Dennis Hopper’s OUT OF THE BLUE: Review

When Life Comes At You Like A Big-Rig Truck

Discovery Logo
Out of the Blue key art

Original Release: April 1982
Director: Dennis Hopper
Writers: Leonard Yakir, Brenda Nielson, Dennie Hopper
Starring: Linda Manz, Dennis Hopper, Sharon Farrell, Don Gordon , Raymond Burr
Presented by Chloë Sevigny & Natasha Lyonne
Genre: Drama
Country: Canada
Language: English

 

Dennis Hopper's 1980 film 'OUT OF THE BLUE' is as powerful now, as it was 40 years ago. Presented by Chloë Sevigny & Natasha Lyonne at Discovery Production, who restored the film and bringing it to a whole new generation of movie goers.

This raw and in-your-face film shows the struggles of Don Barnes (Dennie Hopper), a truck driver and alcoholic, who serves a five-years prison for driving under the influence and crashing his big rig truck into a school bus and taking the lives of children, his wife, Kathy (Sharon Farrell), a drug addict, and mother of his teenage daughter, Cebe (Linda Manz), who is obsessed with her dad, Elvis Pressley and the Sex Pistol and carries the burden and struggles of her parents on her shoulders and there is Charlie (Don Gordon) his best friend and Dr. Brean (Raymond Burr),
a psychologist who treats an out-of-control Cebe.

 

OUT OF THE BLUE- Dennis Hopper (Whiskey) (Photo Credit: Discovery Productions
OUT OF THE BLUE- Dennis Hopper (Whiskey) (Photo Credit: Discovery Productions

As Cebe said, "I don't wanna to hear about you, I wanna hear from you. A statement that gives insight to her belief in the importance of finding your voice. Something she struggled with and expressing herself through her love of Elvis Pressly and the Sex Pistols.

Set in the northwest of Canada with its beautiful surroundings, the rebelliousness of Cebe, who constantly runs away from home, making her way to Vancouver. During her time out on the streets, she lives out her dream of playing drums with a Punk rock band, steals a car and get arrested.

Struggling with her father's incarceration and her mother's drug addiction, has her growing up before her time and taking on the role of the parent.  A huge burden for any teenage to deal with.

OUT-OF-THE-BLUE-Dennis-Hopper-Jail-Phone-Photo-Credit: DiscoveryP roductions-
OUT-OF-THE-BLUE-Dennis-Hopper-Jail-Phone-Photo-Credit: DiscoveryP roductions-

Watching this gripping film, it becomes clear why 'OUT OF THE BLUE' did not get a U.S release in 1980. The film is full of graphic and intense subject, topics and lifestyle choices that many in society where not ready to see on the big screen at the time.

The title of the film comes from to Neil Young's 1979 album 'Rust Never Sleeps' and includes songs from it as well.

The steady trauma experienced by Don, Cebe and Kathy comes so fast and steady, it makes you wonder how a person survives and thrive in such an environment.

OUT OF THE BLUE is definitely a film worth seeing, just be sure to hold onto your seats.

Presented by Chloë Sevigny & Natasha Lyonne
Production Co: Discovery Production, Robson Street
Run time: 1 hour 34 minutes
Starring: Linda Manz, Dennis Hopper, Sharon Farrell, Don Gordon, Raymond Burr
Director Dennis Hopper
Writers: Leonard Yakir, Brenda Nielson, Dennie Hopper
Cinematography: Marc Champion
Editor: Doris Dyck
Music: Tom Lavin

IMPERFECT Premiering at the 2022 Slamdance Film Festival January 27, – February 6, 2022

IMPERFECT key art

A Film by: Regan Linton & Brian Malone
Directors: Regan Linton Brian Malone
Featuring: Regan Linton, Megan McGuire, Erin Schneider, Leonard Barrett Jr., Laurice Quinn, Lucy Roucis, Phillip Lomeo, Adam Johnson,
and Sam Barrasso
Runtime: 1 hour 17 minutes
Rating: Not Yet Rated
Genre: Documentary

A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.

IMPERFECT is a story of artists…who live and perform with the uniqueness of disability, and therefore have historically been denied their place in the spotlight. The documentary chronicles a unique company of actors who have all nature of disabilities – from spinal cord injury to Parkinson’s Disease, cerebral palsy to autism – as they attempt an unprecedented version of Kander, Ebb, and Fosse’s beloved musical "Chicago".

Chicago Cast 2019
Chicago Cast 2019

Capturing the raw, honest stories of the actors inside the production process and outside the theatre in their everyday lives, IMPERFECT reveals a rare behind-the-scenes look at talented artists who push to succeed as professional performers, no matter the obstacles.

IMPERFECT crushes stale notions of disability and affirms the human condition…in all its uniqueness.

IMPERFECT: Leonard
IMPERFECT: Leonard

IMPERFECT will be screening in competition, in the Documentary Features section at the 2022 Virtual Slamdance Film Festival. To purchase a festival pass, please visit https://slamdance.com/2022-passes/

Website: www.imperfectfilm.com

Production Company: A Fast Forwcard Films production
Directors: Regan Linton Brian Malone
Producers: Regan Linton, Brian Malone, and Davis Coombe
Executive Producer: Mike Fordyce
Featuring: Regan Linton, Megan McGuire, Erin Schneider, Leonard Barrett Jr., Laurice Quinn, Lucy Roucis, Phillip Lomeo, Adam Johnson,
and Sam Barrasso
Cinematography and Editing: Brian Malone

OUT OF THE BLUE Opening Next Week in Los Angeles at American Cinematheque January 6th and Atlanta at Plaza Theatre January 7th

POSTER - 4K Restoration -OUT OF THE BLUE (1)

Director: Dennis Hopper
Starring: Linda Manz, Dennis Hopper, Sharon Farrell, Don Gordon, Raymond Burr
Presented by Chloë Sevigny & Natasha Lyonne

The 4K Restoration of Dennis Hopper's OUT OF THE BLUE, timed to its 40th Anniversary, will soon have a regional expansion: Los Angeles, Toronto, Vancouver, Chicago, Seattle, Atlanta, New Orleans, Nashville and more.

Photo 1-OUT OF THE OUT OF THE BLUE-Dennis Hopper (Photo Credit_ Discovery Productions)
Photo 1-OUT OF THE OUT OF THE BLUE-Dennis Hopper (Photo Credit_ Discovery Productions)

Confirmed cities:

Los Angeles: American Cinematheque January 6th
Vancouver: The Polygon Gallery, January 6th, Special Event and VIFF Centre January 14th
Atlanta: Plaza Theatre January 7th
New Orleans: Broad Theatre January 14th
Rhinebeck, NY: Starr Cinema - Upstate Films January 21st
Nashville: Belcourt Theatre January 28th
Toronto: Revue January 28th
Winnipeg: Winnipeg Cinematheque February 1st
Chicago: Music Box Theatre February 4th
Seattle: Beacon Theatre February 11th

Photo 4- OUT OF THE BLUE- Linda Manz, Dennis Hopper (Punk)(Photo Credit_ Discovery Productions)

Official Selection: Cannes Film Festival, Venice Film Festival and SXSW Film Festival.

