Category: Uncategorized

Watch New Clip: (Lionsgate) SQUEALER- In Theaters, On Digital and On Demand on November 3rd

Squealer_6

SQUEALER 
In Theaters, On Digital and On Demand on November 3rd

Director:  Andy Armstrong
Writers:   Danielle Burgio, Andy Armstrong
Cast:  Wes Chatham, Kate Moennig, Danielle Burgio, with Theo Rossi and Tyrese Gibson   
Genre:     Thriller/Horror
Rating:     R for Strong Violence and Gore, Drug Use, Graphic Nudity, Some Sexual Material and Language Throughout
Runtime: 1 hour 40 minutes   

Tyrese Gibson (The Fast and the Furious franchise) and Theo Rossi (“Sons of Anarchy”) star in this terrifying thriller inspired by real events. When young women start disappearing in a small town, a police officer and a street-smart social worker follow clues to a remote pig farm, where they discover the local butcher has been bringing his work home. Enter the world of a serial killer and experience for yourself the bloodcurdling horror of a film that’s bound to take your breath away. 

SOCIAL MEDIA:
Facebook: https://www.facebook.com/lionsgate
X/ Twitter: https://twitter.com/Lionsgate
Instagram: https://www.instagram.com/lionsgate/
@Lionsgate #Squealer
CONTACT INFORMATION:
National US/ Canada Press –                                                                            Emma Griffiths (EG PR) / emma@eg-pr.com  

Director: Andy Armstrong
Writers: Danielle Burgio, Andy Armstrong
Cast: Wes Chatham, Kate Moennig, Danielle Burgio, with Theo Rossi and Tyrese Gibson
Distributor: Lionsgate
Executive Producers:
Barry Brooker, Stan Wertlieb, Josh Spector, Cameron Goodrich, Shaun Sanghani,
Lee Broda, Danielle Burgio, Andy Armstrong, Daniel Cummings
Producers: Rob Goodrich, Jason Armstrong

Maxine’s Baby: The Tyler Perry Story  

An AFI Fest Red Carpet Premiere Review 

Streaming: November 15, 2023
Directors: Gelila Bekele, Armani Ortiz
Writer: Gelila Bekele
With: Tyler Perry, Oprah Winfrey, Lucky Johnson, Kenya Barris, Gayle King, Debra Lee, Ari Emanuel, Michael Paseornek, Tim Palen, Ozzie Areu, Keleigh Thomas Morgan, Carl Hancock Rux
Genre: Documentary
MPA Rating: PG-13
Language: English
Runtime:  1 hour 55 minutes

Directors’ Gelila Bekele and Armani Ortiz captivating documentary Maxine’s Baby: The Tyler Perry Story takes you on an emotionally journey as they share all of the heartbreaks and triumph of Tyler Perry (TP). 

We are transported from the early days of abuse at the hands of his hardworking, alcoholic father in New Orleans, through a life filled with faith in God, becoming a two-time bestselling author with dozens of films and television shows under his belt, to the purchase of the 330-acre former confederate military base Fort Mcpherson that became Tyler Perry Studios 

His gifts of writing, directing, and production while keeping full ownership of all his work, going on negotiate the House of Payne’s 10 show pilot with an additional 90 episodes, was a first in the industry, are things to be greatly admired yet what stands out to me is TP, the human being, the man and his is ability to forgive and break the cycle of abuse that enabled his to be a caring and loving son and father. An all-round good guy. 

TP said many powerful things. The two that are seared into my mind is when discussing his childhood trauma and how and what he did to endure,

TP said, “I never came back to myself.”  

And later, when responding to people’s amazement at his prolific film career and his ability to complete so many film projects in such a brief time span, he lets you know that while he is filming is real time,  

“I already see the cuts.” 

It is these statements that gave insight into the man, and how he operates and functions at a level that most people never achieve. He sees beyond what is in front of him. 

Jon Bertain and Erick Sasso editing enables the scenes to flow effortlessly into a wonderful story. James Poyser does an impressive job with the soundtrack and the added sounds and lyrics of James Brown and Kenny Babyface Edmonds, and others provide a great backdrop to telling his powerful story. Nelson Hume gets you up close and personal with the camera that helps you feel a part of the action. Bekele’s writing does a stellar job of balancing the horrors of abuse and the unimaginable achievement of TP to create beautiful films.

Maxine’s Baby: The Tyler Perry Story provides valuable insight into the man, TP and his Christian faith.  It shows that despite the hardship, abuse, and trauma a person experiences in life, it does not have to determine the outcome of your life. A wonderful must-see film.

Streaming:  November 22, 2023
Released by: Amazon MGM Studios
Directors: Gelila Bekele, Armani Ortiz
Writer: Gelila Bekele
Camera: Nelson Hume
Editor: Jon Bertain, Erick Sasso
Music: James Poyser
With: Tyler Perry, Oprah Winfrey, Lucky Johnson, Kenya Barris, Gayle King, Debra Lee, Ari Emanuel, Michael Paseornek, Tim Palen, Ozzie Areu, Keleigh Thomas Morgan, Carl Hancock Rux
Producers: Gelila Bekele, Jasmine K. White, and Asante White
Production:  Amazon MGM Studios and Bekele Films

About BEKELE FILMS 

GELILA BEKELE is a model, and a documentary filmmaker. Her modeling career began  in 2006, appearing in leading magazines, beauty campaigns and numerous  publications. Gelila is a devoted advocate for young girls' right to equal opportunities  in her homeland of Ethiopia, as well as globally. Gelila began her narrative and documentary film career in 2013. Her most recent releases at the 2019 Cannes film festival and Berlinale: Mai: Life is not Honey (Director), Anbessa (Executive Producer) and The Model Activists 2017 (Director). Gelila is the author of the book Guzo! (2018) which documents the daily lives of native Ethiopians.
https://bekelefilms.com/

About AFI FEST  

Now in its 37th year, AFI FEST is a world-class event, displaying the best films from across the globe. This year’s edition takes place in Los Angeles from October 25-29, 2023. With an innovative slate of programming, the five-day festival presents screenings, panels, and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information about AFI FEST is available FEST.AFI.com. Connect with AFI FEST at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute andYouTube.com/AFI. 

Watch New Clip: Documentary SHOT IN THE ARM

In the spring of 2019, before anyone had heard of COVID-19, Kennedy began investigating a global measles epidemic and filming with top public health officials–including Dr. Anthony S. Fauci, MD; Karen Ernst; Dr. Paul A. Offit, MD; Dr. Peter J. Hotez, MD; Blima Marcus, DNP –as well as rare verite and interviews with anti-vaccine activists - like Robert Kennedy, Jr. (charting his part in Samoa's tragic measles outbreak of 2019 and as he continues to garner GOP funding for a Democrat presidential bid today), Andrew Wakefield, and Del Bigtree - who were persuading parents by the millions to refuse vaccines for their children. Then COVID-19 happened. Acting quickly, Kennedy shifted his directorial eye to this once-in-a-century tragedy, as his family was caught in the maelstrom of COVID-19. Both skeptical and hopeful, SHOT IN THE ARM explores the cultural zeitgeist of vaccine hesitancy historically and in the context of the current COVID pandemic and how disinformation is its own disease. Can we replace cynicism with healthy curiosity and bridge the political divides that make us sick?   

12th Annual Key West Film Festival Announces Official Lineup 

Key West Film Festival Logo

October 19, 2023, Key West, FL – The 12th Annual Key West Film Festival announces its official 2023 lineup including major falls films from Sofia Coppola, Wim Wenders, Aki Kaurasmaki, Matthew Heineman, Andrew Haigh, Lisa Cortes and Angus MacLachlan. More than 75 films will be shown during the 5-day festival, which runs November 15-19.  

As is tradition for the festival, the Opening and Closing Night films are curated by two of the top film critics in the country. Stephanie Zacharek of Time will host a discussion with David Rooney of The Hollywood Reporter prior to the Opening Night screening of PRISCILLA, which was the Centerpiece Film at the 2023 New York Film Festival. Newcomer Cailee Spaeny won the best actress award at the Venice Film Festival for her breakthrough performance as Priscilla Presley in this reconsideration of a rock'n'roll fairytale, from filmmaker Sofia Coppola ("Lost in Translation").  

On Saturday night, Rooney will lead a pre-show conversation with Zacharek prior to the screening of EILEEN, which spotlights Anne Hathaway in a head-spinning performance as Rebecca, the dangerous catalyst in the quiet, desperate life of a young woman, Eileen (Thomasin McKenzie), living in small-town Massachusetts in 1964, swept up into dark circumstances in the dead of winter.  

Other spotlight films include the dark comedy DREAM SCENARIO starring Nicolas Cage and Julianne Nicholson; and A LITTLE PRAYER, starring David Strathairn and directed by Academy Award nominee Angus MacLachlan, whose two previous films (“Goodbye to All That” and “Abundant Acreage Available”) have shown at KWFF (2014 and 2017). MacLachlan will appear with the film for a Q&A. 

This year also features special spotlight distinctions. Playing in the LGBTQ Spotlight Film is Andrew Haigh’s ALL OF US STRANGERS, starring two of the UK's most popular and charismatic actors – Andrew Scott ("Fleabag") and Paul Mescal (who made an international breakthrough in 2021's "Aftersun") - in a critically acclaimed romantic fantasy that premiered at the Telluride Film Festival. The Documentary Spotlight Film is Academy Award nominee Matthew Heineman’s AMERICAN SYMPHONY, a moving and intimate portrait of two artists at a crossroads featuring multi-instrumentalist Jon Batiste and his life partner, best-selling author Suleika Jaouad, as they are suddenly faced the return of her long-dormant cancer.   

