relevant film to remind us of the resiliency and power of the human spirit.”

NAIL IN THE COFFIN is directed by Michael Paszt. Produced by Pasha Patriki and Paszt, associate producer Maye Ornelas and executive produced by Gregor Habsburg, Jacquelyn Frisco, Ian Hodgkinson, Marisela Peña, Dorain Roldån, James Fler, and Andrew Thomas Hunt. Cinematography by Patriki, and edited by Danny Palmer.

NAIL IN THE COFFIN will be available on VOD/Digital Tuesday, Sept. 8, 2020:

Indemand | Comcast | Spectrum | Charter | Dish | Sling TV | Vubiquity

iTunes | Google Play | Vudu | Xbox | YouTube | Amazon

Fandango Now | DirecTV | Breaker | Alamo On Demand

Blu-ray pre-order: https://epic-pictures.com/merchandise/nail-in-the-coffin-the-fall-and-rise-of-vampiro-blu-ray

About Epic Pictures

Since the foundation of the company in 2007, CEO Patrick Ewald has grown Epic Pictures into an independent content studio with the mission of delivering the best-in-class genre entertainment “for fans, by fans.” Epic Pictures produces, finances, and distributes approximately twenty-thirty independent genre films a year. In 2013, the company established Epic Pictures Releasing which is its US focused distribution division. In 2017, Epic Pictures acquired the world’s most popular horror website, Dread Central, and launched its unique horror label, Dread, followed by its AVOD channel, DreadTV. In 2019, Epic Pictures started the horror gaming site, DreadXP, with a focus on editorial, reviews, podcasts, and original streaming content. In 2020, DreadXP began a video game publishing division with the launch of The Dread X Collection, an anthology of horror games in collaboration with some of the most innovative developers in the independent gaming space. https://epic-pictures.com/

 

 

 

 

 

 

Blackstone, Hudson $1.65 Billion Hollywood Film Production Deal

Blackstone Property Partners, an investment group, has bought a 49% stake in Sunset Bronson, 5800 Sunset Blvd., Sunset Gower, 1438 N. Gower Street and Sunset Las Palmas, 1040 N. Las Palmas Avenue, from Hudson Pacific Properties said Chairman-CEO Victor Coleman.

The combined square footage of the three studios is 1.2 million square feet and includes 35 sound stages, all valued at $1.65 billion.

Blackstone looks to expand development at Sunset Gower, Sunset Las Palmas Studios and make additional studio purchases din and around Los Angeles and beyond.

 

Lights, Camera, Action! Hollywood Productions Resume June 12, 2020

TCL Grauman's Chinese Theatre
TCL Grauman's Chinese Theatre. Photo: Yevette Renee

The Los Angeles County Department of Public Health Order of the Health Officer has released the REOPENING SAFER AT WORK AND IN THE COMMUNITY FOR CONTROL OF COVID-19.

The Los Angeles County Department of Public Health has announced that the Music, film and television production can reopen during Stage 3 on Friday, June 12, 2020.  All productions prior to resuming must prepare, implement and post the required Los Angeles County Department of Public Health Reopening Protocol for Music, Film and Television Production.

There are five areas that all productions must address prior to reopening: Workplace policies and practices to protect employee health, Measures to ensure physical distancing, measures to ensure infection control, communication with employees and the public, measures to ensure equitable access to critical service.

Physical Distancing

They suggest any employee that can work from home, should do so. The workplace must provide all personal protective equipment (PPE), all visitors and employees must wear face covering.

All productions and recording sessions are required to have a written protocol before they can start work to ensure six (6) feet or more between people.  With only essential cast and crew on or near the set at any time. If cast and musicians are unable to wear face coverings must be a minimum of 8 feet of social distancing.  Whenever possible, workspaces are to have one directional traffic.  When riding the elevator, the capacity limit is based on the ability to maintain six (6) feet distance. They also suggest easing elevator traffic by opening stairwells for up and down traffic.

All shops shall be by appointment only to prevent lines forming.

Television and film productions are required to give periodic testing to cast and crew, especially those in high-rick scenes requiring close contact without masks.

Infection Control

Ventilation must be increased in all spaces. All contracts, music sheet, scripts and other documents must be distributed digitally or printed and given to everyone. Before and after filming and other sessions, all commonly touched areas must be disinfected at least three times a day. The entire facility must be cleaned daily i.e. sets, production spaces. Minor child actors can be accompanied by up to two adults. Payment portals, props, costumes, set materials, trucks and other vehicles must be disinfected after each use.

All Productions must provide a copy of the Los Angeles County Department of Public Health protocol to every person that come on-set or enters the production facility.

The movie extra industry will suffer a major impact with productions being told to avoid large crowd scenes.

 

 

Craft services: people will only be able to eat and drink in a designated area. The cast and crew must eat and drink in production set area in staggered schedules.

Food buffets are not allowed as well as no communal food or drink services (no coffee pots). Food must be single serve only. People who bring in their own food cannot share their food.