"Thumbs Up! Bitter, unforgettable. An unsung treasure." - Roger Ebert

“In many ways, it’s maybe my best film.” - Dennis Hopper

“If a masterpiece comes along, people ought to see it.” - Jack Nicholson

Shocking. Controversial. Unforgettable. - Dennis Hopper’s brilliant punk rock masterpiece of adolescent rebellion is ready for a new, long overdue close-up!

A kind of spiritual sequel (and cautionary counterpoint) to Hopper’s own Easy Rider, OUT OF THE BLUE chronicles the idealism of the sixties decline into the hazy nihilism of the 1980’s.

Don Barnes (Dennis Hopper) is a truck driver in prison for drunkenly smashing his rig into a school bus. Linda Manz (Days of Heaven) plays Cebe, his daughter, a teen rebel obsessed with Elvis and The Sex Pistols. Her mother (Sharon Farrell) waitresses, shoots up drugs and takes refuge in the arms of other men. Cebe runs away to Vancouver’s punk scene and ends up on probation under the care of psychiatrist Raymond Burr. After Don’s release, the family struggles to re-connect before the revelation of dark secrets leads to a harrowing conclusion.

 

ABOUT DENNIS HOPPER: Born in Dodge City, Kansas, May 17,1936: Actor-director Dennis Hopper’s “Out of the Blue” premiered at Cannes in 1980. His directorial debut, “Easy Rider “(1969, Cannes Award “Best First Work,” was a countercultural landmark whose success helped spark the New Hollywood era of seventies filmmaking). His follow-up “The Last Movie” (1971) won the CIDALC Critics Prize Award at the Venice Film Festival. He went on to direct “Out of the Blue,"(1980) - Official Cannes selection; “Colors," (1988) “Backtrack,” (1990) and “The Hot Spot,” (1990). His 200+ acting roles include “Rebel Without a Cause,” “Giant,” “Mad Dog Morgan,”
“Apocalypse Now,” “Blue Velvet,” and “Hoosiers” (Academy Award nomination, Best Supporting Actor).
Also a renowned photographer and artist, Hopper died in Los Angeles, May 29, 2010.

FILM PRESERVATION

Working from the original 35mm negative restored by Discovery in 2010, John Alan Simon and Elizabeth Karr’s Discovery Productions undertook the digital scan and mastering of Out of the Blue to premiere as an official selection at the Venice Film Festival in 2019, preserving Hopper’s landmark film to make it available to new audiences.The New 4K restoration was shown for the first time on the big screen theatrically at Metrograph in November, 2021 in New York.

Despite critical acclaim at its original Cannes premiere in 1980, OUT OF THE BLUE went unreleased because it was considered too bleak for U.S. audiences.
John Alan Simon, then a film critic/journalist, rescued the film from the shelf, secured distribution rights and took it on the road with Dennis Hopper back in 1982 to art house theaters across the U.S. including a 17-week record-breaking run at the Coolidge Corner Cinema in Boston and then NYC and Los Angeles theatrical releases.

“It’s incredibly important to us that OUT OF THE BLUE be preserved for future generations to experience its emotional impact and as the artistic achievement that helped re-establish Dennis Hopper as an important American director,” commented Elizabeth Karr on behalf of Discovery Productions.

"For me, this restoration project was pay-back for all I learned from Dennis Hopper when we originally took OUT OF THE BLUE on the road in 1982 after I rescued it from the shelf. He was an amazing artist and friend and OUT OF THE BLUE remains as unforgettable as he was and serves as an indelible tribute to the talents of Linda Manz,” John Alan Simon from Discovery Productions concluded.

Chloë Sevigny and Natasha Lyonne came onboard as presenters for Discovery Productions’ OUT OF THE BLUE 4K restoration and 40th Anniversary Theatrical Re-release.

"Out Of The Blue" - what a great movie! Linda Manz in that movie, mama mia!” - Natasha Lyonne on NPR interview with Terry Gross

“I love actress Linda Manz! As Cebe in “Out of the Blue”, arguably one of the best teen characters ever portrayed on film.” - Chloë Sevigny (from her Instagram)

SOCIAL MEDIA/ WEB:

Facebook: https://www.facebook.com/OutOfTheBlueDennisHopper/
Twitter: @HopperMovieOOTB https://twitter.com/HopperMovieOOTB
IG: outofthebluefilm https://www.instagram.com/outofthebluefilm/
Web: www.outofthebluedennishopper.com

ABOUT DISCOVERY PRODUCTIONS

John Alan Simon and Elizabeth Karr are the nucleus of Discovery Productions, an indie writing/directing/producing team. Discovery’s
development slate includes prestigious literary works from authors Philip K. Dick, Jim Thompson, Lucius Shepard and Ian Watson.

The distribution arm of Discovery Productions has released independent films, including RADIO FREE ALBEMUTH, the adaptation of
the sci-fi novel by Philip K. Dick, directed and adapted by John Alan Simon and Dennis Hopper’s OUT OF THE BLUE, currently embarking on
its 4K digital restoration and 40th Anniversary

Hollywood Award Shows, Film Festivals and Events Cancelled and Postponed Due to the Increased Omicron Variant-COVID-19 Infections

20210407_195000

A Christmas Carol at L.A.’s Ahmanson Theatre: Canceled|

AFI Awards: Postponed, future date TBD

BAFTA Tea Party: Canceled

Christmas Spectacular Starring the Radio City Rockettes: Canceled

Critics Choice Awards: Postponed, future date TBD

Dune Home Entertainment Release Party in L.A.: Canceled

Fox’s New Year’s Eve Toast & Roast 2022": Canceled

Governors Awards Ceremony: Postponed, future date TBD

HCA Film Awards Ceremony: Postponed until February 28th

Hulu’s How I Met Your Father L.A. Premiere: Canceled

Jagged Little Pill: Closed permanently

Is There Still Sex in the City?: Canceled

National Board of Review Gala in New York City: Postponed, future date TBD

New York Film Critics Circle Awards Ceremony: Postponed, future date TBD

Palm Springs International Film Festival and Awards Gala: Canceled

Pan Afrcan Film and Arts Festival: February 8-21, 2022

Rotterdam Film Festival: Online only
Status: Shifting from in-person to online

Slamdance Film Festival: Online only January 27th - February 6th

The Book of Boba Fett Special Screening at L.A.’s El Capitan Theatre: Canceled

 

Dennis Hopper’s OUT OF THE BLUE Regional Expansion

Discovery Logo
Out of the Blue key art

Director: Dennis Hopper
Starring:  Linda Manz, Dennis Hopper, Sharon Farrell, Don Gordon, Raymond Burr

Dennis Hopper's OUT OF THE BLUE Regional Expansion including: Los Angeles, Toronto, Chicago, Seattle, Atlanta, New Orleans and more.