This year’s LGBTQ films, programmed with the assistance of Eugene Hernandez, Executive Director of the Sundance Film Festival, and Brian Brooks of Cinetic Media, include the CPH:DOX winner QUEENDOM, a portrait of Gena, a 21-year-old Russian transgender street performer and activist who fled the dismal countryside of her youth for the cosmopolis of Moscow to flaunt extravagant costumes and makeup that push the fashion envelope to the outer limits – and inevitably draw the attention of the government. Also playing is STUDIO ONE FOREVER, a look at the famous nightclub in Los Angeles where so many young men came of age, produced by Stephen Israel, whose previous feature “Helicopter Mom” played at KWFF 2014. Rounding out the programming is the Miami-produced fiction film, CLOCKED, about an 18 year old undefeated boxer whose true passion is for self acceptance, through his transition to a woman. The film will also be featured in the Florida Focus section of the festival. 

Documentaries take center stage at the festival this year, with music, food, sports, outer space, and even a modern day Noah’s Ark staking their claims. LA HUELLA follows a world class restaurant on the beach in a small Uruguayan town, not too dissimilar from the culinary delights of Key West, and will be accompanied by a wine tasting prior to the film. Emmy winner Jesse Moss, whose film “The Bandit” showed at KWFF 2016 when Burt Reynolds was honored, returns with THE MISSION, which uncovers the complex and troubling true story behind the 2018 death of evangelical Christian missionary John Chau. Two docs about music include MAESTRA, which takes us to the only competition in the world for women conductors, and MUSICA!, which celebrates the efforts of the nonprofit Horns to Havana as the US-based group teaches young Cubans how to maintain their instruments. Themes of exploring the unknown manifest themselves in both THE ARC OF OBLIVION, which invites us to consider which memories we choose to archive as a man in Maine build his own ark, in addition to SPACE RACE, the profoundly inspirational story of the program to send the first African American astronaut into space and the trailblazing paths laid by its pioneers. Rounding out the section is THE LIONHEART, following Susie Wheldon raising her two young boys to be racecar drivers twenty years after their father, two-time Indy 500 champion Dan Wheldon, died in a racing crash. Wheldon will appear at the festival with the film. 

International films include THREE films which are the official entries from their respective countries for the Academy Award for Best Foreign Film: Japan’s PERFECT DAYS, directed by multiple Oscar nominee Wim Wenders; Finland’s FALLEN LEAVES, from Aki Kaurismaki (whose film “The Other Side of Hope” played KWFF 2017), and France’s THE TASTE OF THINGS, starring Academy Award winner Juliette Binoche. 

Florida gets its moment in the sun with the special Florida Focus section. Films include the aforementioned CLOCKED, along with RAZING LIBERTY SQUARE, produced by KWFF alumnus Kareem Tabsch (“The Last Resort,” “Dolphin Lover”) in which residents of Miami's historic Liberty Square housing project find themselves on the frontlines of climate gentrification when a $300 million revitalization plan threatens their neighborhood. Miami-shot BIG EASY QUEENS is a wild romp featuring drag performers who are regulars at the Key West clubs. And local director Michael J. Kirk will present an encore screening of 200 YEARS OF KEY WEST HISTORY. 

Special screenings this year include the “Forty Year Flashback,” featuring a 40th  Anniversary screening of Martin Scorcese’s THE KING OF COMEDY, starring Robert DeNiro and Jerry Lewis, and featuring a soundtrack from Robbie Roberston. Film critics David Fear of Rolling Stone and Sam Adams of Slate.com will have a conversation prior to the film.

Also featured will be the 72 Hour Film Challenge, a widely popular showcase of local film teams who conceive of, write, shoot and edit a film in 72 hours. 

Shorts programs at the festival this year include sections for Comedy, Documentary, International, Florida films, Student and Florida students. The Kimberly Peirce Award for Best Student Film presented by the Diana King Foundation will also be presented once again. The shorts programs and Florida feature films were curated from over 1500 submissions, with entries from nearly all 50 states and dozens of countries. 

Returning programs this year include the the 8th Annual Golden Key for Excellence in Costume Design awarded to Jacqueline Durran for her work in BARBIE, making KWFF the only such festival to annual honor this art; the 10th Annual Critics Panel, in which top film critics will join both in person to cover the seismic changes in the industry this year. Key West Citizen’s Shirrel Rhoades will moderate the panel featuring David Rooney, Stephanie Zacharek, Sam Adams and David Fear. And the 2nd Annual Golden Key for Documentary Excellence will be awarded to Oscar winner Sheila Nevins. Emmy winner Erin Lee Carr will moderate the discussion and a screening of Sheila’s THE ABCs OF BOOK BANNING, about the efforts of Florida school districts to ban books, will screen after the talk. 

After kicking off the festival with a film about Priscilla Presley, the festival will screen REINVENTING ELVIS, recounting the King’s 1968 comeback special, as its traditional final screening on Sunday night, outdoors at The Perry Hotel and Marina in Stock Island.
  
ABOUT THE KEY WEST FILM FESTIVAL 

Honoring creativity, diversity, sustainability and beauty, the Key West Film Festival is an annual celebration of film and filmmakers set to take place November 15-19, 2023.  

A diverse, entertaining and artistically rigorous selection of films will be represented through a broad array of categories that offer opportunities for filmmakers, both aspiring and established, to commune and exchange ideas while showing their work to audiences in an historic and artistically vibrant tropical paradise.   

Films that have been showcased in the last five years of the festival have amassed over EIGHTY Academy Award nominations - six of which were for Best Picture - and sixteen Oscar wins, including two for Best Picture ( Spotlight and  Shape of Water). 

For more information, visit our website: https://keywestff.com 

Twitter - @keywestfilmfest
Instagram - @keywestfilmfestival
Facebook - Key West Film Festival
#kwff #kwff2023  

October 19, 2023, Key West, FL – The 12th Annual Key West Film Festival announces its official 2023 lineup including major falls films from Sofia Coppola, Wim Wenders, Aki Kaurasmaki, Matthew Heineman, Andrew Haigh, Lisa Cortes and Angus MacLachlan. More than 75 films will be shown during the 5-day festival, which runs November 15-19.  

As is tradition for the festival, the Opening and Closing Night films are curated by two of the top film critics in the country. Stephanie Zacharek of Time will host a discussion with David Rooney of The Hollywood Reporter prior to the Opening Night screening of PRISCILLA, which was the Centerpiece Film at the 2023 New York Film Festival. Newcomer Cailee Spaeny won the best actress award at the Venice Film Festival for her breakthrough performance as Priscilla Presley in this reconsideration of a rock'n'roll fairytale, from filmmaker Sofia Coppola ("Lost in Translation").  

On Saturday night, Rooney will lead a pre-show conversation with Zacharek prior to the screening of EILEEN, which spotlights Anne Hathaway in a head-spinning performance as Rebecca, the dangerous catalyst in the quiet, desperate life of a young woman, Eileen (Thomasin McKenzie), living in small-town Massachusetts in 1964, swept up into dark circumstances in the dead of winter.  

Other spotlight films include the dark comedy DREAM SCENARIO starring Nicolas Cage and Julianne Nicholson; and A LITTLE PRAYER, starring David Strathairn and directed by Academy Award nominee Angus MacLachlan, whose two previous films (“Goodbye to All That” and “Abundant Acreage Available”) have shown at KWFF (2014 and 2017). MacLachlan will appear with the film for a Q&A. 

This year also features special spotlight distinctions. Playing in the LGBTQ Spotlight Film is Andrew Haigh’s ALL OF US STRANGERS, starring two of the UK's most popular and charismatic actors – Andrew Scott ("Fleabag") and Paul Mescal (who made an international breakthrough in 2021's "Aftersun") - in a critically acclaimed romantic fantasy that premiered at the Telluride Film Festival. The Documentary Spotlight Film is Academy Award nominee Matthew Heineman’s AMERICAN SYMPHONY, a moving and intimate portrait of two artists at a crossroads featuring multi-instrumentalist Jon Batiste and his life partner, best-selling author Suleika Jaouad, as they are suddenly faced the return of her long-dormant cancer.   

This year’s LGBTQ films, programmed with the assistance of Eugene Hernandez, Executive Director of the Sundance Film Festival, and Brian Brooks of Cinetic Media, include the CPH:DOX winner QUEENDOM, a portrait of Gena, a 21-year-old Russian transgender street performer and activist who fled the dismal countryside of her youth for the cosmopolis of Moscow to flaunt extravagant costumes and makeup that push the fashion envelope to the outer limits – and inevitably draw the attention of the government. Also playing is STUDIO ONE FOREVER, a look at the famous nightclub in Los Angeles where so many young men came of age, produced by Stephen Israel, whose previous feature “Helicopter Mom” played at KWFF 2014. Rounding out the programming is the Miami-produced fiction film, CLOCKED, about an 18 year old undefeated boxer whose true passion is for self acceptance, through his transition to a woman. The film will also be featured in the Florida Focus section of the festival. 