The date, time and name of the crew currently in session must be recorded to assist in contact tracing when necessary.

Production locations must be completely secure from the public with enough space for everyone stay six (6) to social distance.

URSULA VON RYDINGSVARD: INTO HER OWN Film Review

Von Rydingsvard in her Williamsburg studio on South 5th Street, surrounded by the cedar cast of katul katul, 2002.
Von Rydingsvard in her Williamsburg studio on South 5th Street, surrounded by the cedar cast of katul katul, 2002.

Premieres May 29, 2020 at Film Forum in New York

Opens June 5, 2020 in the major cities of Los Angeles, Berkeley, San Francisco, Chicago, Detroit, Philadelphia and more cities to be announced.

Director: Daniel Traub
Feature Documentary

Director Daniel Traub’s gives an in depth look at the life of sculptor Ursula Von Rydingsvard in his new film URSULA VON RYDINGSVARD: INTO HER OWN.

A compelling story of her birth in Germany, the five years she and her family lived in a displaced person camp prior to her parents and four siblings moving to the United States, her marriage to her husband of nine-years, who was institutionalized with schizophrenia and her eventual rise as one of the few women who specialize in monument sculptors.

Ona, Barclays Center, Brooklyn, 2013.
Ona, Barclays Center, Brooklyn, 2013.

It is fascinating to see how Ursula who grew up during the war and lived in poverty and despair as a displaced person was able to rise to such great heights as an artist. Hearing her speak about being in the 3rd grade and being elected to create posters and other art assignments in school appear to be the spark that ignited her passion for the arts. It is as though the world of art was her calling, her destiny.

One usually thinks of an artist and the creation of their work as an individua effort yet with Ursula, you see her chosen genre of working with large sculptures made out of cedar and eventually working with bronze, requires a team effort. A team she clearly admires and respect. It is a great opportunity for young artist to work and learn from a master of the arts like Ursula. She and her team have lunch together everyday, which gives you a sense of a family unit. That cohesiveness is displayed in the seamlessness of the sculptures that they create together.

Von Rydingsvard drawing cut lines on a 4x4" cedar beam, 2016.
Von Rydingsvard drawing cut lines on a 4x4" cedar beam, 2016.

It was intriguing watching as she traveled to Poland for the first time and see the similarities between of the large, neat stacks of wood used for heating their homes and her large stacks of 4x4 cedar blocks used in her sculptures and other Polish items that had been unknowingly created in her art. It provides an innate connection between her and her family’s homeland.

Composer Simon Taufique original scores provides a great backdrop to Ursula’s life journey from Germany to her new life in the United States.

An enjoyable film about the  humbly beginnings of a woman determined to be an artist. An artist who chose a genre without many woman role models and excelled.

Production Company: Itinerant Pictures
Run time: 57 minutes
Director: Daniel Traub
Producers: Daniel Traub, Ken Kobland, Simon Taufique
Executive Producer: Morning Slayter
Editors: Ken Kobland, Melody London
Cinematographer: Daniel Traub
Composer: Simon Taufique

View Trailer Below

We Are One: A Global Film Festival Free On YouTube May 29 – June 7, 2020

We Are One A Global Film Festival

The corona virus COVID-19 has turned the film industry upside down and has caused the cancellations of film productions, screenings, premieres and film festivals around the world.

To bring much needed entertainment through film to the world and help with the desperate needs of humanity during this pandemic, global film festivals have come together to establish We Are One: A Global Film Festival that will be screen exclusively on YouTube May 29 – June 7, 2020.

This free 10-day film festival gives viewers an opportunity to support COVOD-19 relief efforts by donating from the film program pages. The funds will go to WHO (World Health Organization, UNICEF, UNHCE, Save the Children, Doctors Without Borders, Leket Israel, Go Foundation, Give2Asia and more organizations.

The Film Festivals participating in the We Are One: A Global Film Festival are Annecy International Animation Film Festival, Berlin International Film Festival, BFI London Film Festival, Cannes Films Festival, Guadalajara International Film Festival, International Film Festival and Awards Macao (IFFAM), International Film Festival Rotterdam, Jerusalem Film Festival, Locarno Film Festival, Marrakech International Film Festival, New York Film Festival, San Sebastian International Film Festival, Sarajevo Film Festival, Sundance Film Festival, Sydney Film Festival, Tokyo International Film Festival, Toronto International Film Festival, Tribeca Film Festival, and Venice Film Festival.

The films screened are web series, television, feature films, 360 VR, short films with panel discussions and other programs.

There are films for everyone to choose from that include action and adventure, Romance, Drama, animation, comedy, documentaries, music, activism and socialism, fantasy and experimental.

The screening schedule lists the time for the first showing for each film. There will be additional showings as well as most films going to VOD.