Los Angeles: American Cinematheque - January 6th
Atlanta: Plaza Theatre - January 7th
New Orleans: Broad Theatre - January 7th
Toronto: Revue - January 28th
Chicago: Music Box - Late January, date TBD
Nashville: Belcourt Theatre - Late January, date TBD
Winnipeg: Winnipeg Cinematheque - February 1st
Seattle: Beacon Theatre - February 11th

OUT OF THE BLUE-Dennis Hopper (Jail Phone) (Photo Credit-Discovery Productions)
OUT OF THE BLUE-Dennis Hopper (Jail Phone) (Photo Credit-Discovery Productions)

Presented by Chloë Sevigny & Natasha Lyonne

Official Selection: Cannes Film Festival, Venice Film Festival and SXSW Film Festival.

"Thumbs Up! Bitter, unforgettable. An unsung treasure." -   Roger Ebert

“In many ways, it’s maybe my best film.” - Dennis Hopper

“If a masterpiece comes along, people ought to see it.” -
Jack Nicholson

 OUT OF THE BLUE- Linda Manz, Dennis Hopper (Punk) 
Photo Credit: Discovery Productions
OUT OF THE BLUE- Linda Manz, Dennis Hopper (Punk) Photo Credit: Discovery Productions

Shocking. Controversial. Unforgettable. - Dennis Hopper’s brilliant punk rock masterpiece of adolescent rebellion is ready for a new, long overdue close-up!

A kind of spiritual sequel (and cautionary counterpoint) to Hopper’s own Easy Rider, OUT OF THE BLUE chronicles the idealism of the sixties decline into the hazy nihilism of the 1980’s.

Don Barnes (Dennis Hopper) is a truck driver in prison for drunkenly smashing his rig into a school bus. Linda Manz (Days of Heaven) plays Cebe, his daughter, a teen rebel obsessed with Elvis and The Sex Pistols. Her mother (Sharon Farrell) waitresses, shoots up drugs and takes refuge in the arms of other men. Cebe runs away to Vancouver’s punk scene and ends up on probation under the care of psychiatrist Raymond Burr. After Don’s release, the family struggles to re-connect before the revelation of dark secrets leads to a harrowing conclusion.

ABOUT DENNIS HOPPER: Born in Dodge City, Kansas, May 17,1936: Actor-director Dennis Hopper’s “Out of the Blue” premiered at Cannes in 1980. His directorial debut, “Easy Rider “(1969, Cannes Award “Best First Work,” was a countercultural landmark whose success helped spark the New Hollywood era of seventies filmmaking). His follow-up “The Last Movie” (1971) won the CIDALC Critics Prize Award at the Venice Film Festival. He went on to direct “Out of the Blue,"(1980) - Official Cannes selection; “Colors," (1988) “Backtrack,” (1990) and “The Hot Spot,” (1990). His 200+ acting roles include “Rebel Without a Cause,” “Giant,” “Mad Dog Morgan,” “Apocalypse Now,” “Blue Velvet,” and “Hoosiers” (Academy Award nomination, Best Supporting Actor). Also a renowned photographer and artist, Hopper died in Los Angeles, May 29, 2010.

OUT OF THE BLUE- Linda Manz Photo Credit: Discovery Productions
OUT OF THE BLUE- Linda Manz Photo Credit: Discovery Productions

FILM PRESERVATION

Working from the original 35mm negative restored by Discovery in 2010, John Alan Simon and Elizabeth Karr’s Discovery Productions undertook the digital scan and mastering of Out of the Blue to premiere as an official selection at the Venice Film Festival in 2019, preserving Hopper’s landmark film to make it available to new audiences.The New 4K restoration was shown for the first time on the big screen theatrically at Metrograph in November, 2021 in New York.

Despite critical acclaim at its original Cannes premiere in 1980, OUT OF THE BLUE went unreleased because it was considered too bleak for U.S. audiences.

John Alan Simon, then a film critic/journalist, rescued the film from the shelf, secured distribution rights and took it on the road with Dennis Hopper back in 1982 to art house theaters across the U.S. including a 17-week record-breaking run at the Coolidge Corner Cinema in Boston and then NYC and Los Angeles theatrical releases.

“It’s incredibly important to us that OUT OF THE BLUE be preserved for future generations to experience its emotional impact and as the artistic achievement that helped re-establish Dennis Hopper as an important American director,” commented Elizabeth Karr on behalf of Discovery Productions.

"For me, this restoration project was pay-back for all I learned from Dennis Hopper when we originally took OUT OF THE BLUE on the road in 1982 after I rescued it from the shelf. He was an amazing artist and friend and OUT OF THE BLUE remains as unforgettable as he was and serves as an indelible tribute to the talents of Linda Manz,” John Alan Simon from Discovery Productions concluded.

Chloë Sevigny and Natasha Lyonne came onboard as presenters for Discovery Productions’ OUT OF THE BLUE 4K restoration and 40th Anniversary Theatrical Re-release.

"Out Of The Blue" - what a great movie! Linda Manz in that movie, mama mia!” - Natasha Lyonne on NPR interview with Terry Gross

“I love actress Linda Manz! As Cebe in “Out of the Blue”, arguably one of the best teen characters ever portrayed on film.” - Chloë Sevigny (from her Instagram)

OUT OF THE BLUE- NEW 4K Restoration/ 40th Anniversary Trailer

OUT OF THE BLUE- Dennis Hopper (Whiskey) (Photo Credit: Discovery Productions
OUT OF THE BLUE- Dennis Hopper (Whiskey) (Photo Credit: Discovery Productions

SOCIAL MEDIA and Website:

Facebook: https://www.facebook.com/OutOfTheBlueDennisHopper/

Twitter: @HopperMovieOOTB https://twitter.com/HopperMovieOOTB

IG: outofthebluefilm https://www.instagram.com/outofthebluefilm/

Web: www.outofthebluedennishopper.com

ABOUT DISCOVERY PRODUCTIONS

John Alan Simon and Elizabeth Karr are the nucleus of Discovery Productions, an indie writing/directing/producing team. Discovery’s development slate includes prestigious literary works from authors Philip K. Dick, Jim Thompson, Lucius Shepard and Ian Watson. The distribution arm of Discovery Productions has released independent films, including RADIO FREE ALBEMUTH, the adaptation of the sci-fi novel by Philip K. Dick, directed and adapted by John Alan Simon and Dennis Hopper’s OUT OF THE BLUE, currently embarking on its 4K digital restoration and 40th Anniversary re-release.