Documentaries take center stage at the festival this year, with music, food, sports, outer space, and even a modern day Noah’s Ark staking their claims. LA HUELLA follows a world class restaurant on the beach in a small Uruguayan town, not too dissimilar from the culinary delights of Key West, and will be accompanied by a wine tasting prior to the film. Emmy winner Jesse Moss, whose film “The Bandit” showed at KWFF 2016 when Burt Reynolds was honored, returns with THE MISSION, which uncovers the complex and troubling true story behind the 2018 death of evangelical Christian missionary John Chau. Two docs about music include MAESTRA, which takes us to the only competition in the world for women conductors, and MUSICA!, which celebrates the efforts of the nonprofit Horns to Havana as the US-based group teaches young Cubans how to maintain their instruments. Themes of exploring the unknown manifest themselves in both THE ARC OF OBLIVION, which invites us to consider which memories we choose to archive as a man in Maine build his own ark, in addition to SPACE RACE, the profoundly inspirational story of the program to send the first African American astronaut into space and the trailblazing paths laid by its pioneers. Rounding out the section is THE LIONHEART, following Susie Wheldon raising her two young boys to be racecar drivers twenty years after their father, two-time Indy 500 champion Dan Wheldon, died in a racing crash. Wheldon will appear at the festival with the film. 

International films include THREE films which are the official entries from their respective countries for the Academy Award for Best Foreign Film: Japan’s PERFECT DAYS, directed by multiple Oscar nominee Wim Wenders; Finland’s FALLEN LEAVES, from Aki Kaurismaki (whose film “The Other Side of Hope” played KWFF 2017), and France’s THE TASTE OF THINGS, starring Academy Award winner Juliette Binoche. 

Florida gets its moment in the sun with the special Florida Focus section. Films include the aforementioned CLOCKED, along with RAZING LIBERTY SQUARE, produced by KWFF alumnus Kareem Tabsch (“The Last Resort,” “Dolphin Lover”) in which residents of Miami's historic Liberty Square housing project find themselves on the frontlines of climate gentrification when a $300 million revitalization plan threatens their neighborhood. Miami-shot BIG EASY QUEENS is a wild romp featuring drag performers who are regulars at the Key West clubs. And local director Michael J. Kirk will present an encore screening of 200 YEARS OF KEY WEST HISTORY. 

Special screenings this year include the “Forty Year Flashback,” featuring a 40th  Anniversary screening of Martin Scorcese’s THE KING OF COMEDY, starring Robert DeNiro and Jerry Lewis, and featuring a soundtrack from Robbie Roberston. Film critics David Fear of Rolling Stone and Sam Adams of Slate.com will have a conversation prior to the film.

Also featured will be the 72 Hour Film Challenge, a widely popular showcase of local film teams who conceive of, write, shoot and edit a film in 72 hours. 

Shorts programs at the festival this year include sections for Comedy, Documentary, International, Florida films, Student and Florida students. The Kimberly Peirce Award for Best Student Film presented by the Diana King Foundation will also be presented once again. The shorts programs and Florida feature films were curated from over 1500 submissions, with entries from nearly all 50 states and dozens of countries. 

Returning programs this year include the the 8th Annual Golden Key for Excellence in Costume Design awarded to Jacqueline Durran for her work in BARBIE, making KWFF the only such festival to annual honor this art; the 10th Annual Critics Panel, in which top film critics will join both in person to cover the seismic changes in the industry this year. Key West Citizen’s Shirrel Rhoades will moderate the panel featuring David Rooney, Stephanie Zacharek, Sam Adams and David Fear. And the 2nd Annual Golden Key for Documentary Excellence will be awarded to Oscar winner Sheila Nevins. Emmy winner Erin Lee Carr will moderate the discussion and a screening of Sheila’s THE ABCs OF BOOK BANNING, about the efforts of Florida school districts to ban books, will screen after the talk. 

After kicking off the festival with a film about Priscilla Presley, the festival will screen REINVENTING ELVIS, recounting the King’s 1968 comeback special, as its traditional final screening on Sunday night, outdoors at The Perry Hotel and Marina in Stock Island.
  
ABOUT THE KEY WEST FILM FESTIVAL 

Honoring creativity, diversity, sustainability and beauty, the Key West Film Festival is an annual celebration of film and filmmakers set to take place November 15-19, 2023.  

A diverse, entertaining and artistically rigorous selection of films will be represented through a broad array of categories that offer opportunities for filmmakers, both aspiring and established, to commune and exchange ideas while showing their work to audiences in an historic and artistically vibrant tropical paradise.   

Films that have been showcased in the last five years of the festival have amassed over EIGHTY Academy Award nominations - six of which were for Best Picture - and sixteen Oscar wins, including two for Best Picture ( Spotlight and  Shape of Water). 

For more information, visit our website: https://keywestff.com 

Twitter - @keywestfilmfest
instagram - @keywestfilmfestival
Facebook - Key West Film Festival
#kwff #kwff2023  

  • October 19, 2023, Key West, FL – The 12th Annual Key West Film Festival announces its official 2023 lineup including major falls films from Sofia Coppola, Wim Wenders, Aki Kaurasmaki, Matthew Heineman, Andrew Haigh, Lisa Cortes and Angus MacLachlan. More than 75 films will be shown during the 5-day festival, which runs November 15-19.  
  • As is tradition for the festival, the Opening and Closing Night films are curated by two of the top film critics in the country. Stephanie Zacharek of Time will host a discussion with David Rooney of The Hollywood Reporter prior to the Opening Night screening of PRISCILLA, which was the Centerpiece Film at the 2023 New York Film Festival. Newcomer Cailee Spaeny won the best actress award at the Venice Film Festival for her breakthrough performance as Priscilla Presley in this reconsideration of a rock'n'roll fairytale, from filmmaker Sofia Coppola ("Lost in Translation").  
  • On Saturday night, Rooney will lead a pre-show conversation with Zacharek prior to the screening of EILEEN, which spotlights Anne Hathaway in a head-spinning performance as Rebecca, the dangerous catalyst in the quiet, desperate life of a young woman, Eileen (Thomasin McKenzie), living in small-town Massachusetts in 1964, swept up into dark circumstances in the dead of winter.  
  • Other spotlight films include the dark comedy DREAM SCENARIO starring Nicolas Cage and Julianne Nicholson; and A LITTLE PRAYER, starring David Strathairn and directed by Academy Award nominee Angus MacLachlan, whose two previous films (“Goodbye to All That” and “Abundant Acreage Available”) have shown at KWFF (2014 and 2017). MacLachlan will appear with the film for a Q&A. 
  • This year also features special spotlight distinctions. Playing in the LGBTQ Spotlight Film is Andrew Haigh’s ALL OF US STRANGERS, starring two of the UK's most popular and charismatic actors – Andrew Scott ("Fleabag") and Paul Mescal (who made an international breakthrough in 2021's "Aftersun") - in a critically acclaimed romantic fantasy that premiered at the Telluride Film Festival. The Documentary Spotlight Film is Academy Award nominee Matthew Heineman’s AMERICAN SYMPHONY, a moving and intimate portrait of two artists at a crossroads featuring multi-instrumentalist Jon Batiste and his life partner, best-selling author Suleika Jaouad, as they are suddenly faced the return of her long-dormant cancer.   
  • This year’s LGBTQ films, programmed with the assistance of Eugene Hernandez, Executive Director of the Sundance Film Festival, and Brian Brooks of Cinetic Media, include the CPH:DOX winner QUEENDOM, a portrait of Gena, a 21-year-old Russian transgender street performer and activist who fled the dismal countryside of her youth for the cosmopolis of Moscow to flaunt extravagant costumes and makeup that push the fashion envelope to the outer limits – and inevitably draw the attention of the government. Also playing is STUDIO ONE FOREVER, a look at the famous nightclub in Los Angeles where so many young men came of age, produced by Stephen Israel, whose previous feature “Helicopter Mom” played at KWFF 2014. Rounding out the programming is the Miami-produced fiction film, CLOCKED, about an 18 year old undefeated boxer whose true passion is for self acceptance, through his transition to a woman. The film will also be featured in the Florida Focus section of the festival. 
  • Documentaries take center stage at the festival this year, with music, food, sports, outer space, and even a modern day Noah’s Ark staking their claims. LA HUELLA follows a world class restaurant on the beach in a small Uruguayan town, not too dissimilar from the culinary delights of Key West, and will be accompanied by a wine tasting prior to the film. Emmy winner Jesse Moss, whose film “The Bandit” showed at KWFF 2016 when Burt Reynolds was honored, returns with THE MISSION, which uncovers the complex and troubling true story behind the 2018 death of evangelical Christian missionary John Chau. Two docs about music include MAESTRA, which takes us to the only competition in the world for women conductors, and MUSICA!, which celebrates the efforts of the nonprofit Horns to Havana as the US-based group teaches young Cubans how to maintain their instruments. Themes of exploring the unknown manifest themselves in both THE ARC OF OBLIVION, which invites us to consider which memories we choose to archive as a man in Maine build his own ark, in addition to SPACE RACE, the profoundly inspirational story of the program to send the first African American astronaut into space and the trailblazing paths laid by its pioneers. Rounding out the section is THE LIONHEART, following Susie Wheldon raising her two young boys to be racecar drivers twenty years after their father, two-time Indy 500 champion Dan Wheldon, died in a racing crash. Wheldon will appear at the festival with the film. 
  • International films include THREE films which are the official entries from their respective countries for the Academy Award for Best Foreign Film: Japan’s PERFECT DAYS, directed by multiple Oscar nominee Wim Wenders; Finland’s FALLEN LEAVES, from Aki Kaurismaki (whose film “The Other Side of Hope” played KWFF 2017), and France’s THE TASTE OF THINGS, starring Academy Award winner Juliette Binoche. 
  • Florida gets its moment in the sun with the special Florida Focus section. Films include the aforementioned CLOCKED, along with RAZING LIBERTY SQUARE, produced by KWFF alumnus Kareem Tabsch (“The Last Resort,” “Dolphin Lover”) in which residents of Miami's historic Liberty Square housing project find themselves on the frontlines of climate gentrification when a $300 million revitalization plan threatens their neighborhood. Miami-shot BIG EASY QUEENS is a wild romp featuring drag performers who are regulars at the Key West clubs. And local director Michael J. Kirk will present an encore screening of 200 YEARS OF KEY WEST HISTORY. 
  • Special screenings this year include the “Forty Year Flashback,” featuring a 40th  Anniversary screening of Martin Scorcese’s THE KING OF COMEDY, starring Robert DeNiro and Jerry Lewis, and featuring a soundtrack from Robbie Roberston. Film critics David Fear of Rolling Stone and Sam Adams of Slate.com will have a conversation prior to the film.