View the schedule for We Are One: A Global Film Festival film at  http://www.weareoneglobalfestival.com/schedule

We Are One: A Global Film Festival on YouTube at http://www.youtube.com/weareone

URSULA VON RYDINGSVARD: INTO HER OWN- In Virtual Theaters Starting June 5

URSULA VON RYDINGSVARD INTO HER OWN

 Premieres Friday, May 29, 2020 at Film Forum in New York.

Open June 5, 2020 in the major cities of Los Angeles, Berkeley, San Francisco, Chicago, Detroit, Philadelphia with more cities to be announced.

URSULA VON RYDINGSVARD: INTO HER OWN is an artistic biography of one of the few women in the world working in monumental sculpture. Von Rydingsvard’s work has been featured in the Venice Biennale and is held in the collections of some of the world’s great museums, including New York’s Museum of Modern Art, the Art Institute of Chicago, and the San Francisco Museum of Modern Art. But she may be best-known for her staggering, triumphant body of work in public spaces – imposing pieces painstakingly crafted with complex surfaces including: a series of early installations reminiscent of wings in what became New York’s Battery Park; a monumental yet inviting piece outside Brooklyn’s Barclays Center and the stunning “Scientia” at M.I.T. which evokes the power of nature and the firing of brain synapses.

In Daniel Traub’s intimate documentary, he goes behind the scenes with von Rydingsvard, as she and her collaborators – cutters, metal-smiths, and others – produce new work, including challenging commissions in copper and bronze. The film also delves into the artist’s personal life, and how it has shaped her work

 

URSULA VON RYDINGSVARD: INTO HER OWN
URSULA VON RYDINGSVARD: INTO HER OWN

Born in Poland during the Second World War, she was partly raised in a displaced persons camp and came to the US as a refugee with her nine-person family. Brought up in a blue-collar environment, she became a teacher and then, as a single mother, moved to New York in the 1970s to take up her artistic practice full-time.

Interviews with curators, patrons, family, fellow artists (including luminaries such as artist Sarah Sze and museum director Adam Weinberg), as well as the artist herself, are intertwined with studio visits and behind-the-scenes footage of her mammoth creations being installed. All combine to show how, through sheer talent and determination (and countless planks of cedar), she has become one of the world’s greatest artists (and one of a very few women) working in monumental sculpture.

DANIEL TRAUB is a New York-based filmmaker and photographer. He lived in China from 1998 to 2007, working as cinematographer on documentary films for various networks and production companies, including PBS, German television ZDF and Arte. More recently, Traub directed the feature-length Barefoot Artist about Lily Yeh and her collaborative artworks in war-torn communities and Xu Bing: Phoenix about the condition of Chinese migrant laborers.

Ursula 7

Traub’s photographs have been exhibited internationally, including solo exhibitions at the Catherine Edelman Gallery in Chicago, Slought Foundation in Philadelphia and the Lianzhou Foto Festival in China. His work can be found in public and private collections, such as The Margulies Collection at the Warehouse and San Francisco Museum of Modern Art.

ABOUT THIS RELEASE
The virtual theatrical release of URSULA VON RYDINGSVARD: INTO HER OWN supports local theaters, museums and arts organizations across the U.S. and Canada. Participating organizations receive a branded page and have no overhead costs in these presentations. The ticket price is $9.99 for a 48-hour streaming period. Of the proceeds, 50% benefits the presenting organization.

ICARUS FILMS
Since 1978, Icarus Films has been a leading distributor of documentary films in North America. Icarus Films meets the needs of activists, educators and service providers, challenging audiences with original creative works.

LIST OF CITY OPENINGS

JUNE 5, 2020
Berkeley (Pacific Film Archive with Q and A), Los Angeles (Laemmle Theaters), San Francisco (Roxie Theater), San Rafael (Rafael Film Center), Chicago (Gene Siskel Film Center with Q and A), Detroit (Detroit Institute Of Arts), Philadelphia (Lightbox Film Center with Q and A), Camas (Liberty Theater), Port Townsend (Rose Theater) and more.

JUNE 12, 2020
Kansas City (Nelson Atkins Museum), Hudson, NY (Time and Space Limited).

JUNE 17, 2020
Houston (MFA Houston).

View the trailer below:

 

Oscar Temporarily Changes Their 2021 Eligibility Rules

Oscar Marquee Dolby Theater

April 29, 2020

The Academy of Motion Pictures Arts and Sciences’ (AMPAS) board of governors have voted to change the eligibility rules for the 93rd Oscars due to the significant impact of the corona virus that has to the complete closure of movie theaters and postponement of film releases.

Prior to the Corona virus,, to be eligible, theatrical releases were required to have a continuous 7-day, 3 screening per day release in Los Angeles for Oscar eligibility.

For the 2021 Oscars, films that had a scheduled theatrical release but have gone straight to VOD/Streaming are now eligible for an Academy Award.

The board of governor also voted to consolidated the Best Sound Editing and Best Sound Mixing into a new category Best Sound.

The 93rd Academy Award is schedule for February 28, 2021, at the Dolby Theater in Hollywood, CA.