VIEW TRAILER BELOW!

CELEBRATING ITS 30TH ANNIVERSARY, AMERICA’S LARGEST BLACK FILM FESTIVAL, THE PAN AFRICAN FILM FESTIVAL, ANNOUNCES DANNY GLOVER AS CELEBRITY AMBASSADOR

PAFF 30th Logo

Global celebration of Pan African cultures in Los Angeles returns with hybrid festival of in-person and online screenings

Danny Glover

LOS ANGELES — Actor Danny Glover (The Color Purple, Lethal Weapon) will be the Pan African Film Festival’s (PAFF) 2022 celebrity ambassador. The 30th annual festival will be held in-person and online February 8-21, 2022, in Los Angeles. Glover is a co-founder of the PAFF along with the late actress Ja’Net Dubois (“Good Times”) and Pan African affairs expert Ayuko Babu. In January, he is scheduled to receive the 2022 Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences for his contributions to filmmaking and the world.

“The role of the PAFF Celebrity Ambassador is to broaden public awareness of the festival as well as its mission,” said PAFF co-founder and executive director Ayuko Babu. “Since 1992, Danny has made the Pan African Film Festival and supporting Black filmmakers a priority, and so it naturally made sense for him to be the festival’s celebrity ambassador as we celebrate 30 years of Black storytelling through film and art.”

The PAFF is a twelve-day event that exists to evolve the emerging Black storyteller. Each year the PAFF showcases the broad spectrum of creative works and films by visionaries who highlight the diverse stories of Black America, Africa, and the global Black Diaspora.

“I am thrilled to be the celebrity ambassador for the 30th annual Pan African Film Festival, which has had a profound impact on Black filmmaking and Black filmmakers since 1992,” said Danny Glover. “The Pan African Film Festival is a cultural icon that has grown over the past 30 years into the largest Black film festival in the U.S., and I’m proud of any role I played in making that happen.”

The 30th annual PAFF will feature 150 new high-quality Black films from the U.S., Africa, the Caribbean, South America, Europe, the South Pacific, Canada, and increasingly, Asia. In addition, the PAFF will present over 100 fine artists and unique craftspeople from over 40 countries and six continents in a showcase of Pan African cultures.

An Oscar-qualifying festival for animation and live-action films, the 30th Annual PAFF will take place in-person in Los Angeles and online worldwide February 8-22, 2022.

About Danny Glover

Danny Glover first caught the attention of movie audiences in The Color Purple and went on to star opposite Mel Gibson in the Lethal Weapon series. He has also appeared in To Sleep with Anger, The Royal Tenenbaums, Dreamgirls, Beyond the Lights and Sorry to Bother You. A lifelong community activist, his efforts for worldwide justice have inspired others to follow his leadership. He has been a particularly strong advocate for economic justice and access to health care and education in the United States and Africa. He has served as a Goodwill Ambassador for the United Nations Development Program and is currently a UNICEF Goodwill Ambassador. He is a co-founder of the Pan African Film Festival, America’s largest Black film festival.

About the Pan African Film Festival

Established in 1992 by Hollywood veterans Danny Glover (The Color Purple, Lethal Weapon), the late Ja’Net DuBois (“Good Times”), and Ayuko Babu (Executive Director), the Pan African Film Festival is a 501(c)(3) non-profit organization that has remained dedicated to the promotion of Black stories and images through the exhibition of film, visual art, and other creative expression.

PAFF is the largest and most prestigious Black film festival in the U.S. and attracts local, national, and international audiences. It is also one of America’s largest Black History Month events.

The 30th annual festival runs February 8-22, 2022.

Find the Pan African Film Festival on:

Twitter: https://twitter.com/paffnow
Facebook: https://www.facebook.com/paffnow
Instagram: https://www.instagram.com/paffnow
YouTube: https://www.youtube.com/c/ThePanAfricanFilmFestival

The PAFF is generously supported by the City of Los Angeles, the Department of Cultural Affairs, Los Angeles County Arts and Culture, Los Angeles County Supervisor Holly J. Mitchell, Los Angeles Councilmember Marqueece Harris-Dawson and Los Angeles Councilmember Mark Ridley-Thomas.

For more information, please contact press@paff.org.

It’s Back! The 89th Hollywood Christmas Parade Supporting Marine Toys for Tots

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After cancellation of the 2020 Hollywood Christmas Parade due
to the COVID 19, Hollywood kicks off the 2021 Christmas Holiday.

The 2021 Hollywood Christmas Parade is co-hosted by parade producer, Laura McKenzie, Montel Williams, Dean Cain, Erick Estrada and special co-host Elizabeth Stanton.

The Grand Marshall is The Talk co-host Sheryl Underwood.

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The celebrities helping to ring in the Christmas Season are, Kariamah Westbrook, Rome Flynn, Lou Ferrigno, Kimberlin Brown, Lynnette Romero, Matt Mauser, French Steward, Lieutenant General James B. Laster USMC (Retired)

The marching bands participating this year are, Gevorkian Dance Academy, PAVA Korean Traditional Band KAYPA, Greenwood Marching Woodman and Irish Guard, LA Police Emerald Society Pipes and Drums, Maker Empire, Milton High School Marching Band, Penn High School Marching Band, The Los Angeles Catholic Schools Band, LA Police Emerald Society Pipes and Drums, Mira Costa High Marching Band and Colorguard and Thundersquad Drumline.

The 2021 Hollywood Christmas Parade will be televised on The CW Network and for the international audience on Armed Forces Network.

10th Annual Key West Film Festival Announces Awards

KWFF logoa

November 22, 2021, Key West, FL – The 10th Annual Key West Film Festival announced its awards today. The festival showed more than 75 films during the 5-day festival, which ran November 17-21 and celebrated its 10th Anniversary.

The award winners for the 10th annual Key West Film Festival were presented Saturday evening, November 21, with many awardees in attendance.