    Also featured will be the 72 Hour Film Challenge, a widely popular showcase of local film teams who conceive of, write, shoot and edit a film in 72 hours. 

  • Shorts programs at the festival this year include sections for Comedy, Documentary, International, Florida films, Student and Florida students. The Kimberly Peirce Award for Best Student Film presented by the Diana King Foundation will also be presented once again. The shorts programs and Florida feature films were curated from over 1500 submissions, with entries from nearly all 50 states and dozens of countries. 
  • Returning programs this year include the the 8th Annual Golden Key for Excellence in Costume Design awarded to Jacqueline Durran for her work in BARBIE, making KWFF the only such festival to annual honor this art; the 10th Annual Critics Panel, in which top film critics will join both in person to cover the seismic changes in the industry this year. Key West Citizen’s Shirrel Rhoades will moderate the panel featuring David Rooney, Stephanie Zacharek, Sam Adams and David Fear. And the 2nd Annual Golden Key for Documentary Excellence will be awarded to Oscar winner Sheila Nevins. Emmy winner Erin Lee Carr will moderate the discussion and a screening of Sheila’s THE ABCs OF BOOK BANNING, about the efforts of Florida school districts to ban books, will screen after the talk. 
  • After kicking off the festival with a film about Priscilla Presley, the festival will screen REINVENTING ELVIS, recounting the King’s 1968 comeback special, as its traditional final screening on Sunday night, outdoors at The Perry Hotel and Marina in Stock Island.
     
  •   
  • ABOUT THE KEY WEST FILM FESTIVAL 
  • Honoring creativity, diversity, sustainability and beauty, the Key West Film Festival is an annual celebration of film and filmmakers set to take place November 15-19, 2023.  
  •  
  • A diverse, entertaining and artistically rigorous selection of films will be represented through a broad array of categories that offer opportunities for filmmakers, both aspiring and established, to commune and exchange ideas while showing their work to audiences in an historic and artistically vibrant tropical paradise.   
  •  
  • Films that have been showcased in the last five years of the festival have amassed over EIGHTY Academy Award nominations - six of which were for Best Picture - and sixteen Oscar wins, including two for Best Picture ( Spotlight and  Shape of Water). 
  •  
  • For more information, visit our website: https://keywestff.com 
  • Twitter - @keywestfilmfest 
  • Instagram - @keywestfilmfestival 
  • Facebook - Key West Film Festival 
  • #kwff #kwff2023  

Killers of the Flower Moon: Review  Leonardo DiCaprio, Robert De Niro and Lily Gladstone Gives Stellar Performances 

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Director: Martin Scorsese
Screenwriters: Eric Roth, Martín Scorsese
Based on Killers of the Flower Moon by David Grann
Starring : Leonardo DiCaprio, Robert De Niro, Lily Gladstone
Paramount Pictures Release dates May 20, 2023 (Cannes)
October 20, 2023 (United States)
Run time: 206 minutes
Genre: Western, Crime, Drama
Country: United States
Language: English

For the Love of Money

Director Martin Scorsese’s captivating new crime drama ‘Killers of the Flower Moon’, based on David Grann’s 2017 book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, tells the heartbreaking true story of the Osage Native American tribe of Osage County, Oklahoma in 1920s and the murders of its tribal members after oil is found on their land and they become wealthy over night as told through the lives of   Ernest Burkhart, Mollie's husband ( Leonardo DiCaprio),  William King Hale, Ernest's uncle (Robert De Niro), and Mollie Burkhart, Ernest's Native American wife (Lily Gladstone) and the challenges the Osage people faced getting the United States Bureau of Investigation to finally investigate the murders on their tribal land.

The superb performance by DeNiro as he lures you in with his hometown, country charm while masking the devious and depraved man that he is. You are taking through so many emotions with excellent on-screen performance between DiCaprio and Gladstone, that is the heartbeat of the film, as they navigate love, betrayal, murder and death. 

Reminded of Tulsa Massacre and the election day violence in Osocee in Florida, just to name of few of the many acts of white mob violence visited upon people of color. 

Eric Roth, Martín Scorsese’s screenplay does justice to the lives and customs of the Osage Nation capturing real, authentic representation. The use of the native Osage language and customs created an authentic depiction of actual life. Added into the mix is the late Robbie Robinson ‘s amazing yet final film score.  

The authentic recreations, by costume designer Jacqueline West, with the help of a member of the Osage Nation, Julie O’Keefe, who was the film’s costume cultural adviser, also tells their story with beauty yet without words.

The cruel, heartless, demonic behavior and the total disregard for human life stands out above all else.
Cinemtographer set on location on Osage tribal land. Beautiful, green rolling hills as far as the eye can see . It shows the importance of not dehumanizing people because it makes it too easy to plot, plan the murder of family, friends, and foes.

Killers of the Flower Moon is great film that provides good context to a significant historical event.  

A better location could have been found. Filming on location on Osage tribal land in Oklahoma brought an actual event to life. Being in the same place that these murders occurred over a 100 years ago helps bring their story full circle.

Ernest “I love money. Almost as much as I love my wife.” 

What does love have to do with it, when family and money are involved? No one is safe. Killers of Flower Moon is great film worth the 3 ½ hours of screen time. This film you do not want to miss. 

Paramount Pictures Release dates May 20, 2023 (Cannes) 
October 20, 2023 (United States) 
Director: Martin Scorsese 
Screenwriters: Eric Roth, Martín Scorsese 
Based on Killers of the Flower Moon by David Grann 
Producers: Dan Friedkin, Bradley Thomas, Martin Scorsese, Daniel Lupi 
Starring : Leonardo DiCaprio, Robert De Niro, Lily Gladstone 
Cinematographer: Robbie Robertson 
Production companies: Apple Studios, Imperative Entertainment, Sikelia Productions, Appian Way Productions 
Distributed by Apple Original Films (through Apple TV+) 
Run time: 206 minutes 
Country: United States 
Language: English 

FILM AT LINCOLN CENTER AND SUBWAY CINEMA ANNOUNCE “KOREAN CINEMA’S GOLDEN DECADE: THE 1960s,” SEPTEMBER 1–17

The Story of Hong Gil-dong ; Let’s Meet at Walkerhill; The Great Monster Yonggary; Special Agent X-7; and The Housemaid (Janus Films)
The Story of Hong Gil-dong ; Let’s Meet at Walkerhill; The Great Monster Yonggary; Special Agent X-7; and The Housemaid (Janus Films)

New York, NY (August 2, 2023) – Film at Lincoln Center and Subway Cinema announce “Korean Cinema’s Golden Decade: The 1960s,” a sweeping retrospective that features 24 films from this remarkable period in Korean film history. The series will run from September 1–17 and is one of the largest retrospectives ever of 1960s Korean Cinema outside of Korea, including many rarely screened films, several presented on 35mm archival prints.

Long before Bong Joon Ho, Hong Sangsoo, and Park Chan-wook catapulted South Korean cinema onto the world stage, the foundation of their country’s film industry formed in the aftermath of the Korean War. The period kickstarted a wealth of eclectic and innovative filmmaking that culminated in the 1960s. Closer inspection of this decade, now widely considered Korea’s premier film renaissance, reveals the arrival of seminal works from auteurs such as Kim Ki-young, Shin Sang-ok, Yu Hyun-mok, Kim Soo-yong, and Lee Man-hee, alongside a meteoric rise and reinvention of genres—from melodramas and period epics to action, horror, war, and giant monster movies. Although the military dictatorship still imposed tight constraints throughout this era, what these filmmakers managed to accomplish under such conditions, in arthouse fare and unabashed popular entertainment alike, continues to reverberate and inspire to this day. This September, Film at Lincoln Center and Subway Cinema are thrilled to showcase this rich period and its remarkably varied films, encapsulating a generation’s collective endeavor to define a national cinema.