KWFF 2021 Awards 20 November 2021 Full-5821

The feature film winners were as follows:

Best Documentary - "Bernstein's Wall" directed by Douglas Tirola

Best International film - "The Hand of God" directed by Paolo Sorrentino

Best LGBTQ Film - "Firebird" directed by Peeter Rebane

Best Narrative Film - "Parallel Mothers" directed by Pedro Almodovar

KWFF Annual Critics Award - "Red Rocket" directed by Sean Baker, with a Special Mention for "Jockey" directed by Clint Bentley

KWFF 2021 Awards 20 November 2021 Full-5894

The short film winners were as follows:

Best Florida Short Film: Like the Girls Who Wear Pink, directed by Jennifer Msumba

Best Dramatic Short Film: Feeling Through, directed by Doug Roland

Best Comedy Short: Your Monster, directed by Caroline Lindy

Best Documentary Short: Voice Above Water, directed by Dana Frankoff

Best Animated Short: Mila, directed by Cinzia Angelina

Best World Student Short Film: Bambirak, directed by Zamarin Wahdat

Best Florida Student Short Film: Soundproof, directed by Gabriela Lima

This marks the first year that a non- English language film took home the Best Narrative Feature Award. All feature awards are audience based, except for the KWFF Critics Award, which is voted on by a jury of critics including Carlos Aguilar of the Los Angeles Times, Josh Rothkopf of Entertainment Weekly, David Fear of Rolling Stone, Tomris Laffly of Variety, Shirrel Rhodes of the Key West Citizen, Eric Kohn of Indiewire and Monica Castillo of Colorado NPR.

The 11th Annual Key West Film Festival will take place November 16-20, 2022.

ABOUT THE KEY WEST FILM FESTIVAL

Honoring creativity, diversity, sustainability and beauty, the Key West Film Festival is an annual celebration of film and filmmakers set to take place November 17-21, 2021.

A diverse, entertaining and artistically rigorous selection of films will be represented through a broad array of categories that offer opportunities for filmmakers, both aspiring and established, to commune and exchange ideas while showing their work to audiences in an historic and artistically vibrant tropical paradise.

Films that have been showcased in the last five years of the festival have amassed over SIXTY FIVE Academy Award nominations - five of which were for Best Picture - and 15 Oscar wins, including two for Best Picture (Spotlight and Shape of Water).

For more information, visit our website: https://kwfilmfest.com

Twitter - @keywestfilmfest
Instagram - @keywestfilmfestival
Facebook - Key West Film Festival

#kwff #kwff2021 #tropiccinema

GIANT PICTURES PRESENTS A 3 Arts Entertainment and Reno Productions film SALT IN MY SOUL

Salt In My Soul_Poster

A Feature Documentary Film by Will Battersby
Run time: 96 Minutes (USA- Feature Documentary)

SALT IN MY SOUL will be released theatrically in New York (Cinema Village) and Los Angeles (Laemmle Royal) on January 21 followed by the VOD Release in the US, Canada, and UK & Ireland and key territories worldwide on January 25.

Mallory Smith in Will Battersby's  SALT IN MY SOUL-
Mallory Smith in Will Battersby's SALT IN MY SOUL-

Based on the bestselling posthumously published memoir of the same name, SALT IN MY SOUL is a documentary and classic coming of age story about a young woman figuring out how to live while dying. Mallory Smith was diagnosed with cystic fibrosis at the age of three.

In her twenty five-year battle with the deadly disease, she carved out a life that most of us don’t come close to. Using Mallory’s posthumously published 25,000-page secret diaries, hundreds of hours of newly discovered footage, and audio recordings, the film offers Mallory as the narrator of her own extraordinary chronicle.

Mallory Smith in Will Battersby's SALT IN MY SOUL. Photo: Giant Pictures
Mallory Smith in Will Battersby's SALT IN MY SOUL. Photo: Giant Pictures

Following her realization at age nine that she would die young, Mallory secretly began to record her inner thoughts in her diary while throwing herself at life: friendships in elementary school, lovers and sports teams in high school, the little travel her disease would allow. She attended college and explored the wider world, one that was just beyond her grasp.

She became a devoted environmentalist, seeing a startling and vivid metaphor for her declining health in the destruction of our world. Her father feverishly researched treatment options, desperate that the death sentence be commuted. Her mother obsessively helped her to live, cooking to maintain her weight and create community, raising money for research, and teaching her to prioritize relationships over all else.

Mallory fought. And she wrote; about her fears, her loves, her pain, her depression, her hopes, and gave a voice to the many millions who struggle with invisible or visible illness. In Mallory’s final days, her father uncovered a long-forgotten treatment that is now changing the world of medicine. Heartbreakingly, it came too late to save his daughter.

Mallory was a young woman who lived with illness her whole life, who suffered immeasurably but who always found the will to live happy. Her story is a testament to enduring parental love and determination and the healing power of memoir as medicine, inspiring all of us to live life as fully as possible in the face of the challenges we all face.

SALT IN MY SOUL-Filmmaker Will Battersby
SALT IN MY SOUL-Filmmaker Will Battersby

Will Battersby (Filmmaker) has been producing documentaries and features for 15 years. His first documentary as producer, Trumbo, won the National Board of Review Freedom of Speech award. The film, about blacklisted Hollywood screenwriter Dalton Trumbo, was released by Samuel Goldwyn Films and had its premiere at the Toronto International Film Festival.

SALT IN MY SOUL is Will’s second documentary as director. The first, The Canal, will be released by Showtime which is currently adapting it into a limited series. Will is producing alongside Patricia Arquette, who will also direct. The Canal is the first feature documentary about the environmental tragedy in the Love Canal neighborhood of Niagara Falls and the extraordinary group of working-class women who fought to save their families.

Will’s narrative feature credits include: SXSW favorite The Spine of Night, a hand-drawn animated fantasy film that RLJE released in October 2021, which stars Richard E. Grant, Lucy Lawless and Patton Oswalt; Stephen King’s A Good Marriage starring Joan Allen; They Remain starring Will Jackson Harper, and The Bleeding House, the first feature from Emmy Award-winning writer/director Philip Gelatt (Love, Death & Robots). Will served as Head of Development on Alex Gibney’s Oscar-nominated documentary Enron: The Smartest Guys in the Room, and Stephen Soderbergh’s Bubble.

SALT IN MY SOUL-  Diane Shader Smith
SALT IN MY SOUL- Diane Shader Smith

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ABOUT THE BOOK

SALT IN MY SOUL: An Unfinished Life, by Mallory Smith, is a powerful, intimate, and inspiring portrait of a brave young woman living with chronic illness. Mallory understood that patient voices need to be amplified in order to improve healthcare, that the i ntersection of human behavior and nature is critical to environmental sustainability, and that love and friendship give life meaning. As Mallory’s body deteriorated, she sharpened her mind, crystalized her thinking, and honed her writing skills. In her 2500 pages of private journal entries, she created poetry out of prosaic experiences. Beautifully written, provocative, and peppered with insights, SALT IN MY SOUL reminds us to follow Mallory's mantra and "Live Happy."

For more information about the book SALT IN MY SOUL: An Unfinished Life please go to: https://www.penguinrandomhouse.com/books/607965/salt-in-my-soul-by-mallory-smith/

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RETURN OF THE 18 BRONZEMEN

Museum of the Moving Image and Subway Cinema

In association with Taipei Cultural Center in New York, Ministry of Culture, Republic of China (Taiwan)

Subway Cinema Logo

Proudly Present
9th Old School Kung Fu Fest: Joseph Kuo Edition!
December 6-13, 2021

Including eight all-new 2K digital restorations with new English-language subtitles New York, NY (November 15, 2021) - The Old School Kung Fu Fest is back, and this time Museum of the Moving Image and Subway Cinema will co-present eight newly restored films and one fan favorite classic by Kuo on glorious 35mm — four titles available exclusively online, December 6–13, and another five films for in-person big-screen viewing at MoMI, December 10–12.

Whether you know his name or not, when someone says “Old School Kung Fu” the first image that flashes across your brain is probably from a Joseph Kuo movie. Taiwan’s ultimate independent filmmaker, Kuo put his stamp on the Seventies as his own boss, writing, producing, and directing dozens of movies through his production company, Hong Hwa International Films, which he founded in 1973.

Kuo’s credo was simple: “I cannot let down the person who buys my works.” He learned to deliver maximum impact on minimum budgets, taking the latest trends of the day and turning them into hard-hitting spectacles boasting unlimited mayhem. To make his movies rock the hardest on the smallest of budgets he assembled a rotating cast of charismatic action stars that included Wen Chiang-lung (who looks like Bruce Lee after a Cantopop makeover), the musclebound Carter Huang, the puckish Li Yi-Min, the underrated female fighter, Jeanie Chang, the versatile Jack Long and Mark Long. Working with action choreographers like Corey Yuen, one of the Seven Little Fortunes, and Yuen Cheung-yan, brother of Yuen Wo-ping, his flicks feature wall-to-wall fight scenes, and in an attempt to please every single audience member these fight scenes go on, and on, and on, continually changing location and upping the stakes, so that just when you think you’ve seen every possible variation on two guys standing in a field kicking the stuffing out of each other, Kuo takes it to another level.

Full of funky editing tricks that momentarily turn his movies into experimental flicks, Kuo hooks eyeballs with convoluted storytelling structures packed with frenetic flashbacks that force viewers to pay close attention. Everyone is related to everyone else, everyone has a secret identity, there’s almost always a last minute revelation popping up out of nowhere, usually with evil laughter on its lips, and every movie single revolves around revenge. While the first half hour of any Joseph Kuo film takes some patience while he clears his throat and gets down to business, once things kick off it’s a non-stop roller coaster ride that ends in an apocalyptic beatdown that leaves the main characters doling out a galaxy-shattering finishing movie before confronting the futility of vengeance. Delivering martial arts mayhem and a moving moral message in 90 minutes or less, Joseph Kuo gets in, delivers the goods,
makes his point, then gets out, leaving you hungry for more. And in this year’s Old School Kung Fu Fest we’re offering plenty more.

Key Art

Lineup

Five In-Person Screenings!
18 Bronzemen & Return of 18 Bronzemen (1976)
Theatrical World Premiere of the brand new 2K restorations!
Starring: Carter Huang (aka Carter Wong), Polly Shang-kuan, Tien Peng

When Shaolin Temple movies became the next big thing, Kuo delivered these back-to-back movies about the world’s toughest college of kickass. “Overthrow Qing! Restore Ming!” was the rallying cry that echoed throughout the land. The Qing Dynasty were the Manchu invaders who stormed China and deposed the 300 year old Ming Dynasty, whose loyalists promptly went into hiding and led an underground resistance for the next 400 years centered on the cradle of Southern Chinese martial arts, the Shaolin Temple. Kuo tells the same story in both movies, each with essentially the same cast, but one’s from the point-of-view of the good guys, while the other takes the POV of the bad.

18 Bronzemen gives us Carter Huang as the son of heroic Ming rebels, spirited away from a Qing-led massacre of his family and hidden in Shaolin Temple. There he spends 20 years learning Shaolin kung fu before graduating by entering the labyrinth of death where he must face the 18 Bronzemen, who are gold-skinned fighting robots, as well as a series of tests that can drive you mad. But once he graduates he can take his revenge on the evil Qing scum with his Diploma of Death!

Inexplicably released before 18 Bronzemen everywhere except its native Taiwan, the sequel, Return of 18 Bronzemen, takes us to the dark side where Carter Huang plays an evil Qing prince who stages a coup, murders his dad, poisons his brother, and then someone asks him if they should burn Shaolin Temple to the ground because it’s full of rebels. Pausing, Huang stares at a tiny statue of one of the 18 Bronzemen on his desk, the screen does a wipe, and suddenly we’ve traveled back in time for a flashback that will take up the rest of the movie. Here, Huang is a young, fun-loving Qing punch-a-holic who discovers that he can’t beat Shaolin kung fu, so he disguises himself and enrolls in the monastery, determined to pack their 20 year training program into a single year. Taking on a heavy course load, including a trip through the labyrinth of death, and multiple battles with the 18 Bronzemen, he ultimately learns that he can be a Shaolin monk or he can be a Qing prince, but he can’t be both. That’s when we come back to the present and realize that we’ve just watched an entire 90 minute movie about one man making a single decision. It doesn’t get any more ambitious or experimental than that! Kuo’s invention, the 18 Bronzemen, would become so popular they remain a staple of the Shaolin legend to this day.

THE 7 GRANDMASTERS (Courtesy of Mei Ah Entertainment Group Ltd.)
THE 7 GRANDMASTERS (Courtesy of Mei Ah Entertainment Group Ltd.)

7 Grandmasters (1977)
Theatrical World Premiere of the brand new 2K restoration!
Starring: Li Yi-min, Jack Long, Corey Yuen

Three movies dominated Times Square grindhouses in the ‘70s and ‘80s. Mad Monkey Kung Fu from Shaw Brothers’ king of kung fu, Lau Kar-leung, was one. But the other two were both by Joseph Kuo: Mystery of Chess Boxing and 7 Grandmasters. With action choreography by Corey Yuen (one of Jackie Chan’s opera school brothers) and Yuen Cheung-yan (one of action genius Yuen Wo-ping’s real life brothers) 7 Grandmasters is a non-stop series of freaky fight scenes, with martial artists kicking up dirt and dishing out hurt as Master Sang Kuan-chun (Jack Long) receives an anonymous challenge on the eve of his retirement that sends him on a martial arts road trip to prove he’s still the best by taking on every single master of the martial arts he can find. No one dies because these fights are about respect, and tradition, and acknowledging that Master Sang is the better marital artist no matter what anonymous challenge letters written by meanies say, but somewhere along the way Master Sang gets framed…for MURDER! As if that isn’t bad enough, he also acquires a new student, Li Yi-min, who is so irritating that his other students try to beat him to death on a regular basis.