Highlights include Kim Ki-young’s The Housemaid, one of the unquestionable masterpieces of Korean cinema which tells the story of a bizarre ménage à trois formed between a music teacher, his wife, and their increasingly assertive housemaid; Kang Dae-jin’s The Coachman, the first Korean film to win a major overseas award, the Silver Bear (Special Jury Prize) at the 1961 Berlin Film Festival; Hong Eun-won’s A Woman Judge, the second Korean feature to be directed by a woman and considered lost for more than 50 years until a 16mm print was recovered in 2015; Special Agent X-7, a highly entertaining and beautifully shot color spy film from Chung Chang-wha (The King Boxer), which was also long considered lost until the 35mm print was discovered in 2013; Kim Kee-duk’s The Great Monster Yonggary aka Yongary, Monster from the Deep, Korea’s first monster movie and an entertaining take on Godzilla and Gamera “that’s long on rampages and short on sensible behavior”; Shin Dong-hun’s The Story of Hong Gil-dong, South Korea’s very first animated feature film which follows the iconic Robin Hood-like figure Hong Gil-dong and was considered lost until 2008; and A Day Off, Lee Man-hee’s spare, lyrical film concerning the strained relationship of a poor young couple, belatedly recognized as one of the decade’s masterpieces after censors refused to allow its release.

The series will also include conversations following select screenings. After the September 2 screening of Yu Hyun-mok's seminal Aimless Bullet, audiences will be treated to a discussion about the growth of the Korean film industry and major trends and filmmakers in Korean cinema in the 1960s—a not to be missed primer for the series as a whole; and on September 3, a conversation will follow the international premiere of the newly restored The Marines Who Never Returned, and how Lee Man-hee’s breakthrough feature became the first Korean movie to gain national theatrical distribution in the U.S.

Organized by Young Jin Eric Choi, Goran Topalovic, and Tyler Wilson. Co-presented by Subway Cinema in collaboration with the Korean Cultural Center New York and the Korean Film Archive.

Acknowledgements: 

Choi Jee-Woong and PROPAGANDA;  Darcy Paquet; Kyungmi Kim; Taekyung Goh; SRS Cinema; Chae Yunsun; Kwon Munkyu; Sung Yeon Tae; Shon Kisoo; Roh Changwoo.

Tickets will go on sale on Thursday, August 3 at 2pm, with an early access period for  FLC Members starting at noon. Tickets are $17; $14 for students, seniors (62+), and persons with disabilities; and $12 for FLC Members. See more and save with a 3+ Film Package ($15 for GP; $12 for students, seniors (62+), and persons with disabilities; and $10 for FLC Members) or All-Access Pass: $125 for General Public and $99 for Students. Add dinner at Café Paradiso, located in FLC’s Elinor Bunin Munroe Film Center, with our  $30 Dinner + Movie Combo.

Enjoy two films for the price of one at select double features! Valid on September 2 & 17 with The Story of Hong Gil-dong  + Hopi and Chadol-bawi , September 9 & 16 with The Great Monster Yonggary +  Space Monster Wangmagwi, and September 14 with A Swordsman in the Twilight +  Special Agent X-7. Discount automatically applied when adding both tickets to your cart; double features excluded from 3+ Film Package.

“Korean Cinema’s Golden Decade: The 1960s” is sponsored by  MUBI GO. With MUBI GO, you can get a free ticket every week to see the best new film in a theater near you, plus a wide selection of films to stream any time, from iconic directors to emerging auteurs. All carefully chosen by MUBI’s curators.

Opening September 1, the Solomon R. Guggenheim Museum will present  Only the Young: Experimental Art in Korea, 1960s–1970 s, the first North American museum exhibition dedicated to Korean Experimental art (silheom misul) and its artists, whose radical approach to materials and process produced some of the most significant avant-garde practices of the 20th century.

FILMS & DESCRIPTIONS

Films will screen at the Walter Reade Theater (165 W. 65th St).

The Housemaid / Hanyo
Kim Ki-young, 1960, South Korea, 108m
Korean with English subtitles
One of the unquestionable masterpieces of Korean cinema, The Housemaid tells the story of Dong-sik, a married music teacher living in a working-class area. One of his students arranges for another young woman to work as the housemaid for Dong-sik and his family; meanwhile, the student expresses her own physical desires for Dong-sik, who rebuffs her. But the whole episode is witnessed by the housemaid, who launches her own, ultimately more successful effort to seduce Dong-sik. The housemaid becomes pregnant, and thus a bizarre ménage à trois is formed between Dong-sik, his wife, and their increasingly assertive housemaid. The Housemaid is an emotional roller coaster; characters’ stated desires so often contradict their actions that roles and positions are constantly in flux. Restored in 2008 by the Korean Film Archive (KOFA) and the World Cinema Foundation at HFR-Digital Film laboratory. Additional funding provided by Armani, Cartier, Qatar Airways, and Qatar Museum Authority. 
Saturday, September 2 at 9:00pm
Saturday, September 9 at 6:00pm
Thursday, September 14 at 4:00pm

Aimless Bullet / Obaltan
Yu Hyun-mok, 1961, South Korea, 107m
Korean with English subtitles
Banned in 1961 for its scathing critique of postwar reconstruction but now widely hailed as one of the greatest Korean films ever made, Yu Hyun-mok’s breakout feature was this unrelentingly bleak, noir-tinged melodrama set in the aftermath of the Korean War. The film follows the tragic bond between two brothers living with their surviving family in a Seoul slum called Liberation Village. While Cheol-ho, an accountant suffering from a toothache he can’t afford to treat, struggles to scrape together a meager existence, the senseless consequences of the war gradually tear at the seams of his family and push his younger brother, Young-Ho, to a desperate measure. An on-location tour through the traumatized atmosphere of Korea’s capital, Aimless Bullet artfully blends expressionist and neorealist styles within a grimly introspective portrait of a nation left shattered by hatred and fear—touching on everything from military prostitution and economic inequality to the exploitations of the film industry itself. Restored in 2015 by the Korean Film Archive.

Saturday, September 2 at 6:00pm (post-screening discussion on the growth of the Korean film industry and major trends and filmmakers in 1960s Korean cinema)
Wednesday, September 6 at 6:15pm
Tuesday, September 12 at 4:00pm

The Coachman / Mabu
Kang Dae-jin, 1961, South Korea, 98m
Korean with English subtitles
An aging widower with two sons and two daughters makes a living operating a horse-drawn cart but, in a city that is modernizing after the destruction of the Korean War, automobiles are quickly rendering such carts obsolete. The Coachman is a drama told with warmth and sympathy about a family trying to lift its way out of poverty and into the middle class. The father, played by the iconic Kim Seung-ho, represents many older residents of the time who were not able to cope with the rapid social changes of the era. The Coachman was the first Korean film to win a major overseas award, receiving the Silver Bear (Special Jury Prize) at the 1961 Berlin Film Festival. Although now somewhat overshadowed by its contemporaries The Housemaid and Aimless Bullet, The Coachman remains a crowd-pleaser and a revealing portrait of a society in transition. Restored in 2021 by the Korean Film Archive.

Tuesday, September 5 at 8:30pm
Saturday, September 16 at 2:15pm

A Woman Judge / Yeopansa
Hong Eun-won, 1962, South Korea, 86m
Korean with English subtitles
The second Korean feature to be directed by a woman, A Woman Judge is a revelatory directorial debut from Hong Eun-won that is loosely inspired by a true story. The film revolves around Jin-sook, a newly appointed judge who is facing mounting pressure from her jealous husband and his family to conform to the traditional expectations of a housewife. As compelling as this family melodrama is in itself, the film is particularly remarkable for its sudden tonal shift in the third act, transforming seamlessly into a detective procedural before culminating in a riveting courtroom climax. It was considered lost for more than 50 years (the fate of Hong’s two subsequent directorial efforts), but then a 16mm print was recovered by the Korean Film Archive in 2015. Though the film is plagued with severe deterioration and missing footage, the story of a fearless woman who fought against societal norms, told by a director who herself broke the boundaries of her time, bursts through the noise and resonates to this day. Digitally mastered in 2015 by the Korean Film Archive.
Tuesday, September 5 at 6:30pm
Monday, September 11 at 8:45pm

Goryeojang
Kim Ki-young, 1963, South Korea, 89m (Film Festival Version)
Korean with English subtitles
Set in a famine-inflicted village that practices the custom of abandoning the elderly in the mountains once they reach the age of 70, the story follows the trials of Guryong (Kim Jin-kyu) as he goes through life with a disability due to an incident that happened in childhood, while trying to maintain his humanity in an environment filled with fear, greed, and superstition. Likely influenced by Keisuke Kinoshita’s The Ballad of Narayama (1958), Goryeojang is another masterpiece from Kim Ki-young (The Housemaid ) that works as both a dark fairy tale and a reflection on South Korea’s April 1960 Revolution (protests that led to the resignation of president Syngman Rhee). With flawless mise-en-scène, elaborate sets, and atmospheric black-and-white cinematography, the film effectively brings to light the inherent corruption of human society, and the disastrous consequences of fear-based politics. Restored in 2019 by the Korean Film Archive. The original screenplay has been utilized to provide on-screen description of the missing scenes (the third and the sixth reels), for which only audio remains.

Sunday, September 3 at 6:00pm
Wednesday, September 6 at 4:15pm
Saturday, September 9 at 8:30pm

The Marines Who Never Returned / Dora-oji Anneun Haebyeong
Lee Man-hee, 1963, South Korea, 110m
Korean with English subtitles
International Premiere of the 4K restoration
Lee Man-hee’s breakthrough feature, The Marines Who Never Returned, is simultaneously among his most acclaimed films and one of the greatest Korean War films ever made. Produced within 10 years of the armistice, the film centers on a squad of marines who happen across a newly orphaned girl in the battlefield, Young-hui. Taking her under their wings, the marines form a heartwarming bond with Young-hui that lifts their spirits as they take on increasingly dangerous odds. The Marines Who Never Returned was a gargantuan production with the full support of the Korean military and the use of live ammunition and explosives that lend the combat sequences a rarely achieved level of authenticity. But what elevates the film as a classic is its warmth and humor, brought to life by the heartfelt camaraderie amongst the soldiers and their newly adopted daughter. The first Korean film to achieve a nationwide commercial release in the United States, the film is presented here in a beautiful 4K restoration version for the first time outside of Korea. Restored in 2022 by the Korean Film Archive.

Sunday, September 3 at 3:00pm (post-screening discussion on Lee Man-hee’s breakthrough feature and how it became the first Korean movie to gain national theatrical distribution in the U.S.)
Thursday, September 7 at 4:00pm
Friday, September 15 at 4:00pm

The Devil’s Stairway / Ma-ui Gyue-dan
Lee Man-hee, 1964, South Korea, 110m
Korean with English subtitles
With the Diabolique-tinged The Devil’s Stairway, featuring a striking setting and superbly executed black-and-white photography, Lee Man-hee (A Day Off) added to the list of Korea’s most accomplished psychological thrillers. The film takes place in a gothic-looking two-story hospital and focuses on an ambitious doctor who stands on the verge of becoming chief surgeon by marrying the hospital owner’s daughter. However, a clandestine affair the doctor is having with one of the nurses puts his plans in jeopardy. When the doctor’s lover becomes jealous and events start spinning out of control, he takes drastic measures to cover up the affair. Actor Kim Jin-gyu as the doctor and Moon Jeong-sook (one of Lee Man-hee’s favorite actresses) as the nurse both excel in their roles, completely convincing in their depictions of betrayal, revenge, and guilt-induced paranoia. Restored in 2015 by the Korean Film Archive.
Friday, September 8 at 6:30pm
Friday, September 15 at 8:45pm

The Red Muffler / Ppalgan Mahura
Shin Sang-ok, 1964, South Korea, 105m
Korean with English subtitles
Shin Sang-ok, a pivotal figure in the South Korean film industry—as a prolific director, producer, and a studio mogul running Shin Films—had a soaring box-office hit on his hands with The Red Muffler. Taking place near the end of the Korean War, the story is centered around a tough but kindhearted air force major, his mentorship of a rookie pilot, and his relationship with a hostess working at a local bar (star Choi Eun-hee and director Shin’s wife) with whom he has a history. Featuring exciting battles in the air (the first-ever application of aerial cinematography in Korean cinema), heartbreaking romance on the ground, and even a musical number, this precursor to Top Gun is a blockbusting, rousing, and romanticized tribute to South Korea’s jet-fighter pilots, and a perfectly packaged piece of popular entertainment of its time. Restored in 2012 by the Korean Film Archive.
Tuesday, September 5 at 4:00pm
Sunday, September 10 at 8:00pm
Wednesday, September 13 at 4:15pm

The Barefooted Young / Maenbal-ui Cheongchun
Kim Kee-duk, 1964, South Korea, 116m
Korean with English subtitles
A new genre emerged in South Korea in the 1960s. This was the first decade in which youth culture- strongly influenced by the West- clearly distinguished itself from the values and lifestyle of older generations. Of the ”youth films” that emerged depicting and celebrating this culture, Kim Kee-duk’s The Barefooted Young is by far the best known. Mixing humor and social critique in its story of a poor young troublemaker who falls in love with a wealthy ambassador’s daughter, the film highlights not only Korea’s stark class divisions, but also its widening generation gap, with increasingly wild youth and ever more alarmed parents. Nearly banned by censors, the film enjoyed huge commercial success, turning lead actors Shin Sung-il and Eom Aeng-ran into the decade’s most famous on- and off-screen couple. Digital mastered in 2011 under the supervision of  the Korean Film Archive.
Friday, September 1 at 6:15pm
Tuesday, September 12 at 8:30pm

The Empty Dream / Chunmong
Yu Hyun-mok, 1965, South Korea, 71m
Korean with English subtitles
A young man and woman under anesthesia for oral surgery meet in a shared dream and fall into an increasingly bizarre love triangle with their dentist. So begins Yu Hyun-mok’s lusty and sinister headtrip of a film, which takes Tetsuji Takechi’s pink film Daydream as its jumping-off point and playfully nods to Yu’s own tooth-ached protagonist in Aimless Bullet while becoming something altogether unclassifiable. A nearly wordless mashup of Freudian ideas played out on strikingly stylized sets, loosely connected by a referential, oddball soundtrack ranging from Johann Strauss’s “On the Blue Danube” to the theme song of René Clément’s pulpy Joy House, The Empty Dream is a wildly imaginative surrealistic gem ripe for rediscovery. Digitally mastered in 2022 by the Korean Film Archive.
Wednesday, September 6 at 8:30pm
Sunday, September 10 at 6:00pm
Wednesday, September 13 at 8:30pm

A Bloodthirsty Killer / Sal-inma
Lee Yong-min, 1965, South Korea, 94m
Korean with English subtitles
Classic Korean horror films tend to spring from certain templates, the most common being a story about a woman who is deceived, betrayed, and killed before coming back as an angry ghost to exact her revenge. A Bloodthirsty Killer sticks to this formula, but in all other respects it is unique among its contemporaries. This is thanks in part to director Lee Yong-min’s distinctive style, exaggerated and slightly absurd, with characters behaving in bizarre and unpredictable ways, and the plot lurching quickly from one supernatural twist to the next. Lee also possesses a talent for producing striking visual imagery, despite the difficult conditions under which the film was shot. Korean audiences in the 1960s were surely more impressionable than the horror fans of today, but there is much in this film that will catch even contemporary viewers unawares. Restored in 2021 by the Korean Film Archive.
Friday, September 8 at 9:00pm
Sunday, September 17 at 5:30pm

The Seashore Village / Gaenma-eul
Kim Soo-yong, 1965, South Korea, 35mm, 94m
Korean with English subtitles
The prolific Kim Soo-yong (who directed 109 films between 1958 and 2000) brings a meditative and frank sensuality to his screen adaptation of Oh Yeong-su’s novel of the same name, which trains its focus on the women of a remote fishing island commonly left widowed by its dangerous surrounding sea. After one newlywed loses her husband during a fishing expedition, she falls into another relationship with a predatory suitor that leads to their exile to the mountains. A deep and searching exploration of community that sneaks in gestures of sapphic desire, The Seashore Village offers a fascinating, radical examination of postwar Korea’s fractured sense of identity and unfolds in sumptuous, on-location black-and-white cinematography. Restored in 2011 by the Korean Film Archive.
Monday, September 4 at 4:15pm
Friday, September 8 at 4:15pm
Sunday, September 17 at 8:00pm

Let’s Meet at Walkerhill / Wokeohileseo Mannapsida
Han Hyeong-mo, 1966, South Korea, 96m
Korean with English subtitles
Two country bumpkins (Twist Kim and Seo Yeong-chun) meet on a train bound for Seoul. One of them is hoping to locate his long-lost daughter in the big city, and the other is looking for a former sweetheart who may now be an up-and-coming nightclub singer. During their search, fish-out-of-water hijinks ensue that stitch together music and dance performances at various Seoul nightclubs and dance halls featuring top stars of the time, including the Park Chun-seok Orchestra, Hyeon Mi, Lee Geum-hee, and Lee Mi-ja. Han Hyeong-mo, one of Korea’s leading filmmakers of the 1950s and known for “women’s pictures” (e.g., Madame Freedom), delivers this charming musical comedy during the late stage of his career. Ultimately, this film is a loving time capsule that gives a front-row view of the music scene of South Korea of the mid-1960s, long before K-pop would take over the world. Digitally mastered in 2013 by the Korean Film Archive.
Sunday, September 3 at 12:45pm
Tuesday, September 12 at 6:15pm

Special Agent X-7 / Sunganeun yeongwonhi
Chung Chang-wha, 1966, Hong Kong/South Korea, 106m
No sound, with English subtitles
Legendary action filmmaker Chung Chang-wha (The King Boxer) lights up the screen with his own take on the spy genre. The Korean Intelligence Agency dispatches its top agent, X-7 (Nam Koong-won), to put a stop to a gold-smuggling operation run by North Korean spies in Hong Kong. During his mission, X-7 meets a mysterious woman (Jang Jung-moon) who offers to deliver North Korean secret documents in exchange for 50,000 dollars. Beautifully filmed on locations in Hong Kong, Japan, South Korea, and Taiwan, Special Agent X-7 is full of car chases, spy gadgets, secret lairs, and surprising plot twists—all under the impeccable direction of Chung. After seeing this film, Sir Run Run Shaw (founder of the Shaw Brothers Studio) didn’t think twice about signing an exclusive contract with Chung. Long considered lost, the 35mm print of Special Agent X-7 was discovered in 2013 in Hong Kong, without the sound. Digitally mastered in 2014 by the Korean Film Archive.
Sunday, September 3 at 8:00pm
Thursday, September 14 at 8:30pm