By the time we get to the final, no-holds-barred showdown, Li has become our hero, albeit a conflicted one, as secrets are revealed, hidden uncles spring back to life, we see an earth shattering weapons duel between Jack Long and choreographer Corey Yuen, a totally bananas battle with Monkey Liu, and a psychedelic progression of increasingly insane kung fu stances that sound like someone’s making them up as they go along: Eagle Catches Chicken, Cicada Shedding Its Skin, Buddha Standing on His Hands, the mystical Downstream Current, and our personal favorite, Falling On the Ground. Kuo’s flicks deliver pure, uncut action and the fact that these movies were made so fast and cheap actually makes the sheer athleticism of the performers that much more impressive.

THE OLD MASTER (Courtesy of Mei Ah Entertainment Group Ltd.)

Mystery of Chess Boxing (1979)
Starring: Li Yi-Min, Jack Long, Mark Long (aka Lung Kuan-wu), Jeanie Chang, Simon Yuen

A riff on Jackie Chan’s box office-shattering Snake in the Eagle’s Shadow (1978), this is the movie that provided inspiration for the Wu-Tang Clan, with Ghostface Killah taking his name from its unforgettable bad guy, Ghost Faced Killer (Mark Long). Shot outdoors, like most classic Kuo productions, the action’s on overdrive right out of the gate, and these fights hurt.
Kuo knows how to keep a story cooking, he’s got a knack for framing, and he’s excellent at delivering fun effects with nothing more than some nimble editing and clever camera tricks.

When a young novice who’s the butt of his kung fu school’s jokes gets sent to learn “real kung fu” from a master who keeps making him play chess all day, he complains, “I didn’t come here to learn chess! I wanted to learn kung fu.”

“You’ve been learning,” the master purrs, before barking out a series of chess moves and stances, turning the novice into a living, fighting chess piece, complete with groovy animations.

This kind of “You’re not painting my fence, you’re learning martial arts” schtick was the core of the Shaolin kung fu flick, and later of Jackie Chan’s kung fu comedies, and it would eventually find its fullest expression in the West via The Karate Kid ,
but Kuo delivers it here with an intense, acrobatic style that makes it easy to understand why this movie played for almost 10 years in Times Square, finally tapping out in 1989 paired on a double feature with Spike Lee’s Do the Right Thing.

36 Deadly Styles (1979)
Theatrical World Premiere of the brand new 2K restoration!
Starring: Cheung Lik, Jeanie Chang, Hwang Jang-Lee, Jack Long, Bolo Yeung

Few Joseph Kuo movies Kuo quite as hard as 36 Deadly Styles . A nutso opening half-hour that feels all over the place? Check. A complicated structure full of flashbacks? Check. Everyone is in disguise and maybe all related to each other? Check. Revenge-motivated main characters? Check. And, finally, some of the longest, most intense, ground level acrobatic fight scenes ever put on film? Check!!!

A kid on the run from a rival clan determined to wipe his clan from the face of the earth finds safety in a temple where he meets a soy milk salesgirl (Jeanie Chang) and her dad who help him out with the kung fu. He needs all the help he can get as a quartet of the best screen fighters ever assembled come gunning for him, all of them wearing deeply tragic wigs, including Bolo Yeung (the musclebound brute from Enter the Dragon) and Hwang Jang-Lee (the Korean superkicker tapped to be the big bad in both of Jackie Chan’s hit movies, Snake in the Eagle’s Shadow and Drunken Master). It all leads to a final fight in a field where people kick each other in the face until they can’t stand up anymore and their guts explode, their quests for revenge bleeding out on a bleak landscape littered with motionless bodies as haystack fires leave black smudges floating across an uncaring blue sky.

WORLD OF THE DRUNKEN MASTER (Courtesy of Mei Ah Entertainment Group Ltd.)
WORLD OF THE DRUNKEN MASTER (Courtesy of Mei Ah Entertainment Group Ltd.)

Four Virtual Screenings!

Shaolin Kung Fu (1974)
Starring: Wen Chiang-lung, Yi Yuan, Liu Hsiu-yun

After the wu xia (heroic swordsman) resurgence of the late Sixties, Jimmy Wong-yu changed everything with his Shaw Brothers hit, The Chinese Boxer (1970), playing an angry young man fighting his oppressors with kung fu, and that came right before Bruce Lee’s box office-shattering kung fu flicks of ’72 and ’73. Suddenly, everyone wanted pissed-off poor dudes with badass brawler skills bashing open the skulls of The Man and Joseph Kuo delivered. He and flying kick specialist, Wen Chiang-lung, made seven movies together between 1972 and 1974, including this one, which is a remake of their Rikisha Kuri shot the previous year.

Here, Wen plays a rickshaw driver who’s promised his blind wife he won’t fight. Turns out that’s a hard promise to keep when a rival rickshaw company keeps stealing his fares, bullying a kid selling hardboiled eggs, and kidnapping his wife. A series of escalating brawls break out, building to a torture-filled climax and, don’t worry — there’s a (very) brief flashback to Shaolin Temple to justify the title of the film. Turns out there’s no film genre that doesn’t get better when you add a little Kuo.

Shaolin Kids (1975)
Starring: Polly Shang-kuan, Tien Peng, Carter Huang (aka Carter Wong)

In the early Ming Dynasty, the first Emperor Zhu believed his Chancellor, Wu Wei-yung, wanted to take over the throne. In retaliation, he had Wu, his family, and 30,000 of his nearest and dearest murdered. Despite this, history generally remembers Emperor Zhu fondly as a kind and effective leader. Wu, on the other hand, is remembered as a dirty traitor and Shaolin Kids is the largely fictitious tale of the brave heroes and tragic martyrs who worked to bring his treachery to the attention of kindly old Emperor Zhu.

Only World of the Drunken Master boasts the kind of budget Kuo has in Shaolin Kung Fu, and this posh period exercise allows him to return to the world of wu xia swordplay, this time putting a woman in the driver’s seat. Polly Shang-kuan ( 18 Bronzemen, Return of 18 Bronzemen), was discovered by Taiwan’s great cinematic innovator, King Hu, when he cast her in his groundbreaking Dragon Inn, and here she plays the daughter of a court official murdered by Chancellor Wu as the first step in his attempted coup. Shang takes it on herself to round up a bunch of friends to form a ragtag band of freedom fighters and bust skulls in revenge.

The Old Master (1979)
Starring: Master Yu Jim-yuen, Bill Louie

One of the strangest movies ever made, this cult-classic-in-the-making stars Master Yu Jim-yuen, the teacher of Jackie Chan, Sammo Hung, Corey Yuen, and a host of others, as a fish-out-of-water martial artist in contemporary Los Angeles. The 74 year old Master Yu finds himself in LA trying to save one of his lazy student’s kung fu schools that the kid has almost lost through his gambling debts, but then he discovers that his student is paying off what he owes by setting Master Yu up in fights and betting on the outcome. Fortunately, he meets American karate champion, Bill Louie, and agrees to teach him kung fu (Louie’s other teacher is a toy robot — yes, you heard that right).

Armed with an earworm synth soundtrack and a complete and total commitment to disco, this flick feels like a bad dream where you just can’t wake up. Along the way, Louie more than demonstrates why he’s a superstar in the ring, we get to witness the birth of chainsaw-fu, there’s a face-melting dance number scored to the disco version of “Popeye the Sailor Man”, and every time a fight breaks out Master Yu turns his back to the camera so he can be doubled by one of his students (rumor has it that his double is the world famous Yuen Biao). You won’t believe the lunacy that’s unfolding before your eyes.

World of the Drunken Master (1979)
Starring: Jack Long, Mark Long (aka Lung Kuan-wu), Li Yi-Min, Jeanie Chang, Simon Yuen (kind of)

Between appearing as Beggar So in Jackie Chan’s 1978 Snake in the Eagle’s Shadow, and dying in January, 1979, Simon Yuen (Yuen Wo-ping’s 66 year old father) played his Beggar So character in no less than 15 movies, and Joseph Kuo made two of them. He first appeared in Kuo’s Mystery of Chess Boxing, although his character disappears halfway through the movie leading some to speculate that he died during its production. Then he appears in some footage shot on a beach at the beginning of this film, which is probably some of the last footage ever filmed of Yuen. And you know what? That’s okay. Because World of the Drunken Master is one of the finest-looking, best-made Kuo movies around, and the entire thing is a touching tribute to Beggar So, the kung fu character that Simon Yuen forever made his own.

In the framing story, an elderly Beggar So meets his frenemy, Northern Jug (Jack Long), at a roadside bar and the two of them flash back to their glory days as kids before they ever learned Drunken Boxing and from there it’s a high velocity hayride of comedy, kung fu, and crazy battles in the middle of fields. Released only 10 months after Simon Yuen’s death and with action choreographed by his son, Yuen Cheung-yan, World of the Drunken Master looks fantastic, probably because it’s shot by Chris Chen, who’d go on to film a lot of Jackie Chan’s early movies ( Young Master, Dragon Lord), but it’s also a highlight in Yuen Cheung-yan’s filmography. The acrobatic action makes your joints ache and its relentless intensity just keep ramping up as the combat gets more and more gravity-defying. A fitting tribute to the master himself, Simon Yuen.

We’re deeply grateful for the support of Taipei Cultural Center in New York, Ministry of Culture, Republic of China (Taiwan).

We would also like to thank Winnie Chan / Mei Ah Entertainment, Professor Edwin Chen, Frank Djeng, Po Fung, Dan Halsted / 36 Cinema, Jacob Milligan / Eureka! Entertainment, and Taiwan Film and Audiovisual Institute.

Director Joseph Kuo (Courtesy of Courtesy of Taiwan Film and Audiovisual Institute)
Director Joseph Kuo (Courtesy of Courtesy of Taiwan Film and Audiovisual Institute)

Schedule

On-line screenings (December 6-13)
SHAOLIN KUNG FU, THE SHAOLIN KIDS, THE WORLD OF DRUNKEN MASTER, and THE OLD MASTER

In-person screenings at Museum of the Moving Image (December 10-12)

Friday, Dec 10
7:00pm- THE 36 DEADLY STYLES

Saturday, Dec 11n
1:00pm- 18 BRONZEMEN
4:00pm- RETURN OF THE 18 BRONZEMEN

Sunday, Dec 12
1:00pm- 7 GRANDMASTERS
4:00pm- MYSTERY OF THE CHESS BOXING

Tickets

For more information please go to: moving image.us
In-theater tickets: $15 / $11 seniors & students / $ 9 youth ages 3–17 / $7 MoMI Online tickets: $6 for individual film / $5 MoMI $20 series pass for all four films / $16 for MoMI

OLD SCHOOL KUNG FU FEST
Launched in 2000, Subway Cinema’s Old School Kung Fu Fest (OSKFF) is an aperiodic celebration of the rarest, wildest, and most incredible martial arts and action cinema from the ‘60s, ‘70s, ‘80s, and ‘90s. Designed for the maximum audience enjoyment and OSKFF “brings back memories of the days when you could see a double feature at an atmospheric Times Square Theater for half-price” (Daily News)

ABOUT MUSEUM OF THE MOVING IMAGE
The Museum's mission is to advance the understanding, enjoyment, and appreciation of the art, history, technique, and technology of film, television, and digital media. It fulfills this mission by presenting exhibitions, education programs, and screenings and events on-site at the Museum; online through live conversations with artists, filmmakers, scholars, media educators, and other industry professionals; articles published in MoMI's online film magazine Reverse Shot and science and film resource Sloan Science & Film; and by providing access to the Museum's collection, including through virtual tours and recorded programs. For more information, visit movingimage.us. Follow MoMI on Facebook, Twitter, Instagram, and YouTube.

ABOUT SUBWAY CINEMA
Subway Cinema Inc. is a 501(c)(3) not-for-profit volunteer-run organization dedicated to the exhibition and appreciation of Asian popular cinema and preservation of America’s Asian film exhibition heritage. Founded in 1999, it has played a key role in nurturing the growth of Asian film culture in the U.S. by championing the works of Johnnie To, Tsui Hark, Park Chan-wook, Bong Joon-ho, Takashi Miike, Kim Jee-woon, Ryoo Seung-wan, Seijin Suzuki, Sion Sono, and other notable directors. It founded and ran the annual New York Asian Film Festival (NYAFF) for 17 consecutive years, establishing it as North America’s leading festival of popular Asian cinema. Subway Cinema’s current events include the Old School Kung Fu Fest (a showcase for the best of classic martial arts and action films) and Hong-Kong-a-Thon! (12-hour marathons of classic Hong Kong action films from the 80s and 90s). www.subwaycinema.com / twitter: @subwaycinema / instagram: @subwaycinema