The Goddess of Mercy aka The Great Tyrant / Daepokgun
Lim Won-sik, 1966, Hong Kong/South Korea, 97m
Korean with English subtitles
A reimagining of the tale of princess Miao Shan, an incarnation of Bodhisattva Guanyin in Chinese Buddhist teachings, this second collaborative project between the Shaw Brothers Studio and Shin Films marked a high point in Hong Kong-Korea coproductions. Featuring grandiose battles, heavenly miracles, and even song-and-dance numbers, the film spares no expense in delivering sheer spectacle. Two separate versions of the film were shot simultaneously, with Hong Kong actress Li Li-hua and Korean actress Choi Eun-hee each appearing in the titular role. Only the Hong Kong version was known to exist until 2017, when the Korean Film Archive discovered the Korean version, titled The Great Tyrant, among the Shaw Brothers collection. This will mark the first time the Choi Eun-hee version has ever been screened outside of Korea. Digitally mastered in 2017 by the Korean Film Archive. Due to the incomplete nature of the sound elements, 10 minutes of audio is missing from the feature. 
Monday, September 4 at 8:30pm
Monday, September 11, at 6:30pm

The Great Monster Yonggary aka Yongary, Monster from the Deep / Daegoesu Yonggari
Kim Kee-duk, 1967, South Korea, 35mm, 79m
English-dubbed version
Born out of a nuclear explosion, Yonggary, another misunderstood monster destroying everything in its path, appears on Inwangsan mountain and drives everyone in Seoul into a panic! The authorities are helpless. Can anyone stop Yonggary?! Inspired by kaiju (giant monster) movies, director Kim Kee-duk (The Barefooted Young) set out to make the first Korean monster movie, and enlisted the aid of technical experts from Japan—making this the first collaboration of its kind between South Korea and Japan. The film was released in the United States in 1969 by American International Pictures under the title Yongary, Monster from the Dee p; later it received the Mystery Science Theater 3K treatment, where it was described as a “monster film that’s long on rampages and short on sensible behavior.” What better way to experience this landmark in Korean kaiju cinema than by seeing Yonggary’s lack of sensible behavior on the big screen—and on the only surviving 35mm print.
Friday, September 1 at 4:15pm
Saturday, September 9 at 2:15pm
Saturday, September 16 at 8:30pm

Space Monster Wangmagwi / Ujugoein Wangmagwi
Gwon Hyeok-jin, 1967, South Korea, 82m
Korean with English subtitles
Dastardly aliens initiate an invasion of Earth by releasing an enormous creature, Wangmagwi, in the middle of Seoul and waiting as the monster demolishes everything in its path. The incident disrupts the wedding plans of an air force pilot (Nam Kung-won) whose fiancée (Kim Hye-kyeong) is waiting at the wedding hall. The bride-to-be ends up being captured and carried away by Wangmagwi, King Kong–style. Space Monster Wangmagwi, which opened before The Great Monster Yonggary and was accused of plagiarism by Yonggary’s production company, is a bit of a silly hodgepodge. It is part allegory on the Korean War, part kids’ movie, and part comedy, with skits performed by popular comedians as they encounter the monster. In addition to its historical importance, and with a poorly designed rubber suit that is anything but convincing, this film can best be enjoyed as a fun and campy low-budget genre romp.
Saturday, September 9 at 4:00pm
Wednesday, September 13 at 6:30pm
Saturday, September 16 at 6:30pm

The Story of Hong Gil-dong / Hong Gil-dongjeon
Shin Dong-hun, 1967, South Korea, 70m
Korean with English subtitles
Hong Gil-dong is an iconic figure in Korean literature and pop culture who first appeared in the mid-19th century as the protagonist of an adventure novel, The Story of Hong Gil-dong. So it’s no surprise that South Korea’s first animated feature film would center on Gil-dong, in this case in an adaptation by director Shin Dong-hun of his younger brother Shin Dong-woo’s popular manhwa (comic) Lucky Adventurer, Hong Gil-dong (serialized from 1965 to 1969 in Children’s Chosun Ilbo). Born the illegitimate son of a government official—which automatically makes him a social outcast—Gil-dong leaves home, spends time training in martial arts under Master Baekwun, and becomes a leader of a group of bandits who steal from corrupt officials in order to punish them and help the poor. The film was considered lost until a 16mm print was discovered in Japan in 2008; it was blown up to 35mm before undergoing digital restoration. Restored in 2021 by the Korean Film Archive.
Saturday, September 2 at 2:15pm
Sunday, September 17 at 2:15pm

Hopi and Chadol-Bawi / Hopiwa Chadolbawi
Shin Dong-hun, 1967, South Korea, 70m
Korean with English subtitles
After the enormous success of Shin Dong-hun’s The Story of Hong Gil-dong, a sequel was planned, but the director ended up parting ways with the original production company due to creative disagreements. This in part explains why, for his second animated feature, he focused on Hopi and Chadol-Bawi, the two supporting characters from the Hong Gil-dong manhwa. A companion piece to The Story of Hong Gil-dong as much as a delightful standalone adventure, the film tells the story of a tiger-skin-wearing thief, Hopi, who turns over a new leaf after being trained in martial arts by Master Sakpung and ultimately defends the country from an attack by a Jurchen general. Building off the big trial-and-error learning experience of making The Story of Hong Gil-dong, Shin and his animation team let loose with Hopi and Chadol-Bawi, creating a gorgeously colorful mixture of hand-drawn art styles that feels more confident and experimental than its precursor, but no less rich with humor and sword-and-magic thrills. Restored in 2021 by the Korean Film Archive and the Image Power Station.
Saturday, September 2 at 4:00pm
Sunday, September 17 at 3:45pm

Mist / Angae
Kim Soo-yong, 1967, South Korea, 78m
Korean with English subtitles
An atmospheric work by an immensely talented filmmaker, Mist has taken its place as one of the high points of 1960s South Korean cinema. Based on a famous 1964 modernist novel by Kim Seung-ok titled Journey to Mujin, Kim Soo-yong’s film tells the story of a middle-class office worker in Seoul who takes a trip to his rural hometown. As he revisits the place of his youth, familiar locations and people trigger flashbacks of his troubled past. At the same time, he meets a young schoolteacher who yearns to escape from the confines of her everyday life. Powered by magnetic performances from Shin Sung-il (the most prolific actor in Korean film history) and Yoon Jeong-hee (who years later would play the lead in Lee Chang-dong’s Poetry), Mist offers experimental blurring of past and present that captures the restlessness and disappointment of an entire generation of dreamers. Restored in 2011 by the Korean Film Archive.
Friday, September 1 at 8:45pm
Sunday, September 10 at 4:00pm

Burning Mountain / Sanbul
Kim Soo-yong, 1967, South Korea, 80m
Korean with English subtitles
Burning Mountain is set in a southwestern rural village during the Korean War in the early 1950s.Partisan soldiers fighting on the side of North Korea are hiding out in the mountains. Meanwhile, the village is filled with widows and single women, having lost the entire male population to war or forced conscription. One day, a deserter from the North Korean People’s Army begins hiding out in a nearby bamboo forest. A widow, Jeom-rye (whose husband fought for the South), brings him food, and they start a sexual affair. However, another widow, Sawol (whose husband fought for the North), soon discovers their secret. Shot in widescreen with sharp black-and-white visuals, this 80-minute film is dramatically tense and visually stunning, despite the limited resources available to director Kim Soo-yong. A completely unique perspective on the Korean War, as well as a timeless fable about human instinct and desire. Restored in 2021 by the Korean Film Archive.
Sunday, September 10 at 2:00pm
Saturday, September 16 at 4:30pm

A Swordsman in the Twilight / Hwanghonui Geomgaek
Chung Chang-wha, 1967, South Korea, 35mm, 80m
Korean with English subtitles
Before he started working for the Shaw Brothers Studio and kicked off the martial arts movie craze in the West with The King Boxer, Chung Chang-wha built the foundations for action and genre filmmaking in South Korea. Set during the Joseon Dynasty period, A Swordsman in the Twilight introduces us to a lone bamboo-hat-wearing swordsman (Nam Koong-won) who appears in a lawless village. And while what follows may be a standard revenge story, Chung employs long shots to film action sequences that—in contrast to the more acrobatic and energetic style of Hong Kong wuxia—consist primarily of graceful and restrained movements of swordsmen in hanbok facing off against each other. Action is framed against the backdrops of Korean landscapes and palace architecture, the meetings of the swords ever brief, and ultimately deadly. Confidently directed and tightly edited, this film is a rare example of a distinctly Korean-style sword-fighting film that only Chung could have made.
Monday, September 4 at 6:30pm
Thursday, September 14 at 6:30pm

A Day Off / Hyuil
Lee Man-hee, 1968, South Korea, 74m
Korean with English subtitles
Heo-wook and Ji-youn are a young couple, desperately poor, who can meet only on Sundays. Without any money to go to a cafe, they wander the windswept streets and parks of Seoul. Their future is bleak and their relationship appears strained. And they face a crisis: Ji-youn is pregnant. Unable to support a child, she tells Heo-wook that she wants an abortion. Forgotten in storage for 37 years after censors refused to allow its release, A Day Off was belatedly recognized as one of the decade’s masterpieces. Clearly influenced by European auteurs such as Antonioni and Resnais, Lee Man-hee’s spare, lyrical images express everything that the film’s physically and spiritually exhausted heroes struggle to put into words. Poetic and rich, A Day Off is, for all its bitter pessimism, a kind of love letter to the expressive potential of cinema. Restored in 2017 by the Korean Film Archive.
Monday, September 4 at 2:30pm
Thursday, September 7 at 6:30pm
Monday, September 11 at 4:30pm

Eunuch / Naesi
Shin Sang-ok, 1968, South Korea, 35mm, 93m
Korean with English subtitles
A tale of doomed romance and palace power games, Eunuch follows two forlorn lovers who end up in the service of the king: one after being forced to become a eunuch, and the other after being sent away by her father to the royal harem. Set in the Joseon Dynasty era, with beautiful cinematography and production design, Eunuch stands out among Shin Sang-ok’s costume dramas as an especially lush widescreen technicolor entertainment that takes a step into exploitation cinema with sprinkles of sensuous eroticism and bursts of violence. At the same time, it also serves as a critique of the oppressive social structure of the past, especially when it comes to the role of women. Living within the suffocating confines of the royal palace, the queen and the court ladies have only two choices: to suppress their need for fulfillment, or to be punished for excesses that go against Confucian social norms.
Thursday, September 7 at 8:15pm
Friday, September 15 at 6:30pm

FILM AT LINCOLN CENTER

Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.

Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment ; and the presentation of podcasts, talks, special events, and artist initiatives. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned Lincoln Center arts complex, making the discussion and appreciation of cinema accessible to a broad audience and ensuring that it remains an essential art form for years to come.

SUBWAY CINEMA

Subway Cinema Inc. is a 501(c)(3) not-for-profit volunteer-run organization dedicated to the exhibition and appreciation of Asian popular cinema and preservation of America’s Asian film exhibition heritage. Founded in 1999, it has played a key role in nurturing the growth of Asian film culture in the U.S. by championing the works of Johnnie To, Tsui Hark, Park Chan-wook, Bong Joon-ho, Takashi Miike, Kim Jee-woon, Ryoo Seung-wan, Seijin Suzuki, Sion Sono, and other notable directors.

It founded and ran the annual New York Asian Film Festival (NYAFF) for 17 consecutive years, establishing it as North America’s leading festival of popular Asian cinema. Subway Cinema’s current focus is on retrospective programming, including the Old School Kung Fu Fest (a showcase for the best of classic martial arts and action films) and Hong-Kong-a-Thon! (12-hour marathons of classic Hong Kong genre  films from the 80s and 90s).

Website:  www.subwaycinema.com / Twitter: @subwaycinema / Instagram: @subwaycinema

KOREAN CULTURAL CENTER NEW YORK

Inaugurated in 1979, the Korean Cultural Center New York (KCCNY) is a branch of the Ministry of Culture, Sports and Tourism (MCST) of the Republic of Korea. KCCNY works to promote cultural arts exchange and stimulate interest in Korean culture through various opportunities including exhibitions, concerts, film festivals, educational programs, and more.

Website:  www.koreanculture.org / Twitter: @KoreanCultureNY / Instagram: @kccny

For press inquiries regarding Film at Lincoln Center, please contact: 

John Kwiatkowski, Film at Lincoln Center,  JKwiatkowski@filmlinc.org 

Eva Tooley, Film at Lincoln Center,  ETooley@filmlinc.org 

Rogers & Cowan PMK,  filmatlincolncenterpr@rogersandcowanpmk.com

 

Available Now: Gravitas Ventures Release of “The Unabridged Mrs. Vera’s Daybook, ” from prolific LGBTQ filmmaker Robert James (Library of Dust, Ruminations), with Verasphere stars David Faulk and Michael Johnstone

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“The Unabridged Mrs. Vera’s Daybook” is available now globally on all  TVOD/Digital platforms  through Gravitas Ventures.

“The Unabridged Mrs. Vera’s Daybook”  tells the brilliant story of historic activism, love, and community art through the works of two prolific San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors and extraordinary activists who were instrumental in ACT UP and the NAMES Project (culminating in the March On Washington/installation of Aids Quilt in Washington, D.C.). During one of the darkest periods in US History, two men decide to bring all the joy and color to a broken community for which an entire movement has emerged. Taking to the streets bedecked in glitter, baubles, and recycled plastic, the two form a cadre of colorful kindred spirits they call Verasphere, supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion, photos here. Having received the coveted Community Grand Marshall appointment for the San Francisco Pride Parade in 2019, our film subjects confront a new pandemic and celebrate 25 years of making sensational art together.

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“The Unabridged Mrs. Vera’s Daybook”  Website: https://mrsverasdaybookfilm.com/

“The Unabridged Mrs. Vera’s Daybook”  iTunes Link: https://apple.co/44hKl42

“The Unabridged Mrs. Vera’s Daybook”  Amazon Link: https://amzn.to/43Hdc0C

“The Unabridged Mrs. Vera’s Daybook”  Vudu Link: https://www.vudu.com/content/movies/details/title/2436418

The Unabridged Mrs. Vera’s Daybook”  Vimeo Link: https://vimeo.com/ondemand/unabridgedmrsvera

“The Unabridged Mrs. Vera’s Daybook”  YouTube Link: https://www.youtube.com/watch?v=9vhHrCn-Fww

View New Clip: TIL DEATH DO US PART – Opens August 4th Exclusively in theaters nationwide

Cam Gigandet and Natalie Burn in TIL DEATH DO US PART (Photo Credit-Cineverse)

TIL DEATH DO US PART

Releases Exclusively in Theaters Nationwide on August 4

Directed by: Emmy® Award Winner Timothy Woodward Jr.

Starring: Cam Gigandet (Twilight, Never Backdown), Jason Patric (The Lost Boys, Speed 2: Cruise Control), Natalie Burn (Black Adam, The Enforcer) and Orlando Jones (The Time Machine, Drumline).

From the creator of Final Destination and Directed by Emmy® Award Winner Timothy Woodward Jr., Til Death Do Us Part portrays the grim reality that not every romance story ends with happily ever after.  After running away on her wedding day, a bride-to-be must fight for survival against her former fiancé and his seven deadly groomsmen. In the ultimate horror showdown, the groomsmen soon discover that she has no intention of going back to the life she left behind.

Brimming with stylish violence and blood-soaked action, Til Death Do Us Part seamlessly blends the slick, kinetic thrills of John Wick with the dark, twisted revenge tale of Kill Bill.

Co-written by Chad Law (Black Water) and Shane Dax Taylor (Isolation), Til Death Do Us Part also stars Ser'Darius Blain (Jumanji: Welcome to the Jungle), D.Y. Sao (Everything Everywhere All at Once), Neb Chupin (Mindcage, Acceleration) and Pancho Moler (3 from Hell). The film is produced by Jeffrey Reddick (Final Destination), Woodward Jr./Status Media and Entertainment and Burn/Born To Burn Films. Reddick and Woodward Jr. previously collaborated on the popular horror films The Final Wish &The Call, both starring genre legend Lin Shaye. The film’s Executive Producers include Matthew Helderman and Luke Taylor, with Thomas Mann and Neb Chupin acting as Co-Executive Producers.

SOCIAL MEDIA:
Facebook: https://www.facebook.com/TilDeathDoUsPart2023
Instagram: @tildeathdouspart.2023

ABOUT CINEVERSE 
Cineverse is a global streaming technology and entertainment company with one of the world’s largest portfolios of owned and operated streaming channels, all powered by its advanced, proprietary technology platform. Cineverse currently features enthusiast brands for subscription video on demand (SVOD), advertising-based video on demand (AVOD) and free, ad-supported streaming television (FAST) channels. Cineverse entertains consumers around the globe by providing premium feature film and television series, enthusiast streaming channels and technology services to some of the world's largest media, retail and technology companies.
For more information, please visit www.cineverse.com.

Animated Epic Fantasy WARRIOR KING-Opening in North American Theaters August 25

Cineverse logo
Warrior-King-Poster (Credit_ Cineverse)

WARRIOR KING

Directed by: Lu Qi
Written by: Lu Wunan & Wang Yunsheng
Running Time: 114 Minutes
Animation
Country: China (In English)
Rating: PG-13

Releases Exclusively in Theaters Nationwide on August 25

This Chinese animated epic fantasy is based on the true story of King Gesar. born to a divine lineage and destined to become a great hero and ruler. As a young man, the future king grew up exiled in a realm overrun by menacing demons and monsters. When evil forces threaten his home, he embarks on a heroic journey to save his people and fulfill his destiny as a legendary leader.

The story of Gesar is considered one of Central Asia’s literary classics and was passed down in oral tradition for some 1,000 years, as well as literary, poetic and stage play versions. Its Tibetan iteration may now be the most prominent, It is certainly one of the longest, running to over 100 volumes and a million verses, according to some calculations.

 

ABOUT CINEVERSE
Cineverse is a global streaming technology and entertainment company with one of the world’s largest portfolios of owned and operated streaming channels, all powered by its advanced, proprietary technology platform. Cineverse currently features enthusiast brands for subscription video on demand (SVOD), advertising-based video on demand (AVOD) and free, ad-supported streaming television (FAST) channels. Cineverse entertains consumers around the globe by providing premium feature film and television series, enthusiast streaming channels and technology services to some of the world's largest media, retail and technology companies. For more information, please visit  www.cineverse.com.

View the new clip for august at twenty-two available to rent & buy on all TVOD/Digital platforms across North America today

august_at_twentytwo poster

august at twenty-two available to rent & buy on all TVOD/Digital platforms across North America today.

This richly textured cinematic tapestry charts our elemental need to connect with one another as Cal (Edwards), a floundering actress, accidentally falls in love with her best friend's girlfriend. We experience multiple coming of age stages during our lives, coming out the other side now feeling the glow of self-realization and newfound confidence – august at twenty-two embraces that.